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india author m 1- a-nan - University of Wollongong

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dramatised. Monisha’s case is more akin to Maya’s. Unlike Monisha, Sita in Where shall we<br />

go this Summer? rejects her meaningless life, but finds that escape carries dangers too. Her<br />

decision to return to Bombay is unconvincing.<br />

NANDAKUMAR, PREMA. "Sombre the Shadows and Sudden the Lights: A Study <strong>of</strong><br />

Anita Desai's Novels" in NAIK, M.K. Perspectives on Indian Fiction in English New Delhi:<br />

Abhinav Publications, 1985: 174-99.<br />

NARASIMHAN, RAJI. “Desai versus Desani: Norms <strong>of</strong> Appreciation.” Indian Literature 16.<br />

nos. 3&4 (1973): 180-4.<br />

Indo-English writing counters colonialist denigration <strong>of</strong> ‘the native’, so Desani’s verbose<br />

metaphysical intensities are valued for supporting the underdog, as is Desai’s Bye Bye<br />

Blackbird. Voices in the City has a more “robust domestic relevance” but is overrated<br />

because it sets Western acculturation above local experience. Such a ‘nationalist’ criticism<br />

allows disregard <strong>of</strong> Desani’s hybridised binary <strong>of</strong> brown and white in which Hatterr<br />

experiences “rockbottom” vairagya that resists religiosity and despair alike. His language is<br />

lively and spontaneous, lying beyond the clichés <strong>of</strong> Indo-English writing.<br />

PANDEY, LAL UDAI BHAN. "Art and Vision <strong>of</strong> Anita Desai" The Quest, 4.2, (1990): 18-<br />

28.<br />

PANDEY, LALU U.B. “Seething Cauldron <strong>of</strong> Existence: A Thematic Study <strong>of</strong> Anita Desai’s<br />

‘In Custody’” New Literary Horizons 3.1 (1988): 85-90.<br />

The novel depicts the bewildering fluctuations in life governed by time and change. Compares<br />

the work to Camus’ Sisyphus and sees it as denying sublime ideals in the face <strong>of</strong> failure and<br />

frustration.<br />

PANIGRAHI, BIPIN B. & KIRPAL, VINEY. "The Dangling Man: Deven in Anita Desai's<br />

In Custody" in KIRPAL, VINEY, ed. & introd. The New Indian Novel in English: A Study <strong>of</strong><br />

the 80s New Delhi: Allied Publishers, 1990: 271-8.<br />

PANIGRAHI, BIPIN B. "Self-Apprehension and Self-Identity in Clear Light <strong>of</strong> Day" in<br />

KIRPAL, VINEY, ed. & introd. The New Indian Novel in English: A Study <strong>of</strong> the 80s New<br />

Delhi: Allied Publishers, 1990: 73-81.<br />

PARASURAM, LAXMI. "Fire on the Mountain: A New Dimension <strong>of</strong> Feminine Self-<br />

Perception" The Literary Criterion 16.3 (1981):58-64.<br />

The criticism focuses on the growth <strong>of</strong> independence <strong>of</strong> Anita Desai's heroines.<br />

PATIL, UJWALA. "Sexual Violence and Death in Anita Desai's Fire on the Mountain" in<br />

GUPTA, G.S. BALARAMA., ed. Studies in Indian Fiction in English Gulbarga: JIWE<br />

Publications, 1987: 61-7.<br />

PETERSEN, KIRSTEN HOLST. "Anita Desai" Kunapipi 6.3 (1984):83-5. interview?<br />

PRASAD, MADHUSUDAN. Anita Desai the Novelist Allahabad: New Horizon, 1982, 148<br />

pp.

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