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Untitled - Awaken Video

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Chapter 4. The Sky Connection 102<br />

filled with objects that moved in a circular fashion, and a single sky object which<br />

did not move that they called the “Nail of the Heavens,” to us it is known as the<br />

Pole-Star or the North-Star. Descriptions in Scandinavian literature do not tell us<br />

that the Pole-Star represents the upper end of the World Tree, 20 but they show<br />

it to be the apex of the bowl-shaped sky. It also known from northern European<br />

folk culture that it was the primary reference point in the sky from which all other<br />

movements were reckoned and compared to stationary geographical locations such<br />

as mountains, local trees, house orientations, etc. In other words, as the stars moved<br />

around the Pole-Star, the amount of movement could be easily visualized by how far<br />

they moved in relation to the “stationary” earth-bound objects. But, it is the Samí<br />

to the north end of Scandinavia, and their eastern neighbors, the Finns, who have<br />

remembered that the Nail (as they also call it) is the apex of Yggdrasil and it would<br />

be well to note that the apex is slightly to the North (hence the term North Star).<br />

This concept is relatively common to rural folk throughout the entire circumpolar<br />

region from the Baltic sea to the Aleutians; it may even have been common enough<br />

that it was not worth mentioning in heroic poetry or family sagas, since the main<br />

thrust of such literature was to leave a record of either Gods or men not to create<br />

a forerunner to the Duden “Picture Dictionary” of Life in the Viking Age.<br />

Doing away with all the modern low-charts and mathematical diagrams, the<br />

picture of the universe becomes much simpler and clearer: a disk of the Earth, one<br />

side being the World of the Living, the other, the Land of the Dead; a stationary<br />

sky much like a glass cover over a cheese plate; the land-sky connection, Lærað, in<br />

the middle of it all holding all life within it. There are also two other connections<br />

between the plate and the glass cover which are not stationary, but move according<br />

to the time of day or the season: the Rainbow-Bridge or the “Brig o’ Dread,” and<br />

the Bridge of the Night, the Shimmering Way, Bifröst. In both cases of the land-sky<br />

bridges (they could have been the same bridge seen as the Milky Way at night<br />

and the rainbow by day), the ends connect to points where sky meets earth, the<br />

horizon, and the center rises up into the sky passing through the upper branches of<br />

the World Tree. This is a very simple arrangement compared to the many others<br />

floating around out there. Such an arrangement also matches up to most other<br />

tribal systems of the subarctic, both European and Asian, as well as many in the<br />

more temperate areas, for defining the cosmos. Is it too simple? After all didn’t the<br />

Völva in Völuspá mention that she remembered nine worlds not just three as the<br />

system here would imply? Perhaps.<br />

Although there are a variety of theories around, dealing with the idea that the<br />

20 Some of the Siberian tribes describe the Pole-Star, Polaris, as being the upper point of<br />

the world’s ”tent-pole” or as the apex of a world tree. The reader is refered to Mircea Eliade’s<br />

Shamanism:Archaic Techniques of Ecstasy for a more complete discussion of these concepts.

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