New trends in physics teaching, v.4; The ... - unesdoc - Unesco
New trends in physics teaching, v.4; The ... - unesdoc - Unesco
New trends in physics teaching, v.4; The ... - unesdoc - Unesco
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Childrens’ ideas about light<br />
connected with the psychological aspects, is reflected <strong>in</strong> the idea subscribed to by Plato and the<br />
Pythagorean school that there exists a ’visual fire’.For Plato, ‘. . . the Gods caused the pure fire<br />
with<strong>in</strong> us, which is ak<strong>in</strong> to that of day, to flow through the eyes <strong>in</strong> a smooth and dense stream. ...<br />
So whenever the stream of vision is surrounded by midday light, it flows out like unto like, and<br />
coalesc<strong>in</strong>g therewith it forms one k<strong>in</strong>dred substance along the path of the eyes’ vision. ... And<br />
this substance distributes the motions of every object it touches, or whereby it is touched,<br />
throughout all the body even unto the Soul, and br<strong>in</strong>gs about that sensation which we now term<br />
“see<strong>in</strong>g” ’ (Plato’s Dialogues: the Tirnaeus). <strong>The</strong> Pythagoreans considered that sight was due /<br />
exclusively to an <strong>in</strong>visible fire com<strong>in</strong>g out of the eyes. As this fire (or, accord<strong>in</strong>g to Euclid, this<br />
cluster of rays) touched objects, it made their forms and colours known. At the end of the fourth<br />
century, <strong>The</strong>on of Alexandria thought that the rays of light sent out by the eyes must be at some<br />
distance from one another for ‘a th<strong>in</strong>g cannot be entirely seen at a s<strong>in</strong>gle glance: sometimes,<br />
search<strong>in</strong>g for a small object on the ground, a needle for <strong>in</strong>stance, one does not see it although it<br />
is concealed by no obstacle; but when one has directed one’s gaze to where it actually is, it is<br />
seen without difficulty; likewise, one does not see simultaneously all the letters on a written<br />
page’ [41.<br />
For children, the movement that goes from the eyes to the object rema<strong>in</strong>s abstract. It is thus<br />
clearly differentiated from the ‘visual fire’ of early theories, from the ‘fluid’ emitted by the eyes<br />
of witches <strong>in</strong> fairytales or from the red rays that are beamed from Superman’s eyes. Only the<br />
idea that the subject is at the orig<strong>in</strong> of a process, <strong>in</strong>stead of be<strong>in</strong>g at the receiv<strong>in</strong>g end, is common<br />
to these various ways of portray<strong>in</strong>g sight. <strong>The</strong> idea is an important one, substantively speak<strong>in</strong>g.<br />
We found evidence of it, however, <strong>in</strong> only very few children. Consequently, it should not be<br />
given more importance than it actually has from the quantitative standpo<strong>in</strong>t, despite the temptation<br />
that always exists to f<strong>in</strong>d historical parallels.<br />
<strong>The</strong> dom<strong>in</strong>ant viewpo<strong>in</strong>t<br />
Most of the children did not po<strong>in</strong>t to any form of l<strong>in</strong>k between the eye and the object.<br />
I<br />
I: ‘How is it that you see this box at this particular moment?’<br />
E9: [ 14 years, 3 months] :‘Because it’s <strong>in</strong> front of my eyes, here, I see it.’<br />
I: ‘... Yes. ... How is it that you see it?’<br />
E9: ‘I can see it on account of daylight, because <strong>in</strong> the dark I wouldn’t see it ... because <strong>in</strong> the dark there’s no<br />
light ... there’s no daylight. ... <strong>The</strong> eyes need daylight, need light, <strong>in</strong> order to see clearly.’<br />
E2 [ 14 years, 9 months] :‘It’s thanks to the light that we see the box. ... [It’s role is] to light up objects so that<br />
we see them.’<br />
Some drew a diagram of the <strong>in</strong>verted image formed on the ret<strong>in</strong>a. This was but the memory<br />
of someth<strong>in</strong>g learned at school, reproduced without any sort of explanation.<br />
What do the two <strong>in</strong>tersect<strong>in</strong>g l<strong>in</strong>es represent? <strong>The</strong> child who had drawn them [E17, 13 years]<br />
did not know. All recognized that noth<strong>in</strong>g could be seen without light. But most of them referred<br />
to light only <strong>in</strong> so far as it lit up the object or as the ambient medium (daylight) surround<strong>in</strong>g<br />
object and observer without dist<strong>in</strong>guish<strong>in</strong>g any specific l<strong>in</strong>k<strong>in</strong>g function. <strong>The</strong> eye ‘sees’ without<br />
anyth<strong>in</strong>g connect<strong>in</strong>g it to the object.<br />
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