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The Roman Army: A Social and Institutional History - Karatunov.net

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158<br />

<strong>The</strong> <strong>Roman</strong> A rmy<br />

verted bowl made of one piece of m et a l , with a ru d i m en t a ry neck guard at<br />

ni<strong>net</strong>y degrees to the body of the helmet. Hinged cheek pieces could be attached<br />

to the side s . This is typ i f i ed by the devel oped Mon tefortino type , wh i ch had<br />

been used in a simplified form since the third century bc. In the first century<br />

ad, the Coolus type superseded this helmet, with a similar neck guard <strong>and</strong> an<br />

ad d i ti onal brow guard . <strong>The</strong> Im perial Gallic <strong>and</strong> Im perial Italic hel m ets improved<br />

on these designs in that the neck guard was provided with ribs <strong>and</strong> angled<br />

down to reduce the space between the old-type neck guard <strong>and</strong> the shoulders<br />

. Pro tective ear pieces were ad ded to some hel m et s , <strong>and</strong> the ch eek piece s<br />

became more elaborate with the rear section angled outward, to deflect blows<br />

from connecting with the side of the neck. Some helmets were very elaborate,<br />

m ade of i ron with decora tive bron ze fitti n gs <strong>and</strong> stu d s . On Tra ja n’s Co lu m n ,<br />

some legionaries are depicted with reinforcing cross pieces on the tops of their<br />

h el m et s , but no actual examples were known until com p a ra tively recen t ly<br />

( Con n o lly, 1 9 9 8 ) . A significant fe a tu re of <strong>Roman</strong> hel m ets is the so-call ed<br />

drawer h<strong>and</strong>le that was attached to the neck guard for ease of carrying it; these<br />

pieces survive in greater numbers than the helmets themselves.<br />

Most of the helmets had a knob or some other attachments at the top for fitting<br />

a crest, <strong>and</strong> the Coolus type was equipped with a slot at the side for plumes.<br />

Po lybius says that the Rep u blican soldiers sported bl ack or purple fe a t h ers in<br />

their helmets, to make themselves seem taller <strong>and</strong> more imposing. According to<br />

Vegetiu s , cen tu ri ons were disti n g u i s h ed by a wi de crest running tra n s vers ely<br />

over the helmet, rather than the more usual form running from front to back,<br />

but no fittings have yet been discovered to verify this statement. It is not certain<br />

whether the <strong>Roman</strong>s went into battle wearing their crests <strong>and</strong> plumes. On Trajan’s<br />

Column it seems that these were fitted only for parades <strong>and</strong> ceremonies,<br />

but Julius Caesar describes an occasion when fighting broke out unexpectedly,<br />

giving the soldiers no time to take off their shield covers, or to fit their plumes<br />

to their helmets. It may have been a case of fashionable practice at certain times,<br />

or perhaps it was left to the discretion of the general in comm<strong>and</strong>.<br />

Military Music<br />

Musical instruments are known from <strong>Roman</strong> military contexts, attested by arch<br />

aeo l ogical finds, f rom sculptu ral repre s en t a ti on s , <strong>and</strong> from litera ry references.<br />

<strong>The</strong>se sources have enabled modern craftsmen to reconstruct the instrum<br />

en t s , <strong>and</strong> so the prob a ble ra n ge <strong>and</strong> type of sounds that they made can be<br />

ascertained. It is not known for certain, however, what combinations of notes<br />

were played on them in <strong>Roman</strong> times—despite the efforts of the epic film industry<br />

to produce likely compositions. In the military context, it is likely that

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