humor. See black humor hyperblackness, 1, 174, 196n1 identity, 5 Illtop Journal, 194 images of African Americans. See representation of blackness improvisation: and black folk humor, 16, 91; in music, 102; as tool of survival, xv In Living Color, 174 integration: and black political organizations, 123; and formation of black communal spaces, xiii; legal, 180; and media tools, 113; and sellouts, 4, 123; positive representation of, 6, 169, 171; of schools, 135; of television, 142; in United States, 173; and Flip Wilson, 72, 102. See also Julia I Spy, 6, 22, 42, 54, 71, 102 Jackson, Jesse, 79, 181, 186 Jeffersons, The, 171 Jim Crow, xiii, 8, 10, 14–16 Johnson, Lyndon, 28, 40, 45, 88 Jones, Leroi. See Baraka, Amiri Julia: end of, 126; and idealistic representations, 3, 119, 124; and integration, 6, 71, 102, 116, 119; as milestone, xii; and politics, 119; premiere of, 22, 42, 54; racism within, 118, 119–21; as “safe Negro,” 119, 121; sexism within, 120; as token successful black, 124. See also Carroll, Diahann; Kanter, Hal; Nolan, Lloyd Kanter, Hal, 114–17, 126 Kelley, Robin D. G., xiv, 6, 8, 113 Kennedy, John F., 30 Index 233 Kerner Commission, 43, 201n41 King, B.B., 102 King, Coretta Scott, 43 King, Martin Luther, Jr.: and bus boycott, 177–78; and Chicago Plan, 130; and Moynihan Report, 36; and power of television, 28; and radio, 59; and selling out, 4 Kirby, George, 17 Lear, Norman, 91, 110, 128, 139–40 Lee, Spike, 56, 83 Locke, Alain, 13 Lomis, Henry, 51 lower-class African Americans, 5. See also working-class African Americans lynchings, 88, 125 Mabley, Moms, 11, 12, 17, 87, 181 made-for-television films, 171–72, 176–78 magazines: as alternative forum for actors and producers, xii, 110, 112, 117, 132, 140, 169; as community building, 203n6; and coverage of black television, 19 Malcolm X, 29, 87, 146, 179–80, 187 March on Washington, 24 Markham, Dewey “Pigmeat,” 11, 20, 181 Maude, 128, 210n23 McCone Commission, 35, 37 middle-class African Americans: and black folk culture, 13, 16; detachment of, 44; and Julia, 71, 210n11; and morality, 8; and NAACP, 20; selfdesignation of, 5; sensibility of,
234 Index 2, 21, 78, 107–8, 149, 206n62; and TOBA, 12 migration, 13, 33, 123, 130, 141 militancy, 114–15, 121, 136–38 Million Man March, 181 Minor Adjustments, 175 Minow, Newton, 30 minstrelsy, xii, 10–11, 20, 78, 198n26 miscegenation, 87–88 Mission Impossible, 54 Mississippi Burning, 26, 177 model minorioty, 185, 216n28 Mod Squad, The, 54 Mooney, Paul, 167 Motion Picture Association of America, 114 Moynihan Report, 35–36, 39, 112, 129 MTV, 65, 196n2 Murphy, Eddie, 181 Murrow, Edward R., 25 music: impact of on mainstream community, 58, 59, 196n2; and oral culture, 57. See also Soul Train NAACP (National Association for the Advancement of Colored People), 6, 16, 20, 36, 110, 114–16 National Association of Black Media Producers, 50 National Association of Broadcasters, 30 National Educational Television (NET), 41 National Newspaper Publishers Association, 51–52 Nation of Islam, 34, 38 Nat King Cole Show, 22, 71 Negro Industrial and Economic Union, 45 NET. See National Educational Television network television: attempt to shape black life, 157; and black expression, 158; increasing black agency within, 112; lack of black participation in, 1, 50, 65, 109; protests over, 49. See also television news New Breed Clothing, 44–45 New Frontier, 31 New Negro, 13 news. See television news Newton, Huey, 46, 158–60, 201n44 Nixon, Richard, 51, 160 Nolan, Lloyd, 115, 119 nostalgia, 30, 32 O’Connor, Carroll, 108 Olympics protest, 24, 48, 202n47 oral culture: and humor, 10; and radio, 56–58, 204n11; tradition of, 57, 90, 197n2, 198n29 Outcasts, The, 54 Page, LaWanda, 17, 100 Parent ’Hood, 175 Parker, William, 34, 35, 37 Parks, Rosa, 15, 16, 110 Patterson and Jackson, 14 PBS. See Public Broadcasting System People Are Funny, 83 Plessy vs. Ferguson, 8 Poitier, Sidney, 4, 48, 59, 198n8 police: buildup of, 43; in Chicago, 132, 135; in Cops, 3, 197n6; in Los Angeles, 34, 37–39, 94, 125, 162; in South, 187; widespread problems with, 103, 145–47, 191, 202n45 positive/negative binary, xii, xv, 2, 7, 21, 22
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Revolution Televised
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Revolution Televised Prime Time and
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This book is dedicated to Ailsa Jea
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Contents Acknowledgments ix Introdu
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Acknowledgments Revolution Televise
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Introduction Dy-no-mite! What’s h
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Introduction xiii texts were chosen
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Introduction xv in black television
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1. Reading the Roots of Resistance
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Reverend Leroy is a critique of the
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82 What You See Is What You Get Whe
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84 What You See Is What You Get wit
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86 This Ain’t No Junk my idol, I
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88 This Ain’t No Junk In an era i
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90 This Ain’t No Junk bought his
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92 This Ain’t No Junk garnered el
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94 This Ain’t No Junk activities
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96 This Ain’t No Junk Aunt Esther
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98 This Ain’t No Junk but tells h
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100 This Ain’t No Junk where they
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102 This Ain’t No Junk Another ep
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104 This Ain’t No Junk it would b
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106 This Ain’t No Junk fred: Hey
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108 This Ain’t No Junk embarrassm
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110 5. Respect Yourself! Black Wome
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112 Respect Yourself! This was the
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114 Respect Yourself! actors and bl
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116 Respect Yourself! voice of the
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118 Respect Yourself! may not have
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120 Respect Yourself! white schools
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122 Respect Yourself! races.” She
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124 Respect Yourself! Julia’s poi
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126 Respect Yourself! spaces. These
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128 Respect Yourself! the fact that
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130 Respect Yourself! the father, w
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132 Respect Yourself! poverty and g
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134 Respect Yourself! The character
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136 Respect Yourself! disparity in
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138 Respect Yourself! down in the m
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140 Respect Yourself! 1978), J.J. b
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142 Respect Yourself! and white con
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144 That Nigger’s Crazy at the cl
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146 That Nigger’s Crazy ’bout,
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148 That Nigger’s Crazy Crazy, Pr
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150 That Nigger’s Crazy stereotyp
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152 That Nigger’s Crazy chase: Sp
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154 That Nigger’s Crazy Pryor as
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158 That Nigger’s Crazy The first
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162 That Nigger’s Crazy judge coo
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168 That Nigger’s Crazy being dru
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170 Conclusion: Movin’ On Up Cont
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172 Conclusion States at the time,
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174 Conclusion Indeed, contemporary
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176 Conclusion Cerebral and black
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178 Conclusion and this film recogn
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180 Conclusion under the constant s
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