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Pauline Viardot Text anonymous ‘L’absence’ (Absence) [CD 1 Track 8] (pub. 1844) FREDERICA VON STADE PUBLISHED JUST after the first of Viardot’s Russian seasons, this has a decidedly Spanish feel to it – is it, perhaps, another evocation of one of Manuel García’s songs? The fashion for the music of Spain took hold in Paris later, during the reign of the Emperor Napoleon III, and his Spanish wife, Eugénie de Montijo. Aux longs tourments de l’absence The only remedy for the long torment Le seul remède est mourir. of absence is to die, Dans la triste indifférence why languish so long Pourquoi si longtemps languir? in sad indifference? Sans repos, sans espérance? Without rest, without hope? Est-ce vivre que souffrir? Is to live to suffer? Aux longs tourments de l’absence The only remedy for the long torment Le seul remède est mourir. of absence is to die, Ah! ah! Lorsque je tiens ma promesse, While I keep my promise, Ingrat, de t’aimer toujours, ungrateful one, to love you always, Peut-être une autre maîtresse another mistress perhaps T’enivre d’autres amours. exalts you with other loves. C’est hélas! trop de souffrance, The suffering is too great, alas! –60–
Rehearsal for the concert at the Wigmore Hall with Fanny Ardant, David Watkin, David Harper, Anna Caterina Antonacci Frederica von Stade and Vladimir Chernov
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PaulineViardot andFriends ORR240 In
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Managing Director: Stephen Revell P
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CD 1 37’56 Frederica von Stade, A
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Duration Page [14] ‘En mer’ - P
Page 9 and 10: PAULINE VIARDOT - A Chronology 1821
Page 11 and 12: 1873 Sings Massenet’s Marie Magde
Page 13 and 14: García created the roles of Norfol
Page 15 and 16: George Sand (1804-1876)
Page 17 and 18: Ivan Turgenev (1818-1883)
Page 19 and 20: It has taken nearly a century since
Page 21 and 22: PAULINE VIARDOT - Chronologie 1821
Page 23 and 24: 1861 Alceste de Gluck à l’Opéra
Page 25 and 26: García, qui a créé le rôle de N
Page 27 and 28: que l’intrigue du roman se situe
Page 29 and 30: Il aura fallu attendre près d’un
Page 31 and 32: PAULINE VIARDOT - Chronologie 1821
Page 33 and 34: 1869 Viardots Le dernier sorcier wi
Page 35 and 36: nach Paris; sie wurde später seine
Page 37 and 38: Auch wenn er im 18. Jahrhundert spi
Page 39 and 40: keine Kritik gelten, und schrieb ih
Page 41 and 42: PAULINE VIARDOT - Cronologia 1821 P
Page 43 and 44: 1870 Prima interprete della Rapsodi
Page 45 and 46: García creò i ruoli di Norfolk ne
Page 47 and 48: “Il volto pallido, immobile - a p
Page 49 and 50: composto canzoni e brani per pianof
Page 51 and 52: CD 1 37’56 Pauline Viardot Poem b
Page 53 and 54: Веш нихдн ей минутн
Page 55 and 56: ¿Qué quieres Panchito What do you
Page 57 and 58: ¿Qué quieres Panchito What do you
Page 59: composed in the early 1830s, just a
Page 63 and 64: Puis, des lapins blancs, and then w
Page 65 and 66: Non content d’arrêter les rayons
Page 67 and 68: Ноч евала туч к азо
Page 69 and 70: minded, sophisticated circle always
Page 71 and 72: Anna Caterina Antonacci
Page 73 and 74: vous serez maître… you will be m
Page 75 and 76: CD 2 45’20 Pauline Viardot Poem b
Page 77 and 78: Смерть и жизн ьпере
Page 79 and 80: Charles Gounod (1818-1893)
Page 81 and 82: Les suaves haleines Gentle breezes
Page 83 and 84: lo potesse innamorar, could make hi
Page 85 and 86: Fryderyk Chopin Mazurka Op. 33 No.
Page 87 and 88: Pauline Viardot Poem by Richard Poh
Page 89 and 90: Hector Berlioz (1803-1869)
Page 91 and 92: Fanny Ardant, Anna Caterina Antonac
Page 93 and 94: Entre le ciel et l’eau between sk
Page 95 and 96: Буря м гл ою н еб о к
Page 97 and 98: За водой поутруш ла
Page 99 and 100: Écoutez ma prière! pray, hear me
Page 101 and 102: Sans rien laisser de leur velours.
Page 103 and 104: Kak legkii zvuk il’ dunoven’e,
Page 105 and 106: Pauline Viardot French words by Lou
Page 107 and 108: Fanny Ardant, David Watkin, Anna Ca
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