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india author m 1- a-nan - University of Wollongong

india author m 1- a-nan - University of Wollongong

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mutual understanding and love. Aithal examines four novels: Some Inner Fury, set in preindependence<br />

India, Possession which shows that the Englishwoman Caroline Bell has not<br />

given up her possessive attitude towards India even after independence, The C<strong>of</strong>fer Dams<br />

where the contact is based on Indian importation <strong>of</strong> Western science and technology to build<br />

a huge dam, and The Nowhere Man which is set in England and shows the racial<br />

discrimination faced by an Indian immigrant there.<br />

ASNANI, SHYAM M. "Quest for Identity Theme in Three Commonwealth Novels." Alien<br />

Voice, edited by Srivastava (1981): 128-36.<br />

The three novels, Achebe's No Loneer at Ease, Naipaul's A House for Mr Biswas<br />

and Kamala Markandaya's The Nowhere Man depict the tragic world <strong>of</strong> the assimilé, and<br />

each <strong>of</strong> the three protagonists is equally helpless before the inexorable demands <strong>of</strong> the world<br />

around him, though the first two novels are set in the colonial world, while the eponymous<br />

hero <strong>of</strong> the third is an Indian emmigrant in England.<br />

ASNANI, S.M. "Character and Technique in Kamala Markandaya's Novels" RUSEng 11<br />

(1978):66-74.<br />

BADAL, R.K. Kamala Markandaya (??)<br />

BALASWAMY, P. "The Distorted and Distortive Mirror <strong>of</strong> Kamala Markandaya" Criticle<br />

(October 1977):20-28.<br />

BANERJI, NIROJ. Kamala Markandaya: A Critical Study. Allahabad: Kitab Mahal, 1990,<br />

168pp.<br />

Generally repeats received opinion, so most <strong>of</strong> the leading critics on Markandaya are<br />

quoted. Contains a bibliography <strong>of</strong> secondary sources, and a letter from Markandaya, where<br />

she states, "I do not think <strong>of</strong> myself as--I do not think I am--an expatriate writer."<br />

CHADHA, RAMESH. "Heat and Dust and The C<strong>of</strong>fer Dams: A Comparative Study."<br />

WLWE 10, no.1/2 (1982): 24-30.<br />

Jhabvala's and Markandaya's novels have similar stories, and deal with man-woman<br />

relationships. The heroes <strong>of</strong> both novels are work conscious; they take their wives for granted,<br />

and treat them as objects. In the beginning, both Olivia (Heat and Dust) and Helen Clinton<br />

(The C<strong>of</strong>fer Dams) are devoted wives. But they are non-conformists, and are attracted by<br />

India, and take Indian lovers.<br />

CHADHA, RAMESH. "Heat and Dust and The C<strong>of</strong>fer Dams: A Comparative Study" Journal<br />

<strong>of</strong> Indian writing in English 10.1&2 (1982):24-30. [check if same]<br />

CHADHA, RAMESH. Cross-Cultural Interaction in Indian English Fiction: An Analysis <strong>of</strong><br />

the Novels <strong>of</strong> Ruth Prawer Jhabvala and Kamala Markandaya. New Delhi: National Book<br />

Organization, 1988, xii +166pp.<br />

Based on a doctoral thesis. Examines cross cultural interaction in the two novelists by<br />

comparing novels with similar themes. Thus the second chapter, "The Interplay" examines<br />

Markandaya's Nectar in a Sieve and Some Inner Fury and Jhabvala's Esmond in India.<br />

Chapter 3, "Getting Ready for Battle", deals with Markandaya's The C<strong>of</strong>fer Dams and The<br />

Nowhere Man and Jhabvala's A Backward Place while the next chapter, "And Never the<br />

Twain Shall Meet" (Kipling misquoted) compares Jhabvala's New Dominion and Heat and

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