Revolution Televised.pdf
Revolution Televised.pdf
Revolution Televised.pdf
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126 Respect Yourself!<br />
spaces. These voices refused to comply with television’s depictions.<br />
Without such active black response in producing counternarratives,<br />
the regressive politics suggested by Julia would have remained<br />
unchallenged. Future programming also would not have needed to<br />
address or attempt to explore black life beyond the confines of integrated<br />
and assimilated Julia.<br />
Julia ended in 1971 after three seasons; both Kanter and Carroll<br />
reportedly wanted to work on different projects. Diahann Carroll<br />
continued to respond to the televisual image after Julia’s demise. In<br />
1974, she starred in the film Claudine. As Claudine, Carroll played<br />
a character who was conversant with the representation of Julia.<br />
Although both are single mothers, Claudine lives in the inner city<br />
and has to deal with the harsh realities of the welfare system. Carroll’s<br />
image was far from the highly made up and stylish Julia; she<br />
was often pictured in a housecoat, tired after a long day of work.<br />
The film is very critical of the welfare system, and Claudine incisively<br />
points out the flaws. In a conversation with the welfare investigator,<br />
she questions her treatment by the worker, who is suspicious<br />
of her efforts to make a better life for her children. She also<br />
critiques the media and societal discourse, which suggest that the<br />
welfare system allows one to live a comfortable life. Furthermore,<br />
she reveals the ways in which the system actually works to keep<br />
black men and women apart. Carroll earned an Academy Award<br />
nomination for her performance.<br />
The use of other media resources to question the televisual discourse<br />
carried over to other black-cast shows in the 1970s. This<br />
method of resistance, seen with the production of Sanford and Son,<br />
was even more evident in the conflicts surrounding the production<br />
of Good Times.<br />
Good Times?<br />
MICHAEL: There are a lot of good movies out there—Black Belt Jones,<br />
Blacula, The Black Godfather, Six Black Men.<br />
FLORIDA: They all sound like violent pictures to me. I don’t like violence.<br />
THELMA: There is a comedy out with James Earl Jones and Diahann<br />
Carroll called Claudine. James Earl Jones is a garbage man, and<br />
she’s on welfare.<br />
FLORIDA: Julia on welfare—this I’ve got to see.<br />
Good Times, “The Gang,” 1974