india author m 1- a-nan - University of Wollongong
india author m 1- a-nan - University of Wollongong
india author m 1- a-nan - University of Wollongong
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NANDAKUMAR, PREMA. A Comparative Study <strong>of</strong> The Divine Comedy and Savitri<br />
Madras: Affiliated East-West Press, 1981, 160 pp.<br />
NANDAKUMAR, PREMA. "Savitri and The Divine Comedy." The Humanties Review 3,<br />
no.2 (1981):24-5.<br />
NANDAKUMAR, PREMA. "Sri Aurobindo: The Prose Canon." In Perspectives on Indian<br />
Prose in English edited by M.K. Naik, 72-103. New Delhi: Abhinav, 1982. Also Atlantic<br />
Highlands: Humanities, 1982.<br />
NANDAKUMAR, PREMA. Sri Aurobindo: A Critical Introduction New Delhi: Sterling,<br />
1988, 128 pp.<br />
NANDAKUMAR, PREMA. "Sri Aurobindo as a Writer <strong>of</strong> English Prose" Journal <strong>of</strong> Indian<br />
Writing in English. 17, no.2 (1989): 1-7.<br />
NARASIMHAIAH, C.D. "Aurobindo: Inaugurator <strong>of</strong> Modern Indian Criticism" Literary<br />
Criterion 15.2 (1980):13-31.<br />
PANDIT, M.P. Essays on 'Savitri' 5 vols.[??]<br />
PANDIT, M.P. Introducing 'Savitri' Pondicherry: Dipti Publications, 1982, 79 pp.<br />
PANDIT, M.P. Readings in Savithri Part X Pondicherry: Sri Aurobindo Ashram, 1977, 741<br />
pp.<br />
PANDIT, M.P. The Book <strong>of</strong> Beginnings: Talks on Sri Aurobindo's Savitri Book One<br />
Pondicherry: Dipti Publications, 1983.<br />
PHILLIPS, STEPHEN H. "The Central Argument <strong>of</strong> Aurobindo's The Life Divine" PE&W<br />
35.3 (July 1985):271-84.<br />
PRASAD, S.K. The Literary Criticism <strong>of</strong> Sri Aurobindo with Special Reference to Poetry<br />
Patna, Bharati Bhavan, 1973, 487 pp.<br />
RAJNATH, "Sri Aurobindo and T.S. Eliot as Critics" ACLALS Bulletin 4th Series 5<br />
(1977):52-7.<br />
RAM, ATMA & BINDRA, D. “Sri Aurobindo’s Sonnets: A Thematic Study” Triveni 56.1<br />
(1987):11-18.<br />
Most criticism deals with the epics; considers 58 dated sonnets <strong>of</strong> the collected 77, arguing<br />
that Aurobindo’s intellectual and spiritual powers “crystallised” rather than declined. Some<br />
poems show the “struggle for release from... material bonds” while most “embody concrete<br />
experiences in the metaphysical plane”, the soul suffused with blissful glimpses <strong>of</strong> divine<br />
harmony. Notes a humorous touch in “A Dream <strong>of</strong> Surreal Science” and contrasts Whitman’s<br />
“adventures with the Self” to Aurobindo’s more spiritual soul journey.
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