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Revolution Televised.pdf

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Respect Yourself! 139<br />

He’s [J.J.] 18 and he doesn’t work. He can’t read and write. He<br />

doesn’t think. The show didn’t start out to be that. Michael’s role of<br />

a bright, thinking child has been subtly reduced. Little by little—with<br />

the help of the artist [Jimmy Walker], I suppose, because they couldn’t<br />

do that to me—they have made him more stupid and enlarged the<br />

role. [Negative images] have been quietly slipped in on us through<br />

the character of the oldest child. I resent the imagery that says to<br />

black kids that you can make it by standing on the corner saying<br />

“Dy-no-mite!” 34<br />

Norman Lear released John Amos from his contract in September<br />

1976. Rolle eventually quit the show before the 1977–78 season<br />

because of her displeasure with the character J.J. and the general<br />

direction the show was taking. Once Rolle was gone, J.J. became<br />

entrenched as the head of the household, and the category of pure<br />

sitcom is clearly evident. 35<br />

In the episode “Wheels” (September 9, 1977), J.J. and his friends<br />

purchase a used car from the building manager, Bookman. Although<br />

the suggestion that wealthier people who live in better neighborhoods<br />

pay less insurance is briefly introduced, the episode revolves<br />

primarily around the mishaps with the vehicle and provides time<br />

for J.J. to sing with his friends. In “J.J.’s Condition” (January 19,<br />

Esther Rolle criticized the character J.J. in newspapers and magazines.

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