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MOHANTY, NIRANJAN, "Patterns of Awareness: A Study in 'Relationship'," Littcrit, 15.1&2 (1989): 44-56. MOHANTY, NIRANJAN. "Patterns of Awareness: A Study of Jayanta Mahapatra's Relationships" Littcrit, 15.1, (1990): 44-56. MOHANTY, NIRANJAN. "Recollection as Redemption: The Poetry of Jayanta Mahapatra" Poetry 10 (1985):24-40. MOHANTY, NIRANJAN. "Relationship: A Study" Poetry 12.1 (1987):1-18. MOHANTY, NIRANJAN. "Sex, Power and Beyond: A Study in the Poetry of Jayanta Mahapatra" The Quest 1.1 (1987): 36-54. Values Mahapatra for taking sexuality beyond sex to "life giving force" via indirection authorised by Anandavardhana as auchitya (propriety) and obliqueness. Poems mix romantic redemption through recollection with modern awareness of death and inadequacy. Love entails abhiman, combining ecstasy of union with fear of separation and projecting a transcendant bliss. Passing reference to Sidney, Marvell and the saint-poets, Tagore and Jibananda Das and extended commentary on imagery. MOHANTY, NIRANJAN. "The Theme-Song of Life: The Poetry of Jayanta Mahapatra" in DAS, BIJAY KUMAR ed. Contemporary Indo-English Poetry Bareilly: Prakash Book Depot, 1986: 64-86. PANIKER, K. AYAPPA. "The Poetry of Jayanta Mahapatra" in SHAHANE, VASANT A. and SIVARAMKRISHNA, M. eds Indian Poetry in English: A Critical Assessment Madras: Macmillan, 1980, 184 pp. Also Atlantic Highlands: Humanities, 1981: 84-98. PANIKER, K. AYYAPPA. "The Poetry of Jayanta Mahapatra" in SHAHANE, V.A. & M. SIVARAMAKRISHNA, eds. "Contemporary Indian Poetry in English Special Number" Osmania Journal of English Studies 13.1 (1977):117-38 PERRY, JOHN OLIVER. "Neither Alien nor Postmodern; Jayanta Mahapatra's Poetry from India" KR 8.4 (Fall 1986):55-66. PRASAD, MADHUSUDAN ed. The Poetry of Jayanta Mahapatra New Delhi: Sterling Publishers, 1986, viii + 303 pp. KING, BRUCE. SIMMS, NORMAN. PERRY, JOHN OLIVER. KENNEDY, ALAN. NAIK, M.K. DESAI, S.K. ALEXANDER, MEENA. DEVY, G.N. SUNDARI, G. RAMAMURTI, K.S. SHAHANE, VASANT A. CORSERI, GARY. KHULLAR, AJIT.
SYAL, PUSHPINDER. PRASAD, MADHUSUDAN. MOHANTY, NIRANJAN. DAVID, P.C. INAMDAR, F.A. SWAIN, RABINDRA K. DUTTA, UJJAL. Interview with Norman Simms. PRASAD, MADHUSUDAN. "'Caught in the Currents of Time': A Study in the Poetry of Jayanta Mahapatra" in DWIVEDI, A.N ed. Studies in Contemporary Indo-English Verse Bareilly: Prakash Book Depot, 1984:89-122. PRASAD, MADHUSUDAN. '"Echoes of a Bruised Presence": Images of Women in the Poetry of Jayanta Mahapatra" WLWE 28.2 (Autumn 1988):367-78. PRASAD, S.M. "Quest for Roots in the Poetry of Jayanta Mahapatra" Journal of Indian Writing in English 17.1 (1989): 22-32. RAMAKRISHNAN, E.V. "Landscape as Destiny: Jayanta Mahapatra's Poetry" in DAS, BIJAY KUMAR ed. Contemporary Indo-English Poetry Bareilly: Prakash Book Depot, 1986: 102-10. RAMAMURTI, K.S. & SUNDARI, G. "Song of the Past: An Interpretation of the Poetry of Jayanta Mahapatra" Littcrit 10.1 (1984):15-27. RAO, A.V. KRISHNA. "The Recent Poetry of Jayanta Mahpatra: An Assessment" ACLALS Bulletin 7th Series No. 2 (1986):67-76. STACHNIEWSKI, JOHN. "Life Signs in the Poetry of Jayanta Mahapatra" The Indian Literary Review 4.2 (1986):79-84. SWAIN, RABINDRA K. "Life Signs: An Essay-Review" The Literary Endeavour 6.1-4 (1986):133-42. (check date) TARINAYYA, M. "Jayanta Mahapatra's A Letter to Kazuko Shiraishi in Tokyo: An Analysis" The Literary Criterion 20.3 (1985): 60-69. Criticism should move toward the writer’s “conscience” - “the honest desire to be true to one’s experience of the complexities and challenges of life”. Mahapatra’s idea of the poem as “testament” has it “breaking forth an experience into a relationship with the reader”. The reader has difficulty overcoming the initial impression of commonness and can find the language of subjective rendering hard too. The private colloquial voice of a letter is transformed by “deautomatizing” image links (rain-hunger) that move us from literal and social detail to symbolic or metaphysical levels of meaning. Spiralling moralising commentary starting in close reading, seeing the poem as reflecting on civilisation and religion in modern India (objectified through the eyes of the Tokyo addressee) and the poet’s isolation and responsibility arising from the death by tetanus of Mahapatra’s servant girl. Mahapatra, Laxmi Narayan.
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Bibliography of Criticism of Indian
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Corrects and contests the statement
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DWIVEDI, A.N. "Re-creating 'The Liv
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ASNANI, SHYAM. "Socio-Political Con
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dismissing any criticism of it as "
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GUPTA, G.S. BALARAMA. Mulk Raj Anan
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Character study of Bakha based on C
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the writer’s ‘own terms’. 3)
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Chinua Achebe. The fundamental guid
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Forster: A Centenary Volume New Del
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Reveals the later and more complex
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SUDHAKAR, PREMILA PAUL. "Major Them
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DEVY, G.M. "Sri Aurobindo's 'Source
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Perseus is primarily an instrument
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RAMAMURTI, K.S. & KAMALANI N. “Sr
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BHATNAGAR, O.P. "Urbanity and Rural
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BHATT, P.N. "The Impact of Gandhi o
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SHARMA, K. K.Bhabani Bhattacharya:
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Chattopadhyaya, Harindranath GUPTA,
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An appreciative close reading arran
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Chinmoy, Sri BENNET, MEREDITH. "The
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REDDY, P. BAYAPPA. "Asif Currimbhoy
Page 45 and 46: INAMDAR, F.A. "K.N. Daruwalla's Poe
Page 47 and 48: the external world of phenomena”
Page 49 and 50: Heinemann, 1980: 201-07. Also Atlan
Page 51 and 52: AFZAL-KHAN, FAWZIA. "Genre and Ideo
Page 53 and 54: KIRPAL, VINEY. "An Image of India:
Page 55 and 56: PRASAD, MADHUSUDAN. "Anita Desai's
Page 57 and 58: KUMAR, SHIV K. "Desai's Games at Tw
Page 59 and 60: NAIK, M.K. "The Method in His Madne
Page 61 and 62: Response to de Souza’s poetry fix
Page 63 and 64: DWIVEDI, SURESH CHANDRA. ed. Perspe
Page 65 and 66: Claims his poetry attempts to harmo
Page 67 and 68: SREENIVASAN, S. "The Self and Its E
Page 69 and 70: Ghose, Sudin N. KATAMBLE, V.D. "Vil
Page 71 and 72: Ghosh, Amitav KAPADIA, NOVY. "Imagi
Page 73 and 74: Jhabvala, Ruth Prawer AGARWAL, R. "
Page 75 and 76: DUDT, CHARMAZEL. "Jhabvala's Fictio
Page 77 and 78: MUKHERJEE, MEENAKSHI. "Journey's En
Page 79: VARMA, P.N. "A Note on the Novels o
Page 82 and 83: RAIZADA, HARISH. "Double Vision of
Page 84 and 85: MOHAN, DEVINDER. "Arun Joshi: The F
Page 86 and 87: primitive life; and The Apprentice,
Page 88 and 89: one of "East West encounter"; Sindi
Page 90 and 91: esonance into ‘still life’ desc
Page 92 and 93: SATYANARAYANA, M.R. "Jejuri: Arun K
Page 94 and 95: (comparsion is made between "Kali"
Page 98 and 99: RUSSELL, A. "Poetry is Experience I
Page 100 and 101: Sepoy Revolt of 1857 and the role o
Page 102 and 103: Criticism ABIDI, S.Z.H. Kamala Mark
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Page 106 and 107: this theme skilfully in his short s
Page 108 and 109: MACDERMOTT, DOIREANN. "An Indian in
Page 110 and 111: Pickering, are two-dimensional. Wil
Page 112 and 113: onslaught on the autochthonic cultu
Page 114 and 115: journey from innocence to experienc
Page 116 and 117: widely used. Light humnour is almos
Page 118 and 119: Close readings from The Nine Enclos
Page 120 and 121: RANI, K. NIRUPA. "Inflash and Orche
Page 122 and 123: RAO, PARVATI N. "Curate's Egg: Cham
Page 124 and 125: poetry, "the audience, enveloped in
Page 126 and 127: GUPTA, R. Sarojini, the Poetess Del
Page 128 and 129: NARAVANE, VISHWANATH S. Sarojini Na
Page 130 and 131: to the real problems of life; in he
Page 132 and 133: JUSSAWALLA, ADIL. "One Woman's Poet
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