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GREWAL, OMPRAKASH. “The Poetry of Kamala Das — A Critical Assessment” in SINHA, KRISHNA NANDAN ed. Indian Writing in English 1979: 128-137. x ref Aligns Das with P. Lal’s break from Romantic tradition.Social unconventionality and heightened self-awareness before a threatening world supposedly accompany clarity, intensity and subtlety. the brittle decay of the social scene expresses the poet’s “restless turmoil”. Rejects the ‘alien language/alien sensibility’ claims against IWE but sees Das as a minor figure because she eschews public themes, providing only external superficial treatment of the poor etc. and much hollow bourgeois futility. JUSSAWALLA, FEROZA. "Kamala Das: The Evolution of the Self" Journal of Indian Writing In English 10.1&2 (1982):54-61. KOHLI, DEVENDRA. "Kamala Das" in KULSHRESHTHA, CHIRANTAN., ed Contemporary Indian-English Verse: An Evaluation New Delhi: Arnold-Heinemann, 1980, 270 pp. Also Atlantic Highlands: Humanities, 1981: 187-200. Reissued, New Delhi: Arnold- Heinemann, 1982. KOHLI, DEVINDRA. Kamala Das New Delhi: Arnold-Heinemann, 1975, 128 pp. NARAYAN, SHYAMALA. “A Note on Kamala Das’s My Story” Commonwealth Quarterly 9.28 (1984): 148-153. Das writes her poetry in English and her stories in Malayalam (with the less successful exception of A Doll for the Chile Prostitute). My Story is the only work to appear in both languages, but disappoints in providing only surface events and inconsistencies rather than insights into the life and times or creative process of the writer. Written for serialisation to pay her hospital bills and offload personal burdens, the text needed extensive editing. O'SULLIVAN, VINCENT. "Whose Voice is Where? On Listening to Kamala Das" ACLALS Bulletin 7th series No. 2 (1985):51-66. RADHA, K. "Common Ground Between the Poems of Kamala Das and Her Other Works in English" ACLALS Bulletin 7th series No. 6 (1986):66-76; also in Littcrit 22 & 23, 12. 1&2 (1986):44-55. Traces the autobiographical material in the poetry back through My Story, noting the almost exact transfer of lines from prose to verse. RADHA, K. Kamala Das Madras: Macmillan India (Kerala Writers in English Series), 1987, 64pp. RAGHUNANDAN, LAKSHMI, Contemporary Indian Poetry in English: with Special Emphasis on Nissim Ezekiel, Kamala Das, R. Parthasarathy and A.K. Ramanujan, New Delhi: Reliance Publishing House, 1990, 295pp. RAHMAN, ANISUR. Expressive Form in the Poetry of Kamala Das New Delhi: Abhinav Publications, 1981, xii + 92 pp. RAMAKRISHNAN, E.V. "Kamala Das as a Confessional Poet" in KULSHRESHTHA, CHIRANTAN., ed Contemporary Indian-English Verse: An Evaluation New Delhi: Arnold-
Heinemann, 1980: 201-07. Also Atlantic Highlands: Humanities, 1981, 314pp. Reissued, New Delhi: Arnold-Heinemann, 1982. RAMAKRISHNAN, E.V. "Kamala Das as a Confessional Poet" Journal of Indian Writing in English 5.1 (1977):29-34. RAO, P. MALLIKARJUNA. “Love Poetry of Kamala Das.” Triveni (sp.?) April-June, 1989, 51-56. Her love poems combine the indigenous traditions of Abhisarika and Sahaja and the confessional mode of the West. Divides her work into two phases, 1) obsessive concern with physical love, 2) focus on ideal love. Contrasts Das’ treatment of the Krishna motif with that of Sarajini Naidu. RAO, VIMALA. "Kamala Das - The Limits of Over-Exposure" in DWIVEDI, A.N. "Eves' Song: Contemporary English Verse by Indian Women" Studies in Contemporary Indo-English Verse: A Collection of Critical Essays. Vol. I Female Poets Bareilly: Prakash Book Depot, 1985: 87-96. RAO, VIMALA. "The Poetry of Kamala Das: Limits to Overexposure" Commonwealth Quarterly 17 (1980):17-28. RAVINDRAN, SANKARAN. "National and Regional Elements in Poetic Structure: "The Dream Flower", "Old House" and Structuralism" Journal of Indian Writing in English 18.2 (1990):103-112. SHARMA, I.K. "Mary and Mira: A Study of Kamala Das" Commonwealth Quarterly 10 (1980):36-47. SHARMA, I.K. "The Irony of Sex: A Study of Kamala Das's Poetry" in DAS, BIJAY KUMAR ed. Contemporary Indo-English Poetry Bareilly: Prakash Book Depot, 1986: 41-9. SHARMA, MOHAN LAL. "The Road to Brindaban: The Theme of Love in Kamala Das' Poetry" in DWIVEDI, A.N. "Eves' Song: Contemporary English Verse by Indian Women" Studies in Contemporary Indo-English Verse: A Collection of Critical Essays. Vol. I Female Poets Bareilly: Prakash Book Depot, 1985: 97-111. SINGH, KIRPAL. "Kamala Das and the Problem with 'Composition'" Journal of Indian Writing in English 7.1 (1980):1-9. SYAL, PUSHPINDER. "The Poetry of Kamala Das" PURBA 8.1-2 (April-October 1977):61-73. VENUGOPAL, C.V. “Kamala Das: The Seeker After Truth” in PRASAD, MADHUSUDHAN ed. Living Indian English Poets New Delhi: Sterling (1989): 143-47. Stresses Das’s blatant honesty and conversational intimacy. Her limited thematic range and stylistic flair are overshadowed by the shock value of refusing conventional attitudes to sex and gender. but there is a deeper questioning of unpalatable truths. Das, Manoj
Page 1 and 2: Bibliography of Criticism of Indian
Page 3 and 4: Corrects and contests the statement
Page 5 and 6: DWIVEDI, A.N. "Re-creating 'The Liv
Page 7 and 8: ASNANI, SHYAM. "Socio-Political Con
Page 9 and 10: dismissing any criticism of it as "
Page 11 and 12: GUPTA, G.S. BALARAMA. Mulk Raj Anan
Page 13 and 14: Character study of Bakha based on C
Page 15 and 16: the writer’s ‘own terms’. 3)
Page 17 and 18: Chinua Achebe. The fundamental guid
Page 19 and 20: Forster: A Centenary Volume New Del
Page 21 and 22: Reveals the later and more complex
Page 23 and 24: SUDHAKAR, PREMILA PAUL. "Major Them
Page 25 and 26: DEVY, G.M. "Sri Aurobindo's 'Source
Page 27 and 28: Perseus is primarily an instrument
Page 29 and 30: RAMAMURTI, K.S. & KAMALANI N. “Sr
Page 31 and 32: BHATNAGAR, O.P. "Urbanity and Rural
Page 33 and 34: BHATT, P.N. "The Impact of Gandhi o
Page 35 and 36: SHARMA, K. K.Bhabani Bhattacharya:
Page 37 and 38: Chattopadhyaya, Harindranath GUPTA,
Page 39 and 40: An appreciative close reading arran
Page 41 and 42: Chinmoy, Sri BENNET, MEREDITH. "The
Page 43 and 44: REDDY, P. BAYAPPA. "Asif Currimbhoy
Page 45 and 46: INAMDAR, F.A. "K.N. Daruwalla's Poe
Page 47: the external world of phenomena”
Page 51 and 52: AFZAL-KHAN, FAWZIA. "Genre and Ideo
Page 53 and 54: KIRPAL, VINEY. "An Image of India:
Page 55 and 56: PRASAD, MADHUSUDAN. "Anita Desai's
Page 57 and 58: KUMAR, SHIV K. "Desai's Games at Tw
Page 59 and 60: NAIK, M.K. "The Method in His Madne
Page 61 and 62: Response to de Souza’s poetry fix
Page 63 and 64: DWIVEDI, SURESH CHANDRA. ed. Perspe
Page 65 and 66: Claims his poetry attempts to harmo
Page 67 and 68: SREENIVASAN, S. "The Self and Its E
Page 69 and 70: Ghose, Sudin N. KATAMBLE, V.D. "Vil
Page 71 and 72: Ghosh, Amitav KAPADIA, NOVY. "Imagi
Page 73 and 74: Jhabvala, Ruth Prawer AGARWAL, R. "
Page 75 and 76: DUDT, CHARMAZEL. "Jhabvala's Fictio
Page 77 and 78: MUKHERJEE, MEENAKSHI. "Journey's En
Page 79: VARMA, P.N. "A Note on the Novels o
Page 82 and 83: RAIZADA, HARISH. "Double Vision of
Page 84 and 85: MOHAN, DEVINDER. "Arun Joshi: The F
Page 86 and 87: primitive life; and The Apprentice,
Page 88 and 89: one of "East West encounter"; Sindi
Page 90 and 91: esonance into ‘still life’ desc
Page 92 and 93: SATYANARAYANA, M.R. "Jejuri: Arun K
Page 94 and 95: (comparsion is made between "Kali"
Page 96 and 97: MOHANTY, NIRANJAN, "Patterns of Awa
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RUSSELL, A. "Poetry is Experience I
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Sepoy Revolt of 1857 and the role o
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Criticism ABIDI, S.Z.H. Kamala Mark
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Dust with Markandaya's Possession.
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this theme skilfully in his short s
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MACDERMOTT, DOIREANN. "An Indian in
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Pickering, are two-dimensional. Wil
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onslaught on the autochthonic cultu
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journey from innocence to experienc
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widely used. Light humnour is almos
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Close readings from The Nine Enclos
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RANI, K. NIRUPA. "Inflash and Orche
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RAO, PARVATI N. "Curate's Egg: Cham
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poetry, "the audience, enveloped in
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GUPTA, R. Sarojini, the Poetess Del
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NARAVANE, VISHWANATH S. Sarojini Na
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to the real problems of life; in he
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JUSSAWALLA, ADIL. "One Woman's Poet
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