Revolution Televised.pdf
Revolution Televised.pdf
Revolution Televised.pdf
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Was the <strong>Revolution</strong> <strong>Televised</strong>? 39<br />
ing and the looting, the shooting and the beating, went on for nearly<br />
a week.<br />
The sound bites of the black residents immediately follow this segment<br />
and illustrate that many of them are upset at police brutality.<br />
However, their comments are undermined by the narrator’s following<br />
statement about the mobs attacking not only the police but<br />
also firemen attempting to put out the blazes. And as the narrator<br />
states, “The mobs hated authority, but more generally, they hated<br />
all whites.”<br />
Although African American “actors” within the text are often<br />
intentionally used for the aforementioned dramatic and dangerous<br />
effect, there are moments of “documentary excess.” 31 Documentary<br />
theorist Bill Nichols suggests that<br />
the impossibility of perfect congruence between text and history<br />
stems from the impasse between discourse and referent, between the<br />
signification of things and things signified. Representation serves to<br />
bridge that divide, however imperfectly, self-consciously, or illusionistically.<br />
Explanation, like ideology, provides strategies of containment<br />
designed to account for historical reality. . . . In every case,<br />
excess remains. 32<br />
The excess of this documentary lies within the uncontainable acts of<br />
the Watts residents, who do not comply with the narrative structure<br />
of the documentarians. The narrative structure clearly shows a balance<br />
in the information presented, which highlights the relevance<br />
of the white authority figures over that of the black interviewees<br />
from the Watts community. However, in a few instances the black<br />
citizens of Watts move beyond the attempted containment of the<br />
narrators. They are then able to put the politics of the community<br />
into the public arena of television.<br />
The clearest example of this within the documentary is a reporter’s<br />
interview with a black female resident of the city. This woman<br />
has four children and no husband in the home, a typical Moynihan<br />
report case. The reporter talks about all of the welfare programs,<br />
suggesting that there should be no need to riot. The woman will not<br />
be assuaged by his suggestions and repeatedly insists, “I’d be proud<br />
to go to work.” A crowd begins to gather around the reporter, who<br />
continues to remind them of all that is provided by the welfare<br />
programs. The crowd’s frustration is clear, and a man stares at the