25.02.2014 Aufrufe

AUDIO Verstärker und DACs (Vorschau)

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tering magnifying glass that lives up to<br />

even the highest professional expectations.<br />

In the <strong>AUDIO</strong>phile listening room<br />

both versions had their own appeal, especially<br />

since the loudspeaker’s essential<br />

strengths remained the same either<br />

way.<br />

Well, I could recite music examples<br />

mechanically now for hours on end – how<br />

well Oscar Peterson was communicating<br />

with his bassman, how emphatically this<br />

or that folk bard was uttering his voice,<br />

how the latest Archive album was building<br />

up with gorgeous pomp and pathos before<br />

the awestruck listeners. Due to her<br />

generous length of stay in our listening<br />

room the Stella accompanied me on a<br />

tour through the 30,000 songs on our<br />

harddisk server, I used her to compare<br />

network players, amps and turntables for<br />

dozens of reviews, and now I’ve got a<br />

problem: I don’t want to work without her<br />

any more.<br />

The Stella has one quality that only true<br />

super speakers enjoy and which makes a<br />

comprehensive discussion about certain<br />

single tracks obsolete: she has a huge and<br />

rock-solid scale which is always at least<br />

one step ahead of every recording, yet<br />

also of every electronical component connected.<br />

Thus the speaker is merely perceived<br />

as a mighty, pure white canvas,<br />

which potentially covers the whole field<br />

of vision, but is painted variably wide and<br />

with a shifting wealth of details and colours,<br />

depending on the chain and recording.<br />

One cannot only delightfully listen to<br />

records with the Stella, but also savour<br />

amplifiers like noble wines. And there are<br />

surprisingly few disappointing amps – here<br />

the above-average efficiency of the colossal<br />

speaker pays off and maybe even<br />

helps to cut costs on the electronic side.<br />

For instance, even a Naim Nait XS2 plays<br />

wonderfully consistent and with great<br />

dynamics over the Stella, although it<br />

costs only one thirtieth of the speakers<br />

and draws less current from the mains<br />

grid than one of the two electric woofer<br />

power supplies. Compared to really large<br />

Matured to a legend: Numerous<br />

details improvements have made the<br />

Beryllium tweeter better than ever.<br />

amplifiers, the acoustical image is just a<br />

bit smaller, but in a graceful and solid<br />

manner, like framed with a slightly wider<br />

passe-partout.<br />

True, who has the means of listening<br />

<strong>AUDIO</strong>phile Charakter<br />

Frequency response<br />

Effortless,<br />

airy, soft<br />

Gripping<br />

Emotional<br />

Dynamic<br />

Focal Stella Utopia Pegel- & Klirrverlauf<br />

110 dB<br />

85 dB 90 dB 95 dB 100 dB<br />

100 dB<br />

90 dB<br />

80 dB<br />

70 dB<br />

60 dB<br />

50 dB<br />

20 Hz 50 Hz 100 Hz 200 Hz 500 Hz 1 kHz 2 kHz 5 kHz<br />

The frequency response<br />

(left, upper) shows an<br />

extremely large bandwidth<br />

and near perfect linearity.<br />

Distortion (lower) is extremely<br />

low over the whole<br />

frequency spectrum, including<br />

the bass, which is a<br />

rare feat even in very large<br />

loudspeakers.<br />

Neutral,<br />

authentic<br />

<strong>AUDIO</strong>phile Potential<br />

<strong>AUDIO</strong>phile Advice<br />

Direct,<br />

high resolution<br />

Ideally combined with a neutralto-warm<br />

so<strong>und</strong>ing, powerful<br />

amplifier, the Stellas form a high<br />

resolution monitoring system with<br />

a surprising boogie factor.

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