Revolution Televised.pdf

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sus documentaries, 24; rhetoric of, 25–26. See also Black Journal Tenafly, 170 That’s My Mama, 108 Theater Owners Booking Association (TOBA): as black communal space, 11; and Depression, 13; and Redd Foxx, xiv; and middle class, 12; performers on, 11–12; and road shows, 11; and situational comedy, 22 Thomas, Danny, 19 TOBA. See Theater Owners Booking Association Toby Circuit. See Theater Owners Booking Association Tonight, 20 Tonight Show, 70, 84, 89, 97 Tony Brown’s Journal, 52–53. See also Black Journal trickster: and black humor, 10, 18, 92, 94–99, 104; as hero, 10; and oral tradition, 58; and slave culture, 199n43 TV Land, 67, 207n69 unions, 48 United Paramount Network (UPN), 1, 174–75 uplift: and Black Journal, 48; and black media critics, 114; and black women, 112; and class differences, 201n40; as concern of black community, 4–5, 127, 193; and education, 133; and Richard Pryor, 149; and Sanford and Son, 86, 107; and Good Times, 128–29, 141, 211n35 Urban League, 51 urban unrest: over busing, 119; in 1940s, 15; in Watts, 29, 32–41, Index 237 93. See also “Watts: Riots or Revolt?” Valenti, Jack, 114 Van Peebles, Melvin, 128, 199n43 variety shows, 17, 68, 201n39 “vast wasteland,” 3, 23, 197n5 Vaughan, Sarah, 20, 90 Walker, Jimmie, 130, 138–40, 211n35 Warner Brothers Network (WB), 1, 174–75 Washington, Dinah, 88–89 Waters, Ethel, 11 Watkins, Mel, 16, 70 “Watts: Riots or Revolt?” 32–41, 43, 46 welfare, 39, 126 What’s Happening!! xi White, Slappy, 87, 88 white audiences: and Julia, 116; and lack of social context for humor, 207n62; and Richard Pryor Show, 157; and tailoring of humor to, 17; and urban unrest, 38; and views of black life, 127, 183, 215n23 white liberals, 20, 27, 106, 162 “white Negro,” 71, 114, 117, 204n8, 206n49 White Shadow, The, 171 white society: absolved of racism, 122; and community standards, 197n4; critique of by African Americans, 7, 10, 12, 15–16; emulation of by blacks, 13; as racist, 14, 106; and televisual view of African Americans, 40, 86; as threatened by blacks’ advancement, 172, 173, 191, 214n9 Wilkins, Roy, 36, 114–16
238 Index Williams, Al, 100–101 Williams, Clarence, III, 54 Williams, Dootsie, 89 Wilson, Clerow “Flip”: appearances on mainstream television prior to The Flip Wilson Show, 70; characters developed by, 70, 73–81; and Chitlin Circuit, xiii, 17, 68, 69; death of, 67; departure from television, 83; early performances of, 69; as host of Tonight Show, 70; and network television, 55; nickname of, 69; physicality of humor of, 76; and politics, xiv, 68–69; on racism in television, 82; and recording label, 79; at Redd’s Place, 90; and situational comedy, 68, 181; and social context, 83; as token, 72, 82; as unthreatening, 68, 71. See also Flip Wilson Show Wonder, Stevie, 65 working-class African Americans: and civil rights protests, 16; and development of comedy, 12; values and concerns of on television, 102 World War II, 14, 15, 20, 177 Yorkin, Bud, 91–92, 108–9 zoot suiters, 15
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Revolution Televised
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Revolution Televised Prime Time and
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This book is dedicated to Ailsa Jea
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Contents Acknowledgments ix Introdu
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Acknowledgments Revolution Televise
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Introduction Dy-no-mite! What’s h
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Introduction xiii texts were chosen
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Introduction xv in black television
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1. Reading the Roots of Resistance
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Reading the Roots of Resistance 3 t
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Reading the Roots of Resistance 5 p
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Reading the Roots of Resistance 11
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Was the Revolution Televised? 25 Bl
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What You See Is What You Get 55 ces
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What You See Is What You Get 57 VCR
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What You See Is What You Get 59 tur
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What You See Is What You Get 61 Wit
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What You See Is What You Get 63 bac
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What You See Is What You Get 65 MTV
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What You See Is What You Get 67 and
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What You See Is What You Get 69 asp
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What You See Is What You Get 71 str
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What You See Is What You Get 73 “
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Reverend Leroy is a critique of the
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What You See Is What You Get 77 Fli
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What You See Is What You Get 79 Joh
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82 What You See Is What You Get Whe
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84 What You See Is What You Get wit
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86 This Ain’t No Junk my idol, I
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88 This Ain’t No Junk In an era i
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90 This Ain’t No Junk bought his
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92 This Ain’t No Junk garnered el
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94 This Ain’t No Junk activities
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96 This Ain’t No Junk Aunt Esther
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98 This Ain’t No Junk but tells h
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100 This Ain’t No Junk where they
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102 This Ain’t No Junk Another ep
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104 This Ain’t No Junk it would b
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106 This Ain’t No Junk fred: Hey
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108 This Ain’t No Junk embarrassm
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110 5. Respect Yourself! Black Wome
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112 Respect Yourself! This was the
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114 Respect Yourself! actors and bl
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116 Respect Yourself! voice of the
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118 Respect Yourself! may not have
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120 Respect Yourself! white schools
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122 Respect Yourself! races.” She
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124 Respect Yourself! Julia’s poi
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126 Respect Yourself! spaces. These
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128 Respect Yourself! the fact that
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130 Respect Yourself! the father, w
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132 Respect Yourself! poverty and g
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134 Respect Yourself! The character
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136 Respect Yourself! disparity in
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138 Respect Yourself! down in the m
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140 Respect Yourself! 1978), J.J. b
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142 Respect Yourself! and white con
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144 That Nigger’s Crazy at the cl
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146 That Nigger’s Crazy ’bout,
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148 That Nigger’s Crazy Crazy, Pr
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150 That Nigger’s Crazy stereotyp
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152 That Nigger’s Crazy chase: Sp
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154 That Nigger’s Crazy Pryor as
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156 That Nigger’s Crazy network r
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158 That Nigger’s Crazy The first
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160 That Nigger’s Crazy action, w
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162 That Nigger’s Crazy judge coo
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164 That Nigger’s Crazy Episode t
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166 That Nigger’s Crazy and the d
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168 That Nigger’s Crazy being dru
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170 Conclusion: Movin’ On Up Cont
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172 Conclusion States at the time,
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174 Conclusion Indeed, contemporary
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176 Conclusion Cerebral and black
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178 Conclusion and this film recogn
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180 Conclusion under the constant s
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182 Conclusion You know how I can t
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184 Conclusion Connerly to speak on
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Page 213 and 214: 196 Notes to Chapter 1 within U.S.
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Page 223 and 224: 206 Notes to Chapter 3 46. John Kie
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Page 229 and 230: 212 Notes to Chapter 6 14. McPherso
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Page 233 and 234: 216 Notes to Conclusion where he le
Page 235 and 236: 218 Bibliography Gender and Contest
Page 237 and 238: 220 Bibliography Eisner, Joel, and
Page 239 and 240: 222 Bibliography Hodges, Ann. “La
Page 241 and 242: 224 Bibliography Mitz, Rick. The Gr
Page 243 and 244: 226 Bibliography Shapiro, Joseph P.
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Page 247 and 248: 230 Index and TOBA, 11; and transfe
Page 249 and 250: 232 Index education, 132, 133-36, 1
Page 251 and 252: 234 Index 2, 21, 78, 107-8, 149, 20
Page 253: 236 Index Roots, 163, 171-72 Russel
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