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Chapter 5. The Underworld 132<br />

peer through an open window. Inside the house where the dance was being held, she<br />

saw different animals, such as foxes, geese, wolves, bears, etc., cavorting about the<br />

place, and she recognized these animals as being the fylgja of the people attending<br />

the dance. All the animals dancing in the room reflected the personalities of the<br />

people there.<br />

These animals were also known to appear in dreams, and this is very well documented<br />

in both folk-tale and in the sagas. In modern folk-lore research, the fylgja<br />

is sometimes called the dream soul. Kvideland and Sehmsdorf in Nordic Folklore<br />

give this description of the modern concept of the fylgja which apparently is nowadays<br />

commonly mixed tightly with “conscious thought” or the hugham (ON hugr =<br />

“consciousness” or “thought”):<br />

“Although the hugham (variant spelling) and the fylge (variant spelling)<br />

often have the same appearance, the hug and hugham lead very unstable<br />

lives between the individual and the surroundings and can be consciously<br />

controlled, while the fylgje and vor(d) are passive and people have very little<br />

control over them.” 29<br />

The fylgja had an intimate connection with an individual so that there was no<br />

separation until the death of the body, and in some cases the connection remained<br />

after a period of time even after death, particularly, if there was some unfinished<br />

business.<br />

That the fylgja was attached to the individual, as opposed to the hamingja<br />

or kynfylgja whose connection to the individual was through one’s lineage, is well<br />

attested. In Iceland, the fylgja was often described as being an animal which closely<br />

represented the individual’s personality, but in Sweden and the Shetlands, the fylgja<br />

was usually described as a doppelgänger, or an exact, otherworldly, duplicate of the<br />

individual. People with the “second-sight” were able to see this double (either as an<br />

animal or a person) and could tell much about an individual’s personality from it. In<br />

Robert Kirk’s The Secret Commonwealth this being is described as the “co-walker”<br />

and throughout the northern lands there were many traditions surrounding it. Walking<br />

a person to the door upon leaving was a common custom in all countries with<br />

a large population of Germanic/ Celtic ancestry which had its roots in allowing the<br />

fylgja out so that it did not become separated from the individual for separation<br />

could mean death. Seeing one’s own fylgja or that of another often meant that death<br />

was immanent under certain conditions “If a person arrived immediately following<br />

the vardöger (fylgja), he or she was going to die; if some time elapsed, the person<br />

would live a long life.” 30<br />

29 Bente Alvers, ”The Concept of Soul in Nordic Folklore,” in Kvideland and Sehmsdorf, eds.,<br />

Nordic Folklore, 1989, p. 121.<br />

30 ibid., p. 118.

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