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Revolution Televised.pdf

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164 That Nigger’s Crazy<br />

Episode three more clearly reveals Pryor’s continued struggles<br />

and frustration with NBC, even within this short four-episode contract.<br />

Looking at the results of his first effort to address network<br />

censorship, with the infamous body-stocking scene, Pryor chooses<br />

the most direct strategy of discussing his disgust within network<br />

limits. The episode begins with him speaking directly into the camera:<br />

“Good evening, ladies and gentlemen. My name is Richard<br />

Pryor . . .” His voice fades and is replaced by another officialsounding<br />

man, who states:<br />

Due to technical difficulties we cannot continue to bring you the<br />

audio portion of The Richard Pryor Show; however, I’m an NBC<br />

spokesman, and I will be happy to tell you what Mr. Pryor is saying.<br />

I will now read from tonight’s network-approved script. Gosh,<br />

I’m just pleased as punch to be continuing on as part of the NBC<br />

family. They truly understand me, and they have been oh so fair.<br />

After all, I am only here to please. They only hired me to do what I<br />

do best, be humble. Later I will share my recipe with you for good<br />

old American pie. Meanwhile, I just hope to heck I haven’t offended<br />

anyone. By the way I don’t mind the fact that NBC never aired the<br />

opening of my first show. I know they were just thinking of me.<br />

They always put me first, and that is why for me they will always be<br />

number one. And now that they have finally let me say what I had to<br />

say, let’s go on with the show.<br />

Pryor remains on screen and angrily, but silently, yells at the camera.<br />

He takes off his jacket in frustration and pantomimes choking<br />

and punching someone. At the culmination of his speech, he makes<br />

the black power fist and the image is synched with the audio portion<br />

in which the NBC spokesman says, “That is why for me [NBC]<br />

will always be number one.” In this spoof of his contentious relationship<br />

with NBC, Pryor goes far enough to get his critique of the<br />

network through to an audience, yet creates an opening skit that<br />

the censors cannot touch. Through the “NBC-approved script,” he<br />

is able to address directly the censorship of the first episode and the<br />

thwarting of black speech and creativity. He also lets the viewing<br />

audience know about the problematic attitudes of NBC executives<br />

toward assertive black men such as himself. His suggestion that<br />

he was hired to be humble illuminates the racist notion that black<br />

people should be grateful for what they have and not complain<br />

about anything.

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