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Revolution Televised.pdf

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182 Conclusion<br />

You know how I can tell Colin Powell can’t be president? Whenever<br />

Colin Powell on the news, white people always give him the same<br />

compliments. How do you feel about Colin Powell? “He speaks so<br />

well.” “He’s so well spoken.” Like that’s a compliment. “Speaks so<br />

well” is not a compliment, okay? “Speaks so well” is some shit you<br />

say about retarded people that can talk. What—did he have a stroke<br />

the other day? He’s a fucking educated man. How the fuck you expect<br />

him to sound, you dirty motherfucker?<br />

What became more of an issue within black circles was Rock’s<br />

pointed critique of problems within African American society. In<br />

the epigraph that opens this section, Rock describes a division in<br />

African American society between black people and “niggas.” He<br />

went on to criticize this segment of society for various problems,<br />

such as not wanting an education and having more pride in a jail<br />

sentence than a master’s degree. Internal critique, as explored in<br />

earlier chapters, has always been a part of the African American<br />

comedic tradition, as well as an everyday part of communal conversations<br />

among family and friends. What makes this a more critical<br />

issue is airing these problems in a mainstream forum such as HBO.<br />

These are problems to be handled behind the proverbial closed<br />

doors. Rock acknowledged this concern in an interview after the<br />

special aired.<br />

They’ve [African Americans] been thinking it and saying it for years.<br />

My mother’s been saying it. It’s not real news. My brother’s house<br />

got broken into and he said, “Where do I sign up for the Ku Klux<br />

Klan?” and I like using that line. The people that get upset with<br />

that—the black people that get in my face—are angry mainly because<br />

I’m saying it in front of white people. 21<br />

The forum is no longer the black communal sites of the Chitlin’<br />

Circuit or the privacy of one’s own home; it is the very mainstream<br />

venue of U.S. cable television. 22 The venue can change the meaning.<br />

No longer are you speaking to an audience that has a shared historical<br />

understanding underlying the humor. Once the material is<br />

released, the potential occurs for any number of interpretations by<br />

a multifaceted audience. 23 As Rock himself noted,<br />

That’s the only thing I hated about all the press I got in the last<br />

couple of years about the niggers and Black people thing. They act

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