Revolution Televised.pdf

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Bibliography 223 Leo, John. “The Texas Two-Step.” U.S. News and World Report, 19 July 1999, 16. Lewis, Richard Warren. “The Importance of Being Julia.” TV Guide, 14 December 1968, 24–28. Lorando, Mark. “You Devil, You.” Times-Picayune, 17 August 1997, TV Focus, T9. Lott, Tommie Lee. “Documenting Social Issues: Black Journal 1968–1970.” In Struggles for Representation: African American Documentary Film and Video, ed. Phyllis R. Klotman and Janet K. Cutler, 71–98. Bloomington: Indiana University Press, 1999. Lucas, Bob. “Collard Greens’ TV Show.” Ebony, June 1974, 50–53. ———. “Good Times Family Talks about Life without Father.” Jet, 13 January 1977, 60–63. ———. “Why Black Fathers Are Vanishing in Television Families.” Jet, 14 April 1977, 61–65. ———. “Good Times’ Willona Adopts Television’s Biggest Little Star.” Jet, 10 November 1977, 56–59. MacDonald, J. Fred. Blacks and White TV: African Americans in Television since 1948. 2nd ed. Chicago: Nelson-Hall Publishers, 1992. Mailer, Norman. The White Negro. San Francisco: City Lights Books, 1957. “Mainstreaming the Militia.” U.S. News & World Report, 21 April 1997, 24–28+. Malcolm X. “Message to the Grassroots.” In Malcolm X Speaks, ed. George Breitman, 3–17. New York: First Grove Press, 1966. Marriott, Michael. “Rock on a Roll.” Essence, November 1998, 116. Martindale, David. “Flip Wilson Clicked at the Right Time.” Houston Chronicle, 17 August 1997, Television, 4. Masilela, Ntongela. “The Los Angeles School of Black Filmmakers.” Black American Cinema, ed. Ntongela Masilela, 107–17. New York: Routledge, 1993. McCrohan, Donna. Prime Time, Our Time: America’s Life and Times through the Prism of Television. New York: Random House, 1990. McFarland, Melanie. “What’s So Funny? Chris Rock Is.” Seattle Times, 10 June 1999, Final Edition, Ticket, G12. McManaman, Angela. “Think of Him as News, Only Funnier.” Milwaukee Journal Sentinel, 29 May 1999, Saturday Final, 8. McNeil, Alex. Total Television. New York: Penguin Books, 1996. McPherson, James. “The New Comic Style of Richard Pryor.” New York Times Magazine, 27 April 1975, 20–43. Meisler, Andy. “The Beat Goes on for ‘Soul Train’ Conductor.” New York Times, 7 August 1995, sec. D, 7. Mendoza, Manuel. “Chris Rock Is on a Roll.” Dallas Morning News, 27 June 1999, Final Edition, Entertainment, 1F.
224 Bibliography Mitz, Rick. The Great TV Sitcom Book. New York: Perigree Publishing, 1983. Moody, Lori. “Durable Soul Train Is Pop History in the Making.” Los Angeles Daily News, 22 November 1995, Variety, 1E. Morrison, Allan. “Negro Humor: An Answer to Anguish.” Ebony, May 1967, 99–108. Morton, Carol A. “For Black Viewers: Some Other Choices Besides Off/ On?” Black Enterprise, August 1971, 49. Mullen, Jim. “Hot Sheet.” Entertainment Weekly, 23 July 1999, 10. Murray, Sonia. “Soul Train.” Atlanta Journal and Constitution, 13 March 1994, Arts, sec. N, 4. ———. “The Soul Train Music Awards.” Atlanta Journal and Constitution, 13 March 1995, Features, 1B. ———. “‘Soul Train’ Creator: TV Still Off-Track after 25 Years.” Atlanta Journal and Constitution, 4 August 1995, Preview, 21P. “A New Black Superstar.” Time, 22 August 1977, 66–67. “New Comedy Brings Good Times to TV.” Jet, 23 May 1974, 58–60. Nichols, Bill. Representing Reality. Bloomington: Indiana University Press, 1991. O’Daniel, Michael. “Everything a Performer Could Ask for . . . Except the One Thing He Wants Most: Respect.” TV Guide, 14 February 1976, 18–20. ———. “He’s Come a Long Way from St. Louis: Still the Comedian Hasn’t Found Contentment.” TV Guide, 21 February 1976, 24–26. O’Hallaren, Bill. “Without Sanford and without Son.” TV Guide, 17 September 1977, 55–60. Oldenburg, Ann. “Chris Rock’s Wild Ride.” USA Today, 13 October 1997, Final Edition, Life, 1D. Omi, Michael, and Howard Winant. Racial Formation in the United States: From the 1960s to the 1990s. New York: Routledge, 1994. Orth, Maureen. “The Perils of Pryor.” Newsweek, 3 October 1977, 60–63. Ostroff, Roberta. “I Keep Wondering If the World Is Ready for Me.” TV Guide, 19 July 1975, 11–12. Peters, Art. “What the Negro Wants from TV.” TV Guide, 20 January 1968, 6–10. Price, Joe X. Redd Foxx, B.S. (Before Sanford). Chicago: Contemporary Books, 1979. Pryor, Richard. Bicentennial Nigger: And It’s Deep Too: The Complete Warner Brothers Recordings (1968–1992). Los Angeles: Warner Brothers Records, 2000. ———. . . . Is It Something I Said? And It’s Deep Too: The Complete Warner Brothers Recordings (1968–1992). Los Angeles: Warner Brothers Records, 2000.
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Revolution Televised
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Revolution Televised Prime Time and
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This book is dedicated to Ailsa Jea
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Contents Acknowledgments ix Introdu
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Acknowledgments Revolution Televise
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Introduction Dy-no-mite! What’s h
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Introduction xiii texts were chosen
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Introduction xv in black television
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1. Reading the Roots of Resistance
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Reading the Roots of Resistance 3 t
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Reading the Roots of Resistance 5 p
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Reading the Roots of Resistance 11
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Was the Revolution Televised? 25 Bl
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Was the Revolution Televised? 27 sc
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Was the Revolution Televised? 29 Bu
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Was the Revolution Televised? 31 ta
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Was the Revolution Televised? 33 to
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Was the Revolution Televised? 37 fo
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Was the Revolution Televised? 39 in
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Was the Revolution Televised? 49 On
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Was the Revolution Televised? 51 li
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Was the Revolution Televised? 53 ca
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What You See Is What You Get 55 ces
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What You See Is What You Get 57 VCR
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What You See Is What You Get 59 tur
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What You See Is What You Get 61 Wit
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What You See Is What You Get 63 bac
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What You See Is What You Get 65 MTV
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What You See Is What You Get 67 and
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What You See Is What You Get 69 asp
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What You See Is What You Get 71 str
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What You See Is What You Get 73 “
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Reverend Leroy is a critique of the
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What You See Is What You Get 77 Fli
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What You See Is What You Get 79 Joh
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82 What You See Is What You Get Whe
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84 What You See Is What You Get wit
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86 This Ain’t No Junk my idol, I
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88 This Ain’t No Junk In an era i
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90 This Ain’t No Junk bought his
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92 This Ain’t No Junk garnered el
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94 This Ain’t No Junk activities
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96 This Ain’t No Junk Aunt Esther
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98 This Ain’t No Junk but tells h
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100 This Ain’t No Junk where they
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102 This Ain’t No Junk Another ep
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104 This Ain’t No Junk it would b
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106 This Ain’t No Junk fred: Hey
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108 This Ain’t No Junk embarrassm
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110 5. Respect Yourself! Black Wome
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112 Respect Yourself! This was the
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114 Respect Yourself! actors and bl
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116 Respect Yourself! voice of the
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118 Respect Yourself! may not have
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120 Respect Yourself! white schools
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122 Respect Yourself! races.” She
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124 Respect Yourself! Julia’s poi
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126 Respect Yourself! spaces. These
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128 Respect Yourself! the fact that
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130 Respect Yourself! the father, w
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132 Respect Yourself! poverty and g
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134 Respect Yourself! The character
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136 Respect Yourself! disparity in
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138 Respect Yourself! down in the m
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140 Respect Yourself! 1978), J.J. b
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142 Respect Yourself! and white con
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144 That Nigger’s Crazy at the cl
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146 That Nigger’s Crazy ’bout,
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148 That Nigger’s Crazy Crazy, Pr
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150 That Nigger’s Crazy stereotyp
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152 That Nigger’s Crazy chase: Sp
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154 That Nigger’s Crazy Pryor as
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156 That Nigger’s Crazy network r
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158 That Nigger’s Crazy The first
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160 That Nigger’s Crazy action, w
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162 That Nigger’s Crazy judge coo
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164 That Nigger’s Crazy Episode t
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166 That Nigger’s Crazy and the d
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168 That Nigger’s Crazy being dru
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170 Conclusion: Movin’ On Up Cont
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Page 191 and 192: 174 Conclusion Indeed, contemporary
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Page 201 and 202: 184 Conclusion Connerly to speak on
Page 203 and 204: 186 Conclusion HBO to discuss socia
Page 205 and 206: 188 Conclusion the interviewees are
Page 207 and 208: 190 Conclusion credit montage estab
Page 209 and 210: 192 Conclusion Shut the fuck up! Wh
Page 211 and 212: 194 Conclusion saying every black p
Page 213 and 214: 196 Notes to Chapter 1 within U.S.
Page 215 and 216: 198 Notes to Chapter 1 Guerrero dis
Page 217 and 218: 200 Notes to Chapter 2 47. Thomas C
Page 219 and 220: 202 Notes to Chapter 2 45. Black Pa
Page 221 and 222: 204 Notes to Chapter 3 Listening to
Page 223 and 224: 206 Notes to Chapter 3 46. John Kie
Page 225 and 226: 208 Notes to Chapter 4 4. This Ain
Page 227 and 228: 210 Notes to Chapter 5 9. I specify
Page 229 and 230: 212 Notes to Chapter 6 14. McPherso
Page 231 and 232: 214 Notes to Conclusion 7. See Omi
Page 233 and 234: 216 Notes to Conclusion where he le
Page 235 and 236: 218 Bibliography Gender and Contest
Page 237 and 238: 220 Bibliography Eisner, Joel, and
Page 239: 222 Bibliography Hodges, Ann. “La
Page 243 and 244: 226 Bibliography Shapiro, Joseph P.
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Page 247 and 248: 230 Index and TOBA, 11; and transfe
Page 249 and 250: 232 Index education, 132, 133-36, 1
Page 251 and 252: 234 Index 2, 21, 78, 107-8, 149, 20
Page 253 and 254: 236 Index Roots, 163, 171-72 Russel
Page 255 and 256: 238 Index Williams, Al, 100-101 Wil
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