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Revolution Televised.pdf

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186 Conclusion<br />

HBO to discuss social issues and political policies that have a real<br />

impact on black society.<br />

As in Bring the Pain, in his weekly show Rock also used comedy<br />

sketches and his man-on-the-street interviews to critique African<br />

American society and to locate continued, but often more covert,<br />

forms of racism within American society. In one comedy sketch<br />

called “The Progress Report,” Rock analyzes African American<br />

successes and failures by reading a Chutes and Ladders–type chart<br />

provided by the fictional “American Black Progress Association.”<br />

A cardboard black man is attached by Velcro and can be moved<br />

up and down the ladder. The highest step on the ladder is labeled<br />

“There.” Rock explains that African Americans often talk about<br />

other blacks who have set the black community back so many<br />

“steps” from the goal of being “There.” He then describes several<br />

of these moments throughout African American history.<br />

In 1960 SNCC and CORE staged sit-ins. It was a great time for<br />

black people, putting us ahead four steps. But in 1988 the Crips<br />

and Bloods staged shoot-outs, putting black people six steps back<br />

and six feet under. . . . In 1984 Jesse Jackson hits the campaign<br />

trail, stressing, “Keep hope alive!” Seven steps ahead. But in 1990<br />

Marion Barry hits the pipe in a hotel room, stressing, “Bitch set me<br />

up!” Twelve steps back.<br />

Chris Rock charts the progress of black people.

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