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india author m 1- a-nan - University of Wollongong

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RUSSELL, A. "Poetry is Experience Imaged: A Study <strong>of</strong> the Poetry <strong>of</strong> Laxmi Narayan<br />

Mahapatra" The Quest 1.2 (1988):51-60.<br />

SINGH, R.K. "L.N. Mahapatra: Attuned to a Different Interval", The Quest 1.1 (1987):30-5.<br />

Malgonkar, Manohar<br />

ABIDI, S.Z.H. Manohar Malgonkar's 'A Bend in the Ganges' Bareilly: Prakash Book Depot,<br />

1984, 84 pp.<br />

ABIDI, S.Z.H. “Call <strong>of</strong> Blood: Theme <strong>of</strong> Revenge in Manohar Malgonkar’s A BEND IN<br />

THE GANGES” PURBA 14.1 (1983):71-79.<br />

Counters G.S. Amur’s claim that the revenge element is a failing in Bend, arguing its thematic<br />

and structural centrality. Analyses different kinds <strong>of</strong> revenge, showing how some serve to<br />

move the plot and others reveal character change and give unity to the whole.<br />

AITHAL, S. KRISHNAMOORTHY & RASMI AITHAL. "The British and Anglo-Indian<br />

Encounter in Malgonkar's Combat <strong>of</strong> Shadows" Italia Francescana 9.1 (Winter 1982):54-7.<br />

AMUR, G.S. "Manohar Malgonkar and the Problems <strong>of</strong> the Indian Novelist in English" in<br />

MOHAN, RAMESH, ed. Indian Writing in English Bombay: Orient Longman, 1978: 37-46.<br />

AMUR, G.S. Manohar Malgonkar New York: Humanities, 1973, 155 pp.<br />

ARULANDRAM, H.G.S. "A Bend in the Ganges: A Study in Violence" Rajasthan Journal <strong>of</strong><br />

English Studies 6 (1977):12-16.<br />

ASNANI, S.M. "A Study <strong>of</strong> the Novels <strong>of</strong> Manohar Malgonkar" The Literary Half-yearly<br />

16.2 (1975):71-89<br />

P.D. CHATURVEDI, "Manohar Malgonkar: The Novelist and his Point <strong>of</strong> View": 279-297.<br />

in DWIVEDI, A.N. (ed) Studies in Contemporary Indian Fiction in English, Allahabad: Kitab<br />

Mahal, 1987, pp.358<br />

COWASJEE, S. "The Princes in Indian Fiction" Kakatiya Journal <strong>of</strong> English Studies 2.1<br />

(1977):48-70. 1) Offers extensive political-historical documentation to the situation <strong>of</strong> the<br />

princely (sp?) ruling class and their states and traces their fictional literary history. 2)<br />

Compares the thematic concerns <strong>of</strong> A<strong>nan</strong>d’s Private Life <strong>of</strong> an Indian Prince (1953) with<br />

Malgonkar’s The Princes (1963). Valorizes A<strong>nan</strong>d’s work as the finest achievement <strong>of</strong> his<br />

writing career and claims that “Malgonkar gives evidence <strong>of</strong> having been influenced by<br />

A<strong>nan</strong>d”. 3) Finds A<strong>nan</strong>d’s portrayal <strong>of</strong> princely character dominated by his emotional life<br />

allows the focus to fall upon the individual and the predicament whereas Malgonkar permits<br />

the historical to intrude upon the individual’s fictional development.<br />

DAYANADA, JAMES Y. Manohar Malgonkar New York: Twayne, 1975.<br />

DAYANADA, JAMES Y. "The Image <strong>of</strong> Women in Manohar Malgonkar's Novels" Journal<br />

<strong>of</strong> South Asian Literature 12.3-4 (1977):109-13.<br />

DAYANANDA, J.Y. Manohar Malgonkar ?? (1974?)

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