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standard. Who wants to swap these for<br />
the massive supplied spikes, can do so<br />
after the final position has been determined.<br />
Once positioned, the Stella presents<br />
a strikingly elegant and light appearance<br />
due to its individual middle and high range<br />
enclosures floating airily on top of each<br />
other. And since Focal delivers all Utopia<br />
models in all colours of the RAL chart at<br />
no premium, the technology behemoth<br />
turns into a so<strong>und</strong>ing sculpture that can<br />
be adjusted precisely to any domestic<br />
style. Even extravagant special requests<br />
are no obstacle and will be realised for an<br />
adequate charge – on my recent visit to<br />
the Focal company in Saint-Étienne, I saw<br />
a pair of Stellas finished in some kind of<br />
japan lacquer, with gold leaf decorations<br />
shimmering through its dark red surface<br />
– gorgeously beautiful. Focal owes the<br />
extensive freedom of surface finish to it´s<br />
own cabinet factory in the Burg<strong>und</strong>y, which<br />
furnishes the woodwork for the Electra an<br />
the Utopia series. So instead of importing<br />
containers full of “piano lacquer“ cabinets<br />
from overseas, one has deliberately chosen<br />
the in house manufacturing, even<br />
though it is far more expensive.<br />
All drivers and crossovers are handbuilt<br />
at the corporate headquarters on the edge<br />
of the Massif Central. The great vertical<br />
range of manufacture makes the Utopia<br />
a “Made in France“ product even with a<br />
narrow interpretation of the term and in<br />
the first place allows the technological<br />
tour de force which awaits us behind the<br />
Stella’s beautiful facade.<br />
The most important unique characteristic<br />
and distinctive feature of the Stella<br />
is its electromagnetic bass that Focal<br />
otherwise uses only in its big sister and<br />
which is pretty unique in the entire speaker<br />
world. The EM woofer, represented<br />
here in a 13“ version, solves a problem<br />
which always occurs – and especially in<br />
woofers – if a designer targets an extreme<br />
Permanently<br />
loaded: With its<br />
power supply in<br />
medium setting,<br />
the magnet coil<br />
consumes a constant<br />
30 Watts.<br />
When set to high,<br />
this value rises<br />
considerably.<br />
bandwidth without sacrificing on efficiency.<br />
The stronger and more efficient the<br />
woofer drive is, the easier it will be to<br />
solve this conflict of aims. Here the most<br />
essential factor is the magnetic field<br />
strength in the air gap, in which the voice<br />
coil is moving. From the old ferrite to<br />
cobalt and today’s rare earth materials<br />
magnets have become ever stronger, but<br />
at some point one hits a wall: still stronger<br />
and at the same time more linear fields<br />
require electromagnets. And thus you will<br />
see no classical magnet ring on the rear<br />
of the Utopia woofer’s mighty die-cast<br />
basket, but a thick copper coil which alone<br />
tips the scales at 5 kg. This magnet<br />
coil is energised by DC delivered by an<br />
external power supply and can create<br />
gigantic field strengths when needed:<br />
while the former Utopia 13“ woofer with<br />
its “multiferrite“ engine had already hit<br />
the limit of what is possible with conventional<br />
drives, the field coil woofer simply<br />
doubles the field strength in the air gap<br />
from 0.85 to 1.7 tesla.<br />
But the garantuan driving force is just<br />
one of several benefits. A point nearly as<br />
important is that the EM woofer is virtually<br />
adaptable at will by changing the field<br />
coil current to render the “Q factor“ of<br />
the chassis variable. Focal lets the user<br />
select between three driving forces which<br />
can be switched during operation. However,<br />
this must not be seen as a plain bass<br />
level control. Its effect is much more subtle<br />
and also slightly affects the bass level,<br />
but primarily changes the attack and decay<br />
parameters in the low range. Hence<br />
the speaker can be adapted to the room<br />
and the amplifiers used in a way that other<br />
super speakers simply lack. Particularly as<br />
there are other adjustment options waiting<br />
for the fun-loving high end disciple behind<br />
a hinged cover on the rear which is reminiscent<br />
of a liquor cabinet. A most exciting<br />
feature is the jumper which controls the<br />
bass response at the lower end of the<br />
frequency range: from a somewhat early<br />
rolloff we’re passing in three steps to the<br />
default setting with utmost linearity and<br />
on to a little bass boost with a slightly<br />
steeper rolloff way down. But the descriptive<br />
pictographs on the jumper panel are<br />
drastically exaggerated – as our lab measurements<br />
show they also produce very