03.04.2013 Views

Revolution Televised.pdf

Revolution Televised.pdf

Revolution Televised.pdf

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

96 This Ain’t No Junk<br />

Aunt Esther (LaWanda Page) is used to question Bible thumping in the black church.<br />

to cast Sanford and Son into the category of stereotype is to ignore<br />

its positioning within traditional African American folklore.<br />

“The Great Sanford Siege” (March 3, 1972) illustrates the workings<br />

of the trickster and also exemplifies another aspect of African<br />

American humor, the physical component. 22 Fred’s constant complaints<br />

of heart attacks or his arthritis with his flailing arms and<br />

stumbling movements exemplify the ways in which the physical<br />

combines with the verbal to present the nuances of African American<br />

humor. The episode begins with Fred and Lamont discussing<br />

the numerous final notices from unpaid bills. According to Fred the<br />

“bills come in time but there has been a slight delay on the money.”<br />

The lights and the gas in the house have been turned off, and the<br />

two are stuck at home avoiding a summons server. A collection<br />

agent from the Luau Layaway Furniture Company (Dick Van Patten)<br />

arrives to repossess his furniture, and he eventually brings the<br />

police. When Fred realizes that nothing will stop the repossession<br />

of the furniture and the television, he fakes a back injury. Lamont<br />

joins in the charade by helping his moaning father over to the<br />

couch, telling the repossessor, “All I know is that you threw an old<br />

man down the stairs.” The repossessor continues to protest while<br />

Fred pulls out all the stops, “Hear that, Elizabeth, I’m coming to

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!