Untitled - Awaken Video
Untitled - Awaken Video
Untitled - Awaken Video
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
Chapter 5. The Underworld 132<br />
peer through an open window. Inside the house where the dance was being held, she<br />
saw different animals, such as foxes, geese, wolves, bears, etc., cavorting about the<br />
place, and she recognized these animals as being the fylgja of the people attending<br />
the dance. All the animals dancing in the room reflected the personalities of the<br />
people there.<br />
These animals were also known to appear in dreams, and this is very well documented<br />
in both folk-tale and in the sagas. In modern folk-lore research, the fylgja<br />
is sometimes called the dream soul. Kvideland and Sehmsdorf in Nordic Folklore<br />
give this description of the modern concept of the fylgja which apparently is nowadays<br />
commonly mixed tightly with “conscious thought” or the hugham (ON hugr =<br />
“consciousness” or “thought”):<br />
“Although the hugham (variant spelling) and the fylge (variant spelling)<br />
often have the same appearance, the hug and hugham lead very unstable<br />
lives between the individual and the surroundings and can be consciously<br />
controlled, while the fylgje and vor(d) are passive and people have very little<br />
control over them.” 29<br />
The fylgja had an intimate connection with an individual so that there was no<br />
separation until the death of the body, and in some cases the connection remained<br />
after a period of time even after death, particularly, if there was some unfinished<br />
business.<br />
That the fylgja was attached to the individual, as opposed to the hamingja<br />
or kynfylgja whose connection to the individual was through one’s lineage, is well<br />
attested. In Iceland, the fylgja was often described as being an animal which closely<br />
represented the individual’s personality, but in Sweden and the Shetlands, the fylgja<br />
was usually described as a doppelgänger, or an exact, otherworldly, duplicate of the<br />
individual. People with the “second-sight” were able to see this double (either as an<br />
animal or a person) and could tell much about an individual’s personality from it. In<br />
Robert Kirk’s The Secret Commonwealth this being is described as the “co-walker”<br />
and throughout the northern lands there were many traditions surrounding it. Walking<br />
a person to the door upon leaving was a common custom in all countries with<br />
a large population of Germanic/ Celtic ancestry which had its roots in allowing the<br />
fylgja out so that it did not become separated from the individual for separation<br />
could mean death. Seeing one’s own fylgja or that of another often meant that death<br />
was immanent under certain conditions “If a person arrived immediately following<br />
the vardöger (fylgja), he or she was going to die; if some time elapsed, the person<br />
would live a long life.” 30<br />
29 Bente Alvers, ”The Concept of Soul in Nordic Folklore,” in Kvideland and Sehmsdorf, eds.,<br />
Nordic Folklore, 1989, p. 121.<br />
30 ibid., p. 118.