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The Journal of the Siam Society Vol. LXXI, Part 1-2, 1983 - Khamkoo

The Journal of the Siam Society Vol. LXXI, Part 1-2, 1983 - Khamkoo

The Journal of the Siam Society Vol. LXXI, Part 1-2, 1983 - Khamkoo

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LAHU NYI (RED LAHU) RITES FOR ESTABLISHING A NEW VILLAGE 167<br />

Where <strong>the</strong>re is a haw- yeh..,, that building is clearly <strong>the</strong> ritual focus <strong>of</strong> <strong>the</strong><br />

village. On <strong>the</strong> twice-monthly festivals associated with <strong>the</strong> new arid full moon, <strong>the</strong><br />

haw- yeh.., becomes <strong>the</strong> centre <strong>of</strong> ritual activity, including dancing, in honour <strong>of</strong> G'ui..,<br />

sha (cf. Walker 1975d:l39-142, 198lb). <strong>The</strong> Lahu ritual dance is vigorous and entails<br />

much stamping <strong>of</strong> feet and springing into <strong>the</strong> air. For this reason many (but not all)<br />

haw- yeh.., are built on <strong>the</strong> ground ra<strong>the</strong>r than on piles as are <strong>the</strong> ordinary houses.<br />

When not in use <strong>the</strong> temple is closed, but access is not forbidden. A stout<br />

wooden fence surrounds <strong>the</strong> building and encloses a front courtyard in which stand a<br />

number <strong>of</strong> tall bamboos, each with a strip <strong>of</strong> white or yellow cloth on top. <strong>The</strong>se flags,<br />

called hto" pa_ (a loan-word from Shan), are believed to attract good fortune and<br />

dispel all evil from <strong>the</strong> village. 3 I · White, representing purity, is <strong>the</strong> principal hue<br />

associated with <strong>the</strong> all-pure G'ui.., sha; yellow, <strong>the</strong> colour <strong>of</strong> <strong>the</strong> Buddhist monk's robes,<br />

has also come to be associated with G'ui.., sha by <strong>the</strong>se Lahu, probably because <strong>of</strong> <strong>the</strong>ir<br />

centuries <strong>of</strong> contact with Buddhist neighbours in <strong>the</strong> lowlands.<br />

Also in <strong>the</strong> front courtyard <strong>of</strong> <strong>the</strong> haw- yeh" are a number <strong>of</strong> roughly carved<br />

posts (Fig. 7) called kaw mo" taweh_ (etymology unknown). Some people (not Lahu<br />

Nyi) have suggested that <strong>the</strong>se posts have phallic connotations, but I believe <strong>the</strong>y are<br />

more likely to be additional symbols <strong>of</strong> G'ui" sha's royalty, probably copied from <strong>the</strong><br />

Tai lak muang or "city posts" which are "erected in <strong>the</strong> name <strong>of</strong> <strong>the</strong> highest political<br />

authority", among o<strong>the</strong>r reasons (Terwiel 1978 : 159).<br />

Fig. 7<br />

Kaw mo" taweh_ sacred posts outside <strong>the</strong><br />

village temple<br />

31. <strong>The</strong> use <strong>of</strong> such flags among <strong>the</strong> Lahu Nyi almost certainly derives from <strong>the</strong> practice <strong>of</strong> <strong>the</strong>ir<br />

lowland Buddhist neighbours, <strong>the</strong> Tai peoples, who hang flags outside <strong>the</strong>ir temples. Among<br />

<strong>the</strong> Tai such flags are called tung chai "victory flags" and are set up, according to <strong>the</strong> famous<br />

Thai folklorist, Rajadhon ( 1967: 179), "to avert ill or evil spirits and secure good fortune".<br />

This corresponds exactly to <strong>the</strong> Lahu conception <strong>of</strong> <strong>the</strong>ir hto" pa_.

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