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Fryderyk Chopin<br />
Mazurka Op. 33 No. 3 in C major<br />
‘Berceuse’ [CD 2 Track 9]<br />
Words by Louis Pomey<br />
FREDERICA VON STADE<br />
PAULINE VIARDOT published more than a dozen vocal settings of Chopin’s<br />
mazurkas. The composer himself agreed to have Viardot perform some of<br />
them at one of his London concerts towards the end of his life, when he had<br />
quarrelled with George Sand, and was compelled to teach and give recitals<br />
wherever he could, hastening the illness that would soon kill him. Viardot sang<br />
the contralto part in Mozart’s Requiem at Chopin’s funeral in Paris in 1849.<br />
When this song was eventually published in 1865, it became known as<br />
‘Seconde Berceuse’, to avoid confusion with the earlier song (CD 1 Track 10).<br />
Throughout the Victorian era, arrangements for voice and piano of music by<br />
famous composers were very popular. Viardot also arranged pieces by Brahms,<br />
Schubert and even Haydn.<br />
Enfant, cède au sommeil qui ferme Sleep, my child, and close your eyes.<br />
ta paupière,<br />
Je suis auprès de toi, priant Dieu pour I am near you, praying that God will keep<br />
l’absent, the absent one.<br />
Goûte d’un doux repos le charme Enjoy the blessings of a quiet repose,<br />
bienfaisant,<br />
Et près du ton berceau, ne cherche pas and do not seek your father by your cradle.<br />
ton père.<br />
La-la, la-la! La-la, la-la! Hélas! La-la, la-la! La-la, la-la! Alas!<br />
–85–