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Revolution Televised.pdf

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76 What You See Is What You Get<br />

Unlike Flip Wilson’s humor, that of other comedians is more<br />

easily cited with written examples, but placing Flip Wilson’s comedy<br />

onto the page somewhat limits its impact because it was based so<br />

much on the performance. The physical moves, as he sashayed<br />

around the podium of his church and called out for an “Amen”<br />

from the crowd, were unique. 62 However, the skit above does address<br />

critical issues within the black church. Raising money from<br />

the congregation is a constant task. Reverend Leroy’s use of a small<br />

boy as bait and the oppositional comments of the female angel,<br />

which indicate that the church may not need as much as the reverend<br />

suggests, question the honesty of the preacher. While a black<br />

audience viewing this could value the humor, the fear of what a<br />

white audience might think was certainly an issue for anyone concerned<br />

with portraying an uplifting view of the black community.<br />

Wilson’s most popular character by far was Geraldine Jones,<br />

who, he said, “carried me longer than my mother did.” 63 Geraldine<br />

gained such prominence in the early 1970s that several of her expressions,<br />

“The devil made me do it,” “What you see is what you<br />

get” (the phrase was captured in a 1971 popular R&B song by the<br />

Dramatics and used to describe the Apple computer system in the<br />

1980s—WYSIWYG), and “When you’re hot, you’re hot; when<br />

you’re not, you’re not,” entered the American lexicon. Wilson performed<br />

Geraldine’s voice in his stand-up but was truly able to bring<br />

her to life in all her glory on his show.<br />

I noticed when comics spoke about women, they either knocked<br />

their wives or their mothers-in-law. They were always putting<br />

women down. So I said, well, I’m going to go the other way. I’m<br />

going to make a positive image of a female character. . . . When it<br />

came time to do the show I said, damn! Who am I going to get to<br />

play her? . . . I said, well, maybe I can get somebody to do it and<br />

I can ad-lib from offstage. Then a voice in the back of my mind<br />

said, “Are you kidding?” Anything that any great person has done<br />

has been a bold step. So I said, well, let me boldly step into my<br />

panty hose. 64<br />

Yet some critics said Geraldine was reminiscent of Sapphire from<br />

Amos ’n’ Andy. Again, this was a knee-jerk reaction to the exploration<br />

of black characters on network television. Geraldine was<br />

strong, sharp, stylish, and had a cutting wit and a sense of selfassurance.

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