28.02.2014 Views

New trends in physics teaching, v.4; The ... - unesdoc - Unesco

New trends in physics teaching, v.4; The ... - unesdoc - Unesco

New trends in physics teaching, v.4; The ... - unesdoc - Unesco

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

<strong>New</strong> Trends <strong>in</strong> Physics Teach<strong>in</strong>g IV<br />

TRICOLOUR VISION<br />

‘For the Rays (of light) to speak properly are not coloured. In them there is noth<strong>in</strong>g else than a<br />

certa<strong>in</strong> Power and Disposition to stir up a sensation of this or that Colour’. [<strong>New</strong>ton, 1 .]<br />

Our hear<strong>in</strong>g process can pick out one frequency mixed <strong>in</strong> with many others. Not so our eyes.<br />

Whereas a given <strong>in</strong>tensity spectrum of a light, surrounded by the same background, wil always<br />

produce the same visual sensation, that sensation may also be elicited by many different spectra<br />

- for example, the sensation of turquoise may be produced by a band of wavelengths at 490 nm,<br />

or by a rather broad mixture of blue and green light.<br />

In 1806 Young suggested that the sensation of any colour could be produced by a mixture of<br />

only three ‘primary colours’. However, Young was a rather unpopular figure at the time, and it<br />

was not until later when the German physicist Helmholtz championed the theory that it was<br />

accepted. In the 1860s, Maxwell developed his colour triangle to represent the proportions of<br />

such colours necessary, as shown <strong>in</strong> figure 1. <strong>The</strong> three primary colours, from which the others<br />

were to be derived, were placed at the apexes of the triangle, and a po<strong>in</strong>t here represented 100<br />

per cent of these colours. Any other colour could be matched by a comb<strong>in</strong>ation of these three,<br />

<strong>in</strong> different proportions, so that po<strong>in</strong>t A <strong>in</strong> figure 1 is a turquoise which can be matched by 40<br />

per cent blue, 40 per cent green and 20 per cent red.<br />

It should be emphasized that the matches were made by eye - and hence depended entirely<br />

on the observer’s vision - and that it was the illum<strong>in</strong>ants that were added - i.e. the illum<strong>in</strong>ation<br />

produced by red, green and blue lights matched the illum<strong>in</strong>ation of the test lamp. In practice,<br />

the lights were compared by sh<strong>in</strong><strong>in</strong>g them onto the same sheet of white material. As discussed<br />

later, the scientific justification for the three colour theory was only confirmed quite recently.<br />

Maxwell’s triangle gave only crude-quantitative measurements, so <strong>in</strong> 193 1, the Conseil International<br />

d’Eclairage (CIE) devised a truly quantitative method for specify<strong>in</strong>g the proportions<br />

green<br />

blue magenta red<br />

Figure 1. Maxwell’s colour triangle.<br />

194

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!