25.02.2014 Aufrufe

AUDIO Verstärker und DACs (Vorschau)

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standard. Who wants to swap these for<br />

the massive supplied spikes, can do so<br />

after the final position has been determined.<br />

Once positioned, the Stella presents<br />

a strikingly elegant and light appearance<br />

due to its individual middle and high range<br />

enclosures floating airily on top of each<br />

other. And since Focal delivers all Utopia<br />

models in all colours of the RAL chart at<br />

no premium, the technology behemoth<br />

turns into a so<strong>und</strong>ing sculpture that can<br />

be adjusted precisely to any domestic<br />

style. Even extravagant special requests<br />

are no obstacle and will be realised for an<br />

adequate charge – on my recent visit to<br />

the Focal company in Saint-Étienne, I saw<br />

a pair of Stellas finished in some kind of<br />

japan lacquer, with gold leaf decorations<br />

shimmering through its dark red surface<br />

– gorgeously beautiful. Focal owes the<br />

extensive freedom of surface finish to it´s<br />

own cabinet factory in the Burg<strong>und</strong>y, which<br />

furnishes the woodwork for the Electra an<br />

the Utopia series. So instead of importing<br />

containers full of “piano lacquer“ cabinets<br />

from overseas, one has deliberately chosen<br />

the in house manufacturing, even<br />

though it is far more expensive.<br />

All drivers and crossovers are handbuilt<br />

at the corporate headquarters on the edge<br />

of the Massif Central. The great vertical<br />

range of manufacture makes the Utopia<br />

a “Made in France“ product even with a<br />

narrow interpretation of the term and in<br />

the first place allows the technological<br />

tour de force which awaits us behind the<br />

Stella’s beautiful facade.<br />

The most important unique characteristic<br />

and distinctive feature of the Stella<br />

is its electromagnetic bass that Focal<br />

otherwise uses only in its big sister and<br />

which is pretty unique in the entire speaker<br />

world. The EM woofer, represented<br />

here in a 13“ version, solves a problem<br />

which always occurs – and especially in<br />

woofers – if a designer targets an extreme<br />

Permanently<br />

loaded: With its<br />

power supply in<br />

medium setting,<br />

the magnet coil<br />

consumes a constant<br />

30 Watts.<br />

When set to high,<br />

this value rises<br />

considerably.<br />

bandwidth without sacrificing on efficiency.<br />

The stronger and more efficient the<br />

woofer drive is, the easier it will be to<br />

solve this conflict of aims. Here the most<br />

essential factor is the magnetic field<br />

strength in the air gap, in which the voice<br />

coil is moving. From the old ferrite to<br />

cobalt and today’s rare earth materials<br />

magnets have become ever stronger, but<br />

at some point one hits a wall: still stronger<br />

and at the same time more linear fields<br />

require electromagnets. And thus you will<br />

see no classical magnet ring on the rear<br />

of the Utopia woofer’s mighty die-cast<br />

basket, but a thick copper coil which alone<br />

tips the scales at 5 kg. This magnet<br />

coil is energised by DC delivered by an<br />

external power supply and can create<br />

gigantic field strengths when needed:<br />

while the former Utopia 13“ woofer with<br />

its “multiferrite“ engine had already hit<br />

the limit of what is possible with conventional<br />

drives, the field coil woofer simply<br />

doubles the field strength in the air gap<br />

from 0.85 to 1.7 tesla.<br />

But the garantuan driving force is just<br />

one of several benefits. A point nearly as<br />

important is that the EM woofer is virtually<br />

adaptable at will by changing the field<br />

coil current to render the “Q factor“ of<br />

the chassis variable. Focal lets the user<br />

select between three driving forces which<br />

can be switched during operation. However,<br />

this must not be seen as a plain bass<br />

level control. Its effect is much more subtle<br />

and also slightly affects the bass level,<br />

but primarily changes the attack and decay<br />

parameters in the low range. Hence<br />

the speaker can be adapted to the room<br />

and the amplifiers used in a way that other<br />

super speakers simply lack. Particularly as<br />

there are other adjustment options waiting<br />

for the fun-loving high end disciple behind<br />

a hinged cover on the rear which is reminiscent<br />

of a liquor cabinet. A most exciting<br />

feature is the jumper which controls the<br />

bass response at the lower end of the<br />

frequency range: from a somewhat early<br />

rolloff we’re passing in three steps to the<br />

default setting with utmost linearity and<br />

on to a little bass boost with a slightly<br />

steeper rolloff way down. But the descriptive<br />

pictographs on the jumper panel are<br />

drastically exaggerated – as our lab measurements<br />

show they also produce very

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