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25 Biggest Mistakes Teachers Make and How to Avoid Them

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38 Discipline<br />

SCENARIO 4.5<br />

Old School—1899 or New School—1999?<br />

My family moved so I had <strong>to</strong> start second grade as a new student. I was scared. I didn’t<br />

know anyone at my new school. Everything was fine until PE class that first day of<br />

school. In PE, the coach asked the class <strong>to</strong> line up <strong>and</strong> the lines were supposed <strong>to</strong> start<br />

on designated little circles. Needless <strong>to</strong> say, I wasn’t accus<strong>to</strong>med <strong>to</strong> their style of lining<br />

up, so I formed my own individual line that wasn’t on a circle. Unfortunately, the coach<br />

noticed I was out of line, so he yelled at me <strong>and</strong> rudely asked me <strong>to</strong> follow his directions,<br />

not knowing that this was my first day of class. My self-esteem dropped at that moment.<br />

He didn’t realize that I was trying <strong>to</strong> meet his request but misinterpreted his directions.<br />

Outdated, antiquated, passé,<br />

or archaic, by any name the<br />

practice of having students line up<br />

on specific circles <strong>and</strong> follow specific<br />

directions is a relic of a bygone era.<br />

Turn-of-the-century teaching (1890s–<br />

1930s) featured a similar technique<br />

where students had <strong>to</strong> literally <strong>to</strong>e<br />

the line <strong>and</strong> recite their lessons.<br />

During this period, teachers <strong>to</strong>ld students<br />

how <strong>and</strong> where <strong>to</strong> sit or st<strong>and</strong>,<br />

if <strong>and</strong> when <strong>to</strong> talk, <strong>and</strong> so on.<br />

Students often waited for the teacher<br />

<strong>to</strong> give the signal <strong>to</strong> start <strong>and</strong> the student<br />

“body” was expected <strong>to</strong> move<br />

in lock-step fashion as one (Cuban,<br />

1984). The coach publicly ridiculed<br />

the unsuspecting student who was<br />

unaware of the practice. Perhaps the<br />

coach would have been a little more<br />

lenient if he had been aware that<br />

SCENARIO 4.6<br />

If You Muse, You Lose<br />

the student was new, but given his<br />

strong need for control <strong>and</strong> his tendency<br />

<strong>to</strong>ward loud reprim<strong>and</strong>, I<br />

doubt it.<br />

“There is an objection <strong>to</strong> reproving<br />

the pupil publicly....Ridicule is<br />

another weapon that should never be<br />

used....It is the modest, conscientious<br />

child that is most affected,”<br />

(McFee, 1918). These quotes are evidence<br />

that perceptive, sensible teachers<br />

were around at the turn of the<br />

century. This old-fashioned advice is<br />

timeless <strong>and</strong> timely. Effective teachers<br />

are aware of the effects of public<br />

ridicule <strong>and</strong> shaming on a student’s<br />

self-esteem <strong>and</strong> usually avoid it in<br />

favor of soft, private reprim<strong>and</strong>s. In<br />

addition, they would have rules or<br />

practices posted or they would offer a<br />

new student orientation.<br />

In fourth grade, I was not paying close attention when the teacher was reading a s<strong>to</strong>ry<br />

<strong>to</strong> the class. At the end of the s<strong>to</strong>ry, another boy <strong>and</strong> I were asked <strong>to</strong> come <strong>to</strong> the front<br />

of the room <strong>and</strong> repeat as much of the s<strong>to</strong>ry as possible. I had <strong>to</strong> go first <strong>and</strong> needless<br />

<strong>to</strong> say, did not recall much of the s<strong>to</strong>ry. The boy did very well. I remember how embarrassed<br />

I was.

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