india author m 1- a-nan - University of Wollongong
india author m 1- a-nan - University of Wollongong
india author m 1- a-nan - University of Wollongong
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Both works have individuals playing roles under pressure <strong>of</strong> collective expectation, but<br />
outcomes differ (Narayan’s external forces mock the hero, but Dalal’s hero mocks external<br />
forces) and the hero <strong>of</strong> the The Inner Door is not as introspective as Raju.<br />
BHATNAGAR, O.P. “A Study <strong>of</strong> Nergis Dalal as a Novelist” Commonwealth Quarterly<br />
9.28 (1984): 57-72.<br />
Dalal neither strains to be overtly Indian nor affects a Western style. Dalal avoids mass social<br />
movements in favour <strong>of</strong> individual emotions. Surveys Minari (1967), The Sisters (1973) and<br />
The Inner Door (1973). Dalal seems not to reward virtue and punish vice: withdrawal,<br />
substitutes or compromise are solutions <strong>of</strong>fered to life’s frustrations. Sensitive characters show<br />
the possible merging <strong>of</strong> sensuousness with spiritual wisdom, though they are not saintly<br />
renouncers <strong>of</strong> life and are victims to situational ironies. Briefly traces ironies through the short<br />
story collections. Compares Dalal to Anita Desai.<br />
SHARMA, D.R. "The Creative Art <strong>of</strong> Nergis Dalal" Journal <strong>of</strong> Indian Writing in English 5.1<br />
(1977):17-23.<br />
Dalmiya, Rita<br />
SAHA, SUBHAS C. "Rita Dalmiya, Renu Roy and Zahida Zaidi" in DWIVEDI, A.N. "Eves'<br />
Song: Contemporary English Verse by Indian Women" Studies in Contemporary Indo-English<br />
Verse: A Collection <strong>of</strong> Critical Essays. Vol. I Female Poets Bareilly: Prakash Book Depot,<br />
1985: 194-200.<br />
Daniels, Shouri<br />
DANIELS, SHOURI. "Daniels, Shouri: The Salt Doll" Osmania Journal <strong>of</strong> English Studies 17<br />
(1981):135-7. [review?]<br />
KANTAMBLE, V.D. "The Salt Doll: An Experimentation with Existentialist Writing in Indo-<br />
Anglian Fiction" Littcrit 9.2 (1983):32-39.<br />
Daruwalla, Keki N.<br />
CHAR, M. SREE RAMA. "Secularization <strong>of</strong> the Religious Concepts and Idiom in Keki N.<br />
Daruwalla's Bombay Prayer's" Poetry 12.1 (1987):19-31.<br />
CHAR, M. SREERAMA. Prayer Motif in Indian Poetry in English Calcutta: Writers<br />
Workshop, 1988, 135 pp.<br />
Concentrates on A.K. Ramanujan, Arun Kolatkar, Nissim Ezekiel & Keki N.<br />
Daruwalla.<br />
DWIVEDI, A.N. “K.N. Daruwalla: The Painter <strong>of</strong> Rural Landscape” Rajasthan <strong>University</strong><br />
Studies in English 16 (1984): 86-95.<br />
Descriptive survey <strong>of</strong> verse in first four volumes dealing with nature (especially rivers)<br />
and rural life, noting mythic and narrative elements in “Crossing <strong>of</strong> Rivers” and occasional<br />
lapses into rhetoric and sentimentality.<br />
DWIVEDI, A.N. "K.N. Daruwalla's Poetry: An Assessment" in DWIVEDI, A.N ed. Studies<br />
in Contemporary Indo-English Verse Bareilly: Prakash Book Depot, 1984:163-76.