india author m 1- a-nan - University of Wollongong

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INDIA Author to be clarified MUKHERJEE, SUJIT. "Man, Poet and Critic" Indian Literature 14.2(1971): 5-11. [who?] WALSH, W. "Two Indian Poets" The Literary Criterion 11.3 (1974):1-16. [who?] KARVE, IRAWATI. "Karna's Search for Identity" Vagartha 5 (1974):22-37. (drama?: either Kailasam or S. Raman) MAJUMDAR, A.K. "Portrait of an Indian Intellectual" Quest 91 (1974):21-32. check who and whether in English MUKHERJEE, M. "Form in The Puppet's Tale" Literary Criterion 12.2-3 The Literary Criterion 22.1 (1987):76-8.?? review? CHANDRAN, RAMESH. "The Maverick Master" India Today (November 30, 1987):174- 9. [??who?] RAMACHANDRAIAH, P. "The Submerged Valley and Other Stories" The Literary Criterion 22.2 (1987):65-6. review? GOKAK, V.K. "Meet the Author I: Towards the Integrated Man as the Ideal" Indian Literature 31.1 (January February 1988):87-102. who? what? PARASURAM, LAXMI. "Mountain: A New Dimension of Feminine Self-Perception" Literary Criterion 16.3 (1981):58-64.[author? genre?] Abbas, Khwaja Ahmad HASIB, AHMAD. The Novels of Khwaja Ahmad Abbas: A Study in His Art and Vision Delhi: Seema Publications, 1987, x + 159 pp. Aiyar, Rajam ASHOKAMITRAN. "B.R. Rajam Aiyar and His Kamalambal Charitrans" The Literary Criterion 21.1&2 (1986):86-92.[????] PARAMESWARAN, UMA. "Rajam Aiyar's Vasudeva Sastry" The Literary Endeavour 6.1 (1985):55-67. Alexander, Meena SRIVASTAVA, K.G. "Meena Alexander" in DWIVEDI, A.N. "Eves' Song: Contemporary English Verse by Indian Women" Studies in Contemporary Indo-English Verse: A Collection of Critical Essays. Vol. I Female Poets Bareilly: Prakash Book Depot, 1985: 175-81. Ali, Ahmed ALI, AHMED. "The Progressive Writer's Movement and Its historical Perspective" Journal of South Asian Literature 13.1-4 (1977-78):91-7.
Corrects and contests the statements of N. M. Rashed about the origins and motives of the Progressive Writers Movement. Exposes Rashed's lack of historical and literary validity and questions his purpose in distorting facts about the progressives. Establishes the non- Marxist practice and intention of the Angare writers group which preceded the PWA. COPPOLA, CARLO. "The Poetry of Ahmed Ali" JIWE 8.1-2 (1980):63-76. Reprinted in SINGH, KIRPAL ed. Through Different Eyes: Foreign Responses to Indian Writing in English Calcutta: Writers Workshop, 1984: 87-105. Best known for his fiction, Ali “feels that he best expresses himself” though his poetry in English. Biographical survey noting his Urdu short stories and 1938 disillusionment with the prescriptive politicisation of the Progressive Writers Association and the impact on poetry of his trips to China (Purple Gold Mountain, 1960). Early work of “naked emotion” drew on Persian rubai but China and translation work gave the model for “impersonalising personal experience”. Themes cover loss of friends, memories of love and youth, unfulfilled hopes, life’s evanescence. Illustrative commentary focusing on imagery. Poems grouped as “Exile” divide into early political didacticism and later working of political and historical critique into allegorical reference and symbol. Takes “Having been attacked for speaking the truth...” as his finest poem of this type. Generally, his work blends English Romantic, Chinese lyric and Urdu traditions, the last most deeply influential and its derivative quality makes it less than his fictional achievement, but there are individual poetic successes. GOWDA, H.H. ANNIAH. “Ahmed Ali’s Twilight in Delhi and Chinua Achebe’s Things Fall Apart” The Literary Half-Yearly 21.1 (1980): 11-18. Comparison of two treatments of societies disappearing under colonial rule, both grounded in historical detail and locality (Delhi of 1900-1910 and Iboland 1850-1900) and embodying the respective cultures in a central hero (Mir Nihal and Okonkwo), following the Victorian “linear bourgeois familial novel”. Ali alludes to “farangi” incursion but attributes change to fate, while Achebe shows socio-historical forces at work. Notes the escalating impact of missions probing the weak points of traditional African society. Both books show civilisations that “collapse from within and are overwhelmed from without, and what replaces them appears most opposite to themselves, being built on what they had overlooked”. Lyric and humour apply to the “ceremonies of innocence” before the Yeatsian tragic collapse. The authors both step in to explicate material but avoid anthropologising by being part of what they observe and by concentrating on the human drama. KING, BRUCE. “From Twilight to Midnight” in HASHMI, ALAMGIR ed. Worlds of the Muslim Imagination details??? Reads Rushdie’s Midnight’s Children, Ali’s Twilight in Delhi and Ocean of Night, Attia Hosain’s Sunlight on a Broken Column and Zulfikar Ghose’s The Murder of Aziz Khan as a collective history of Muslim society from the Moguls to colonial decadence and Partition; a story of loss, exile, displacement. Ali began with naturalistic Urdu stories moving to a combination of poetic evocation and social realism carrying an early modernist view of decadence awaiting cleansing but capitulating to Western ideas. Hosain focusses impressionistically on the intersections of personal, political and religious independence within a woman’s love story. Ghose depicts the deleterious effects on Punjab peasantry of modernising muslim immigrants from Bombay after Partition. Ghose and Rushdie evince a more complete modernism, separation of heart and mind reflected in expatriation and Rushdie’s carnivalistic metafictional allegory substituting for loss of faith.
Page 1: Bibliography of Criticism of Indian
Page 5 and 6: DWIVEDI, A.N. "Re-creating 'The Liv
Page 7 and 8: ASNANI, SHYAM. "Socio-Political Con
Page 9 and 10: dismissing any criticism of it as "
Page 11 and 12: GUPTA, G.S. BALARAMA. Mulk Raj Anan
Page 13 and 14: Character study of Bakha based on C
Page 15 and 16: the writer’s ‘own terms’. 3)
Page 17 and 18: Chinua Achebe. The fundamental guid
Page 19 and 20: Forster: A Centenary Volume New Del
Page 21 and 22: Reveals the later and more complex
Page 23 and 24: SUDHAKAR, PREMILA PAUL. "Major Them
Page 25 and 26: DEVY, G.M. "Sri Aurobindo's 'Source
Page 27 and 28: Perseus is primarily an instrument
Page 29 and 30: RAMAMURTI, K.S. & KAMALANI N. “Sr
Page 31 and 32: BHATNAGAR, O.P. "Urbanity and Rural
Page 33 and 34: BHATT, P.N. "The Impact of Gandhi o
Page 35 and 36: SHARMA, K. K.Bhabani Bhattacharya:
Page 37 and 38: Chattopadhyaya, Harindranath GUPTA,
Page 39 and 40: An appreciative close reading arran
Page 41 and 42: Chinmoy, Sri BENNET, MEREDITH. "The
Page 43 and 44: REDDY, P. BAYAPPA. "Asif Currimbhoy
Page 45 and 46: INAMDAR, F.A. "K.N. Daruwalla's Poe
Page 47 and 48: the external world of phenomena”
Page 49 and 50: Heinemann, 1980: 201-07. Also Atlan
Page 51 and 52: AFZAL-KHAN, FAWZIA. "Genre and Ideo
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KIRPAL, VINEY. "An Image of India:
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PRASAD, MADHUSUDAN. "Anita Desai's
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KUMAR, SHIV K. "Desai's Games at Tw
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NAIK, M.K. "The Method in His Madne
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Response to de Souza’s poetry fix
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DWIVEDI, SURESH CHANDRA. ed. Perspe
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Claims his poetry attempts to harmo
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SREENIVASAN, S. "The Self and Its E
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Ghose, Sudin N. KATAMBLE, V.D. "Vil
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Ghosh, Amitav KAPADIA, NOVY. "Imagi
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Jhabvala, Ruth Prawer AGARWAL, R. "
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DUDT, CHARMAZEL. "Jhabvala's Fictio
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MUKHERJEE, MEENAKSHI. "Journey's En
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VARMA, P.N. "A Note on the Novels o
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RAIZADA, HARISH. "Double Vision of
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MOHAN, DEVINDER. "Arun Joshi: The F
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primitive life; and The Apprentice,
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one of "East West encounter"; Sindi
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esonance into ‘still life’ desc
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SATYANARAYANA, M.R. "Jejuri: Arun K
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(comparsion is made between "Kali"
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MOHANTY, NIRANJAN, "Patterns of Awa
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RUSSELL, A. "Poetry is Experience I
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Sepoy Revolt of 1857 and the role o
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Criticism ABIDI, S.Z.H. Kamala Mark
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Dust with Markandaya's Possession.
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this theme skilfully in his short s
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MACDERMOTT, DOIREANN. "An Indian in
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Pickering, are two-dimensional. Wil
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onslaught on the autochthonic cultu
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journey from innocence to experienc
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widely used. Light humnour is almos
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Close readings from The Nine Enclos
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RANI, K. NIRUPA. "Inflash and Orche
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RAO, PARVATI N. "Curate's Egg: Cham
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poetry, "the audience, enveloped in
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GUPTA, R. Sarojini, the Poetess Del
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NARAVANE, VISHWANATH S. Sarojini Na
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to the real problems of life; in he
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JUSSAWALLA, ADIL. "One Woman's Poet
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