Revolution Televised.pdf
Revolution Televised.pdf
Revolution Televised.pdf
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What You See Is What You Get 73<br />
“hidden transcripts.” 57 A black audience familiar with the characters<br />
in many of the skits was able to understand these performances<br />
on a different level and recognize a different level of humor in them,<br />
and therefore the show served as a community-forming locus.<br />
Wilson was clearly in his element when he presented the numerous<br />
African American characters he developed on the show. Regulars<br />
included Herbie; the Good Time ice cream man, who despised<br />
children; Freddie Johnson, the Mack, who wore the crushed-velvet<br />
suits recently resurrected by Austin Powers; and Charlie the chef.<br />
His most famous and lasting portrayals were the Reverend Leroy<br />
of the Church of What’s Happening Now and Geraldine Jones.<br />
Wilson was occasionally accused of reincarnating the stereotypes<br />
of Steppin’ Fetchit and Amos ’n’ Andy. However, this critique was<br />
based on the tenets of uplift, the fear of what white America would<br />
think of the black characters that Wilson presented.<br />
Wilson lampooned the black church with his character Reverend<br />
Leroy, who was based on his Washington Heights childhood<br />
preacher, Reverend Ike. In 1971 he told the New York Daily News,<br />
“I was very impressed with him, and I was always amazed that<br />
he wasn’t well-educated. But, in his simple way, he was dynamic<br />
and exciting.” 58 Wilson’s act has a historical basis. The African<br />
American relationship with institutionalized religion is rooted in<br />
contention. 59 Stripped from their homeland and their own religious<br />
practices, Africans were forced into accepting Christianity, the<br />
same religion that provided the justification for slavery. The notion<br />
of suffering today for the benefits to be gained in the afterlife was<br />
indoctrinated into the slaves with the hopes of their developing acceptance<br />
of their circumstances. When the black church came into<br />
its own, it also began to reflect the class divisions in African American<br />
society. 60<br />
In the 1920s, Carter G. Woodson’s seminal work, The Miseducation<br />
of the Negro, echoed these concerns; while acknowledging<br />
the important role that religion could have, Woodson warned,<br />
“It is very clear, then, that if Negroes got their conception of religion<br />
from slaveholders . . . there may be something wrong about it,<br />
and it would not hurt to investigate it.” 61 However, these are concerns<br />
that many African Americans would prefer to keep within the<br />
black community and behind the closed doors of the black church.<br />
When Wilson took this character to weekly television, there was<br />
an acknowledgment of the incongruities of the church. Reverend<br />
Leroy, while preaching the word of God, was unethical, and there