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tering magnifying glass that lives up to<br />
even the highest professional expectations.<br />
In the <strong>AUDIO</strong>phile listening room<br />
both versions had their own appeal, especially<br />
since the loudspeaker’s essential<br />
strengths remained the same either<br />
way.<br />
Well, I could recite music examples<br />
mechanically now for hours on end – how<br />
well Oscar Peterson was communicating<br />
with his bassman, how emphatically this<br />
or that folk bard was uttering his voice,<br />
how the latest Archive album was building<br />
up with gorgeous pomp and pathos before<br />
the awestruck listeners. Due to her<br />
generous length of stay in our listening<br />
room the Stella accompanied me on a<br />
tour through the 30,000 songs on our<br />
harddisk server, I used her to compare<br />
network players, amps and turntables for<br />
dozens of reviews, and now I’ve got a<br />
problem: I don’t want to work without her<br />
any more.<br />
The Stella has one quality that only true<br />
super speakers enjoy and which makes a<br />
comprehensive discussion about certain<br />
single tracks obsolete: she has a huge and<br />
rock-solid scale which is always at least<br />
one step ahead of every recording, yet<br />
also of every electronical component connected.<br />
Thus the speaker is merely perceived<br />
as a mighty, pure white canvas,<br />
which potentially covers the whole field<br />
of vision, but is painted variably wide and<br />
with a shifting wealth of details and colours,<br />
depending on the chain and recording.<br />
One cannot only delightfully listen to<br />
records with the Stella, but also savour<br />
amplifiers like noble wines. And there are<br />
surprisingly few disappointing amps – here<br />
the above-average efficiency of the colossal<br />
speaker pays off and maybe even<br />
helps to cut costs on the electronic side.<br />
For instance, even a Naim Nait XS2 plays<br />
wonderfully consistent and with great<br />
dynamics over the Stella, although it<br />
costs only one thirtieth of the speakers<br />
and draws less current from the mains<br />
grid than one of the two electric woofer<br />
power supplies. Compared to really large<br />
Matured to a legend: Numerous<br />
details improvements have made the<br />
Beryllium tweeter better than ever.<br />
amplifiers, the acoustical image is just a<br />
bit smaller, but in a graceful and solid<br />
manner, like framed with a slightly wider<br />
passe-partout.<br />
True, who has the means of listening<br />
<strong>AUDIO</strong>phile Charakter<br />
Frequency response<br />
Effortless,<br />
airy, soft<br />
Gripping<br />
Emotional<br />
Dynamic<br />
Focal Stella Utopia Pegel- & Klirrverlauf<br />
110 dB<br />
85 dB 90 dB 95 dB 100 dB<br />
100 dB<br />
90 dB<br />
80 dB<br />
70 dB<br />
60 dB<br />
50 dB<br />
20 Hz 50 Hz 100 Hz 200 Hz 500 Hz 1 kHz 2 kHz 5 kHz<br />
The frequency response<br />
(left, upper) shows an<br />
extremely large bandwidth<br />
and near perfect linearity.<br />
Distortion (lower) is extremely<br />
low over the whole<br />
frequency spectrum, including<br />
the bass, which is a<br />
rare feat even in very large<br />
loudspeakers.<br />
Neutral,<br />
authentic<br />
<strong>AUDIO</strong>phile Potential<br />
<strong>AUDIO</strong>phile Advice<br />
Direct,<br />
high resolution<br />
Ideally combined with a neutralto-warm<br />
so<strong>und</strong>ing, powerful<br />
amplifier, the Stellas form a high<br />
resolution monitoring system with<br />
a surprising boogie factor.