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Pauline Viardot<br />
Fable by Jean De La Fontaine<br />
‘Le chêne et le roseau’ (The oak and the reed) [CD 1 Track 12]<br />
(pub. 1843, possibly 1841)<br />
ANNA CATERINA ANTONACCI<br />
MANY COMPOSERS have been drawn to the Fables of La Fontaine, notably<br />
Offenbach, Lecoq and Caplet, but Viardot was one of the first. ‘Le chêne et le<br />
roseau’ was first sung by Viardot at a concert in 1842, in which she was<br />
accompanied by Chopin. It has been suggested that she made the piano part<br />
more elaborate in this song in order to give the virtuoso composer something<br />
more interesting to play. It was one of the songs that Viardot chose to include<br />
in her album of eight songs, published the following year, with illustrations by<br />
Ary Scheffer, the painter she referred to as ‘a spiritual counsellor and guide’.<br />
Le Chêne, un jour, dit au Roseau: The oak one day addressed the reed:<br />
« Vous avez bien sujet d’accuser ‘You have every reason to accuse<br />
la nature, nature:<br />
Un roitelet pour vous est un a wren for you is a heavy<br />
pesant fardeau; burden;<br />
Le moindre vent, qui the slightest wind which<br />
d’aventure happens<br />
Fait rider la face de l’eau, to ripple the water’s surface<br />
Vous oblige à baisser la tête, forces you to lower your head;<br />
Cependant que mon front, au while my brow, like the<br />
Caucase pareil, Caucasus,<br />
–64–