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~ insider olympics ~<br />

Torch song<br />

As designers of the London 2012 Olympic torch,<br />

East End artists Barber & Osgerby will be delighted to see<br />

their work go up in flames next year, says Lucille Howe<br />

Portrait by Travis Hodges<br />

on friday, May 18 next year, a very special delivery will reach<br />

English shores from its home in Greece – the Olympic Flame –<br />

and when it does, two east London artists will watch their work<br />

take the world stage.<br />

Designers Edward Barber and Jay Osgerby work just four<br />

miles from the London 2012 stadium, which made designing<br />

the Olympic icon all the more seductive. Osgerby tells how they<br />

fi rst caught wind of the project: “When Ed and I heard that<br />

Britain had won the bid to host 2012 we were in the back of a<br />

black cab. Straight away we said, ‘We have to do the torch.’”<br />

Barber and Osgerby founded their studio in 1996 aft er<br />

graduating with masters degrees in architecture from the Royal<br />

College of Art in London. In 2004, the pair were awarded the<br />

Jerwood Applied Arts Prize and their work is held in permanent<br />

collections around the world, including the V&A Museum in<br />

London. With such a stellar CV, it’s no surprise<br />

the duo’s design pitch for the torch was rewarded, despite<br />

fi erce competition.<br />

“Around 500 designers pitched for the job, 25 were<br />

shortlisted and a fi nal fi ve presented,” explains Osgerby. “And,<br />

yes, we practised running with our torch around the offi ce!”<br />

Unveiled for the fi rst time at London’s St<br />

Pancras station in June, the design elicited<br />

various responses from the world press<br />

including declarations that it looked like a<br />

giant cheese grater, a hotel ashtray, a<br />

cigarette holder and, according to a piece<br />

by the BBC, a bit “bling”. But, the duo was keen to explain their<br />

thoughtful and elegant design, made of lightweight aluminium,<br />

and featuring 8,000 holes – one to represent each of the relay<br />

runners who will carry the torch.<br />

“There are recurring trinities in this Olympics. It’s the third<br />

time it’s been in London and the themes are sport, education<br />

and culture, so that informed the triangular shape,” says<br />

Barber. “It needed to be light – Turin’s was two kilos, a veritable<br />

dead weight – easy to hold and comfortable in whatever<br />

weather, because you never really know what it will be like in<br />

July. The youngest relay runner is 12 so we also wanted it to be<br />

tall enough to be visible to a crowd.”<br />

“And if you drop it, it bounces,” interjects Osgerby, smiling.<br />

The relay route, which covers every region in the UK and<br />

includes island visits, will see the torch travel 8,000 miles in a<br />

70-day journey. It will come within one hour of 95% of people<br />

in the UK, arriving at the Olympic Stadium on July 27 for the<br />

lighting of the cauldron at the opening ceremony. A whole<br />

year in advance, Barber and Osgerby, it seems, are the Games’<br />

fi rst winners.<br />

28 metropolitan<br />

L’année prochaine, Edward Barber et Jay Osgerby, les<br />

artistes de l’East-End auteurs de la torche olympique,<br />

mettront le feu aux Jeux olympiques de Londres<br />

le vendredi 18 mars 2012, une livraison spéciale<br />

venue de Grèce accostera sur les côtes anglaises :<br />

la fl amme olympique. Le travail de deux artistes<br />

londoniens prendra alors une dimension universelle.<br />

Les stylistes Edward Barber et Jay Osgerby travaillent<br />

à deux pas du stade olympique. La conception du<br />

symbole des Jeux n’en était que plus séduisante.<br />

« Lorsque nous avons appris que la Grande-Bretagne<br />

organiserait les Jeux, nous étions dans un taxi. Nous<br />

avons immédiatement pensé que nous devions créer<br />

cette fl amme, dit Osgerby. »<br />

Barber et Osgerby ont fondé leur cabinet en 1996<br />

après avoir obtenu leur diplôme en architecture au<br />

Royal College of Art de Londres. En 2004, ils ont<br />

obtenu le Jerwood Applied Arts Prize et leur travail fait

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