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38 Loudspeakers Floorstanders<br />
Author: Bernhard Rietschel<br />
It’s wellnigh a law of nature that ultimate<br />
speakers must be big, heavy and<br />
expensive. Nothing has changed here<br />
during the past decade, despite an impressive<br />
miniaturisation in almost all technological<br />
sectors. For instance, entire<br />
music libraries in studio mastering quality<br />
fit easily into a shirt pocket, world-class<br />
players can be carried away with one hand<br />
and powerful amplifiers – see Devialet or<br />
Linn – hang flat on the wall as design<br />
objects. But to set 100 cubic metres of air<br />
in motion with triple-digit so<strong>und</strong> pressure<br />
levels at the end of the audiophile food<br />
chain, you’ll need appropriate cone surfaces<br />
(big) and strong drives (heavy) plus<br />
Tough Blossom: The Power Flower<br />
drive system exerts merciless<br />
control on Focals own W Sandwich<br />
cone – which in itself is almost<br />
completely resonance free.<br />
custom-designed, acoustically inert cabinets<br />
(even bigger and heavier). At the<br />
interface between electronics and acoustics<br />
nothing’s for free, and this will also<br />
hold true in another ten years.<br />
But just how much has happened here<br />
<strong>und</strong>er technologial aspects, too, is exemplified<br />
by a comparison of two Focal Utopia<br />
models: the Grande Utopia BE from<br />
2003 and the Stella Utopia EM from the<br />
latest fourth Utopia generation. Pricewise<br />
they compare rather exactly, but for ro<strong>und</strong><br />
about 60,000 EUR you got the top-of-theline<br />
model then, whereas now this budget<br />
will take you only to the second largest<br />
speaker. At 130,000 EUR the Grande has<br />
now wafted away into yet another sphere;<br />
however, the reason for this price increase<br />
is neither greed nor inflation, but above<br />
all the enormous efforts the designers<br />
have put into this whopping loudspeaker<br />
that was introduced in 2009. The Stella<br />
has inherited a good deal of it, and so the<br />
suspicion that Focal might en passant<br />
have doubled their prices, quickly gives<br />
way to the enthusiasm for a loudspeaker<br />
which makes its ancestor look downright<br />
outdated in every respect – with regard<br />
to technology, measurements, so<strong>und</strong> and<br />
practical properties.<br />
I’m not writing this out of a vague assumption,<br />
but after thousands of listening<br />
hours with the old Grande. A loudspeaker<br />
which had been dominating our listening<br />
room as reference speaker for years – not<br />
truly loved by anyone, yet needed by each<br />
of us, because with it even the tiniest of<br />
differences, e.g. between top-notch digital<br />
players, could be carved out with enormous<br />
clarity and precision.<br />
Even in large rooms the new Stella can<br />
hardly be overlooked, although it’s slightly<br />
smaller and lighter than the old Utopia.<br />
„Slightly“ means that the Stella weighs<br />
about 100 po<strong>und</strong>s less, but still puts 165<br />
kg per piece on the casters equipped as<br />
Rare sight: Behind the red ring hides an electromagnetic coil energized by DC<br />
fed through the second pair of connectors (on the right side of the basket). The<br />
acceleration possible with this drive is unequalled.