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Chapter 7. At the Well of Urð 195<br />

necessarily mean that the magico-religious life of the corresponding people is<br />

crystalized around shamanism.” 39<br />

Because a culture has the elements of a shamanic complex, does not necessarily<br />

translate into the idea that a culture ever engaged in shamanism in its truest sense.<br />

Here, there is agreement between what was found by Mr. Gundarsson and the a<br />

posteriori approach taken here: the Germanic peoples do not seem to have ever<br />

engaged in shamanism per se, at least according to the writings which have been<br />

preserved. However, there is definite record of a phenomenon which correlates well<br />

with the knowledge to which shamans had and have access, to the skills they have<br />

demonstrated, and to a role, or at least part of a role, which shamans play within a<br />

community.<br />

Some of the pieces of the “classical shamanic complex” found in Germanic culture<br />

were outlined above, but they are simply pieces and seem to have always been<br />

pieces. Wizards or Whole-makers, in Germanic folk-memory, often travel in the<br />

company of others, and this is most notable in Tolkien’s Lord of the Rings where<br />

Gandalf in but one member of a ”council of wizards” each demonstrating one or more<br />

skills of the entire shamanic complex, but with none actually practicing as a single<br />

independent unit, practicing all the elements. This division of labor also occurs in<br />

the sagaic, folkloric, and historical literature, where the “Angel of Death” functions<br />

as a psychopomp; the seeress in the Groenlendiga Saga, Þórrbjorg, functions as a<br />

diviner; Kotkell, his wife, Gríma, and their two sons, were death-bringers; Þórrveig,<br />

in Kormak’s Saga, was a changer of ¸orlög; and Heið, the völva in Hrolf’s saga Kráki,<br />

was a hide-farer (“spirit-traveler”). There is no evidence that a single person did<br />

not practice several elements of the so-called shamanic complex or practice his art<br />

alone, although there is much evidence to the contrary, but there is also a large body<br />

of evidence that these people practiced in larger groups (much like the Midewíwin<br />

Society of the Ojibwa) 40 which may have given rise to the numerous legends of covens<br />

of witches meeting on certain mountain tops on the eves of Winternights, Júl, and<br />

Summernights. In all, there is no documented case where any individual actually<br />

functioned in the capacity commonly associated with the technical definition of<br />

“shaman.”<br />

What existed, then, was a subculture of men and women who demonstrated<br />

powers beyond the average man, who had access to a wisdom which reached beyond<br />

the lineage of any individual person or community, who engaged in forms of trance<br />

or ecstasy to access their knowledge and to perform their acts, and who often banded<br />

together with others so that a group of specialists could function as a single, whole<br />

unit. These men and women were called seiðmen and seiðkonar, respectively, and<br />

39 ibid., p.5.<br />

40 See Landes’ book cited above.

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