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india author m 1- a-nan - University of Wollongong

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Both works have individuals playing roles under pressure <strong>of</strong> collective expectation, but<br />

outcomes differ (Narayan’s external forces mock the hero, but Dalal’s hero mocks external<br />

forces) and the hero <strong>of</strong> the The Inner Door is not as introspective as Raju.<br />

BHATNAGAR, O.P. “A Study <strong>of</strong> Nergis Dalal as a Novelist” Commonwealth Quarterly<br />

9.28 (1984): 57-72.<br />

Dalal neither strains to be overtly Indian nor affects a Western style. Dalal avoids mass social<br />

movements in favour <strong>of</strong> individual emotions. Surveys Minari (1967), The Sisters (1973) and<br />

The Inner Door (1973). Dalal seems not to reward virtue and punish vice: withdrawal,<br />

substitutes or compromise are solutions <strong>of</strong>fered to life’s frustrations. Sensitive characters show<br />

the possible merging <strong>of</strong> sensuousness with spiritual wisdom, though they are not saintly<br />

renouncers <strong>of</strong> life and are victims to situational ironies. Briefly traces ironies through the short<br />

story collections. Compares Dalal to Anita Desai.<br />

SHARMA, D.R. "The Creative Art <strong>of</strong> Nergis Dalal" Journal <strong>of</strong> Indian Writing in English 5.1<br />

(1977):17-23.<br />

Dalmiya, Rita<br />

SAHA, SUBHAS C. "Rita Dalmiya, Renu Roy and Zahida Zaidi" in DWIVEDI, A.N. "Eves'<br />

Song: Contemporary English Verse by Indian Women" Studies in Contemporary Indo-English<br />

Verse: A Collection <strong>of</strong> Critical Essays. Vol. I Female Poets Bareilly: Prakash Book Depot,<br />

1985: 194-200.<br />

Daniels, Shouri<br />

DANIELS, SHOURI. "Daniels, Shouri: The Salt Doll" Osmania Journal <strong>of</strong> English Studies 17<br />

(1981):135-7. [review?]<br />

KANTAMBLE, V.D. "The Salt Doll: An Experimentation with Existentialist Writing in Indo-<br />

Anglian Fiction" Littcrit 9.2 (1983):32-39.<br />

Daruwalla, Keki N.<br />

CHAR, M. SREE RAMA. "Secularization <strong>of</strong> the Religious Concepts and Idiom in Keki N.<br />

Daruwalla's Bombay Prayer's" Poetry 12.1 (1987):19-31.<br />

CHAR, M. SREERAMA. Prayer Motif in Indian Poetry in English Calcutta: Writers<br />

Workshop, 1988, 135 pp.<br />

Concentrates on A.K. Ramanujan, Arun Kolatkar, Nissim Ezekiel & Keki N.<br />

Daruwalla.<br />

DWIVEDI, A.N. “K.N. Daruwalla: The Painter <strong>of</strong> Rural Landscape” Rajasthan <strong>University</strong><br />

Studies in English 16 (1984): 86-95.<br />

Descriptive survey <strong>of</strong> verse in first four volumes dealing with nature (especially rivers)<br />

and rural life, noting mythic and narrative elements in “Crossing <strong>of</strong> Rivers” and occasional<br />

lapses into rhetoric and sentimentality.<br />

DWIVEDI, A.N. "K.N. Daruwalla's Poetry: An Assessment" in DWIVEDI, A.N ed. Studies<br />

in Contemporary Indo-English Verse Bareilly: Prakash Book Depot, 1984:163-76.

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