25.02.2014 Aufrufe

AUDIO Verstärker und DACs (Vorschau)

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38 Loudspeakers Floorstanders<br />

Author: Bernhard Rietschel<br />

It’s wellnigh a law of nature that ultimate<br />

speakers must be big, heavy and<br />

expensive. Nothing has changed here<br />

during the past decade, despite an impressive<br />

miniaturisation in almost all technological<br />

sectors. For instance, entire<br />

music libraries in studio mastering quality<br />

fit easily into a shirt pocket, world-class<br />

players can be carried away with one hand<br />

and powerful amplifiers – see Devialet or<br />

Linn – hang flat on the wall as design<br />

objects. But to set 100 cubic metres of air<br />

in motion with triple-digit so<strong>und</strong> pressure<br />

levels at the end of the audiophile food<br />

chain, you’ll need appropriate cone surfaces<br />

(big) and strong drives (heavy) plus<br />

Tough Blossom: The Power Flower<br />

drive system exerts merciless<br />

control on Focals own W Sandwich<br />

cone – which in itself is almost<br />

completely resonance free.<br />

custom-designed, acoustically inert cabinets<br />

(even bigger and heavier). At the<br />

interface between electronics and acoustics<br />

nothing’s for free, and this will also<br />

hold true in another ten years.<br />

But just how much has happened here<br />

<strong>und</strong>er technologial aspects, too, is exemplified<br />

by a comparison of two Focal Utopia<br />

models: the Grande Utopia BE from<br />

2003 and the Stella Utopia EM from the<br />

latest fourth Utopia generation. Pricewise<br />

they compare rather exactly, but for ro<strong>und</strong><br />

about 60,000 EUR you got the top-of-theline<br />

model then, whereas now this budget<br />

will take you only to the second largest<br />

speaker. At 130,000 EUR the Grande has<br />

now wafted away into yet another sphere;<br />

however, the reason for this price increase<br />

is neither greed nor inflation, but above<br />

all the enormous efforts the designers<br />

have put into this whopping loudspeaker<br />

that was introduced in 2009. The Stella<br />

has inherited a good deal of it, and so the<br />

suspicion that Focal might en passant<br />

have doubled their prices, quickly gives<br />

way to the enthusiasm for a loudspeaker<br />

which makes its ancestor look downright<br />

outdated in every respect – with regard<br />

to technology, measurements, so<strong>und</strong> and<br />

practical properties.<br />

I’m not writing this out of a vague assumption,<br />

but after thousands of listening<br />

hours with the old Grande. A loudspeaker<br />

which had been dominating our listening<br />

room as reference speaker for years – not<br />

truly loved by anyone, yet needed by each<br />

of us, because with it even the tiniest of<br />

differences, e.g. between top-notch digital<br />

players, could be carved out with enormous<br />

clarity and precision.<br />

Even in large rooms the new Stella can<br />

hardly be overlooked, although it’s slightly<br />

smaller and lighter than the old Utopia.<br />

„Slightly“ means that the Stella weighs<br />

about 100 po<strong>und</strong>s less, but still puts 165<br />

kg per piece on the casters equipped as<br />

Rare sight: Behind the red ring hides an electromagnetic coil energized by DC<br />

fed through the second pair of connectors (on the right side of the basket). The<br />

acceleration possible with this drive is unequalled.

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