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Revolution Televised.pdf

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126 Respect Yourself!<br />

spaces. These voices refused to comply with television’s depictions.<br />

Without such active black response in producing counternarratives,<br />

the regressive politics suggested by Julia would have remained<br />

unchallenged. Future programming also would not have needed to<br />

address or attempt to explore black life beyond the confines of integrated<br />

and assimilated Julia.<br />

Julia ended in 1971 after three seasons; both Kanter and Carroll<br />

reportedly wanted to work on different projects. Diahann Carroll<br />

continued to respond to the televisual image after Julia’s demise. In<br />

1974, she starred in the film Claudine. As Claudine, Carroll played<br />

a character who was conversant with the representation of Julia.<br />

Although both are single mothers, Claudine lives in the inner city<br />

and has to deal with the harsh realities of the welfare system. Carroll’s<br />

image was far from the highly made up and stylish Julia; she<br />

was often pictured in a housecoat, tired after a long day of work.<br />

The film is very critical of the welfare system, and Claudine incisively<br />

points out the flaws. In a conversation with the welfare investigator,<br />

she questions her treatment by the worker, who is suspicious<br />

of her efforts to make a better life for her children. She also<br />

critiques the media and societal discourse, which suggest that the<br />

welfare system allows one to live a comfortable life. Furthermore,<br />

she reveals the ways in which the system actually works to keep<br />

black men and women apart. Carroll earned an Academy Award<br />

nomination for her performance.<br />

The use of other media resources to question the televisual discourse<br />

carried over to other black-cast shows in the 1970s. This<br />

method of resistance, seen with the production of Sanford and Son,<br />

was even more evident in the conflicts surrounding the production<br />

of Good Times.<br />

Good Times?<br />

MICHAEL: There are a lot of good movies out there—Black Belt Jones,<br />

Blacula, The Black Godfather, Six Black Men.<br />

FLORIDA: They all sound like violent pictures to me. I don’t like violence.<br />

THELMA: There is a comedy out with James Earl Jones and Diahann<br />

Carroll called Claudine. James Earl Jones is a garbage man, and<br />

she’s on welfare.<br />

FLORIDA: Julia on welfare—this I’ve got to see.<br />

Good Times, “The Gang,” 1974

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