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Revolution Televised.pdf

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Was the <strong>Revolution</strong> <strong>Televised</strong>? 39<br />

ing and the looting, the shooting and the beating, went on for nearly<br />

a week.<br />

The sound bites of the black residents immediately follow this segment<br />

and illustrate that many of them are upset at police brutality.<br />

However, their comments are undermined by the narrator’s following<br />

statement about the mobs attacking not only the police but<br />

also firemen attempting to put out the blazes. And as the narrator<br />

states, “The mobs hated authority, but more generally, they hated<br />

all whites.”<br />

Although African American “actors” within the text are often<br />

intentionally used for the aforementioned dramatic and dangerous<br />

effect, there are moments of “documentary excess.” 31 Documentary<br />

theorist Bill Nichols suggests that<br />

the impossibility of perfect congruence between text and history<br />

stems from the impasse between discourse and referent, between the<br />

signification of things and things signified. Representation serves to<br />

bridge that divide, however imperfectly, self-consciously, or illusionistically.<br />

Explanation, like ideology, provides strategies of containment<br />

designed to account for historical reality. . . . In every case,<br />

excess remains. 32<br />

The excess of this documentary lies within the uncontainable acts of<br />

the Watts residents, who do not comply with the narrative structure<br />

of the documentarians. The narrative structure clearly shows a balance<br />

in the information presented, which highlights the relevance<br />

of the white authority figures over that of the black interviewees<br />

from the Watts community. However, in a few instances the black<br />

citizens of Watts move beyond the attempted containment of the<br />

narrators. They are then able to put the politics of the community<br />

into the public arena of television.<br />

The clearest example of this within the documentary is a reporter’s<br />

interview with a black female resident of the city. This woman<br />

has four children and no husband in the home, a typical Moynihan<br />

report case. The reporter talks about all of the welfare programs,<br />

suggesting that there should be no need to riot. The woman will not<br />

be assuaged by his suggestions and repeatedly insists, “I’d be proud<br />

to go to work.” A crowd begins to gather around the reporter, who<br />

continues to remind them of all that is provided by the welfare<br />

programs. The crowd’s frustration is clear, and a man stares at the

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