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india author m 1- a-nan - University of Wollongong

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the disintegrating feudalism <strong>of</strong> the Maharajas and the bourgeois interests <strong>of</strong> the Praja Mandal<br />

(Congress Party in the Native States). 2) Concentrates on the theme <strong>of</strong> protest as unifying<br />

element in A<strong>nan</strong>d’s fictional treatment <strong>of</strong> political machinations in the rapidly changing India <strong>of</strong><br />

1947. 3) Ofers a Marxist approach centred on continuing class struggle as A<strong>nan</strong>d’s message<br />

conveyed through his fiction. 4) Marxist critique in 1988 seems hardly new in historical<br />

development <strong>of</strong> Indian English criticism.<br />

SINGH, SATYANARAIN ed. Kakatiya Journal <strong>of</strong> English Studies special issue 11.1<br />

(1977)<br />

see KAKATIYA<br />

SINGH, SUNAINA. "Protest in the Novels <strong>of</strong> Mulk Raj A<strong>nan</strong>d" Osmania Journal <strong>of</strong> English<br />

Studies 17 (1981):123-33.<br />

SINHA, K.N. Mulk Raj A<strong>nan</strong>d New York: Twayne, 1973, 154 pp.<br />

SIVADASAN, C.P. "Two Proletarian Novels: Similarities in A<strong>nan</strong>d's Untouchable and<br />

Thakazhi's Thottiyude makan" Indian Literature 30.3 (May-June 1987):119-24.<br />

1) Both novels concerned with the issue <strong>of</strong> discrimination and its consequences on the<br />

lower caste untouchables. 2) Articulates similarities in character, setting, narrative technique<br />

and social commitment between A<strong>nan</strong>d’s Untouchable (1935) and Thakazhi’s The<br />

Scavenger’s Son (1947). 3) Comparative approach links fictions by similarity and difference.<br />

4) NA.<br />

SOOD. S.C. “The Return <strong>of</strong> the Prodigal: A Reading <strong>of</strong> Mulk Raj A<strong>nan</strong>d’s Untouchable”<br />

Commonwealth Quarterly 14.39 (1989):34-49.<br />

Argument founded on Gandhian Hinduism and rejection <strong>of</strong> British influence as viable<br />

way forward for Indian untouchables. Extensive character study <strong>of</strong> Bakha and his dilemma.<br />

Sociological analysis <strong>of</strong> untouchability and its denial <strong>of</strong> humanity.<br />

STEINVORTH, KLAUS. "Mulk Raj A<strong>nan</strong>d's Private Life <strong>of</strong> an Indian Prince and Manohar<br />

Malgonkar's The Princes" The Literary Half-Yearly 14.1 (1973):76-91.<br />

Offers the suggestion that the maharajas aligned themselves with the British<br />

establishment and thereby alienated themselves from the Indian nationalist and proindependence<br />

forces. Analyses the role <strong>of</strong> the maharaja as a pivotal character in Western<br />

conceptions <strong>of</strong> the Indian way <strong>of</strong> life. Sociological study <strong>of</strong> the relationship between the<br />

maharajas and their subjects. Concludes with superficial psychological assessment <strong>of</strong> the<br />

maharajas suffering from the Oedipal Complex.<br />

STILZ, GERHARD. “Indian Autobiographies in English: Nehru and A<strong>nan</strong>d, for Instance” in<br />

MCDERMOTT, DOIREANN ed. Autobiographical and Biographical Writing in<br />

Commonwealth Literature Barcelona: Sabadell, 1984:209-213.<br />

Figures autobiography as an ellipse around locating the self and describing experience.<br />

Self is what resists absorption into description <strong>of</strong> the world, the private “changeability behind<br />

the continuity <strong>of</strong> imposed social roles”. Nehru’s Autobiography (1936) <strong>of</strong>fers mostly external<br />

reflections, fleeting introspective moments explained away as his “inclination to escape into<br />

action”. A<strong>nan</strong>d’s Apology for Heroism (1946) alludes to Gandhi but works with<br />

Hegelian/Marxist ideas. His concept <strong>of</strong> evolving belief/spiritual development allows an openended<br />

narration <strong>of</strong> self-correction.

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