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aCademiC Catalog 2013-2014 - Lorenzo de Medici

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School of Design FLORENCE<br />

Fashion Design Foundations<br />

FAS 162 F<br />

Cr: 3; Contact hrs: 90<br />

This studio-based course aims to introduce non fashion <strong>de</strong>sign<br />

stu<strong>de</strong>nts to the key principles of fashion <strong>de</strong>sign through modules<br />

about the four major foundation elements – illustration, sewing,<br />

draping and patternmaking. Un<strong>de</strong>rstanding of these key<br />

creative and technical principles that are the basis of the work<br />

of fashion <strong>de</strong>signers is also important for non <strong>de</strong>sign majors in<br />

fashion and related disciplines interested in <strong>de</strong>veloping a career<br />

in any aspect of the fashion industry. Application of these<br />

concepts to fashion related careers will be explored.<br />

Note: non-Fashion Design majors only<br />

Patternmaking I<br />

FAS 180 F<br />

Cr: 3; Contact hrs: 90<br />

Of the two methods of creating a garment, patternmaking<br />

is the more technical one. As such, it allows the <strong>de</strong>signer to<br />

manipulate already existing patterns efficiently and create new<br />

patterns with custom measurements. Stu<strong>de</strong>nts will start with<br />

basic patterns, including darts and princess line variations,<br />

and how to manipulate them respecting the fundamental<br />

rules of pattern making. There will be two basic projects<br />

during the semester: the skirt, with variations such as A-shape,<br />

gathered, with yoke, and the bodice, working with darts and<br />

princess line variations, and finally collars and sleeves. By<br />

un<strong>de</strong>rstanding pattern construction stu<strong>de</strong>nts will able to gain a<br />

wi<strong>de</strong>r un<strong>de</strong>rstanding of the possibilities and limits of a fashion<br />

<strong>de</strong>signer.<br />

Anthropology of Fashion and Desirability:<br />

Beyond the Catwalk<br />

FAS 185 F; Dual listed: ANT 185 F<br />

Cr: 3; Contact hrs: 45<br />

When we hear “fashion”, we think automatically of clothes and<br />

dress, but fashionability entails much more than the latest style<br />

of shoe on the catwalk. Trends of style and <strong>de</strong>sirability occur in<br />

every human society, from the most “simple” to our own highly<br />

complex international interactions. Using the fashion of dress as<br />

a starting point, this course examines the universal patterns and<br />

particular variations of fashionability in both Euro-American<br />

and non-Western societies. We will examine the phenomenon<br />

of fashion in clothing, speech, and activities by searching<br />

for trends and examining the trajectory of fashionability as<br />

practices move from the un<strong>de</strong>rground to the mainstream to<br />

being “old-fashioned”, because fashion is necessarily <strong>de</strong>fined<br />

in opposition to something that is not fashionable (is Mizrahi<br />

still cool now that he <strong>de</strong>signs for Target? Or is he even cooler?).<br />

We will investigate historic examples of past fashions, as well as<br />

current trends and the phenomenon of brand awareness, with<br />

an eye on our own sense of what makes something fashionable<br />

for us today.<br />

Textile Science<br />

FAS 195 F<br />

Cr: 3; Contact hrs: 45<br />

This core class teaches the fundamentals of textile and<br />

fabric science, bringing awareness of the variety of materials<br />

used in fashion and their applications. Stu<strong>de</strong>nts will receive<br />

a comprehensive overview of the textile industry. Special<br />

attention will be given to the dyeing, printing and finishing<br />

of textiles. Stu<strong>de</strong>nts will <strong>de</strong>velop a basic knowledge of textile<br />

terminology; of yarns, cloth construction, basic weaves; and of<br />

fibers and their origin, structure, properties and characteristics:<br />

thereby enabling them to make appropriate fabric selections.<br />

Fashion Design Computer Principles I<br />

FAS 200 F<br />

Cr: 3; Contact hrs: 60<br />

This course is <strong>de</strong>signed to familiarize stu<strong>de</strong>nts with the basic<br />

tools and techniques of Computer Ai<strong>de</strong>d Design standard in<br />

the fashion industry: Adobe Illustrator® and Adobe Photoshop®<br />

During the course of the semester, stu<strong>de</strong>nts create their own<br />

fashion project, from the conceptual phases to the presentation<br />

of the complete collection with all the necessary <strong>de</strong>tails,<br />

including the ren<strong>de</strong>ring of garment flats for both the technical<br />

and presentation formats, color-cards and different colorways.<br />

In addition to the prerequisites listed below the stu<strong>de</strong>nt is<br />

advised to have a general un<strong>de</strong>rstanding of garment structure.<br />

Prerequisites: FAS 160 Fashion Illustration I, or equivalent; or<br />

concurrent enrolment<br />

Introduction to Fashion Marketing<br />

FAS 215 F<br />

Cr: 3; Contact hrs: 45<br />

This course explores fashion marketing and merchandising.<br />

It focuses primarily on brands, and their fashion marketing<br />

strategies for product <strong>de</strong>velopment, advertising, promotion and<br />

retailing. The course analyzes the thinking behind the strategies<br />

for fashion products, paying special attention to the emotional<br />

aspects of fashion communication. Stu<strong>de</strong>nts will approach<br />

current business practices and examine new and emerging<br />

trends and issues that impact on the fast-moving environment<br />

of the fashion and textile industry, looking at the globalization<br />

of the industry, tra<strong>de</strong> shows and key events. Specialized topics<br />

inclu<strong>de</strong> the importance of the European fashion system, with<br />

a comparison to some American brands and strategies. Case<br />

studies will provi<strong>de</strong> a vision of how companies in today’s<br />

environment are evolving marketing strategies to meet the new<br />

consumer’s <strong>de</strong>mand, in terms of product <strong>de</strong>sign, distribution<br />

and communication.<br />

Fabric Styling<br />

FAS 220 F<br />

Cr: 3; Contact hrs: 60<br />

In this course on surface <strong>de</strong>sign stu<strong>de</strong>nts learn many different<br />

textile techniques such as swatch weaving, dyeing yarns,<br />

direct painting and wet painting, tie dye or shibory, discharge<br />

print, block printing, silk screening, free motion stitching,<br />

embroi<strong>de</strong>ry, cords and yarns appliqué, beading, smocking, etc.<br />

To emphasize the communication aspect, the stu<strong>de</strong>nts create a<br />

number of mood boards with different themes, learning how to<br />

sketch quick shapes and “dress” them up. The projects carried<br />

out by stu<strong>de</strong>nts consist of samples with different techniques,<br />

mood boards, and the creation of a personal trend book that<br />

illustrates in a professional way the techniques learned during<br />

the course.<br />

Fabric Styling (Summer only)<br />

FAS 221 F<br />

Cr: 3; Contact hrs: 45<br />

In this course on surface <strong>de</strong>sign stu<strong>de</strong>nts learn many different<br />

textile techniques such as swatch weaving, dyeing yarns,<br />

direct painting and wet painting, tie dye or shibory, discharge<br />

print, block printing, silk screening, free motion stitching,<br />

embroi<strong>de</strong>ry, cords and yarns appliqué, beading, smocking, etc.<br />

To emphasize the communication aspect, the stu<strong>de</strong>nts create a<br />

number of mood boards with different themes, learning how to<br />

sketch quick shapes and “dress” them up. The projects carried<br />

out by stu<strong>de</strong>nts consist of samples with different techniques,<br />

mood boards, and the creation of a personal trend book that<br />

illustrates in a professional way the techniques learned during<br />

the course.<br />

Fashion Consumer Behavior<br />

FAS 225 F<br />

Cr: 3; Contact hrs: 45<br />

Un<strong>de</strong>rstanding the consumer is at the center of this course.<br />

Through fashion concepts and theories, cultural influences,<br />

<strong>de</strong>mographics, psychographics and consumer dynamics<br />

will we try to <strong>de</strong>mystify the <strong>de</strong>cision-making process of the<br />

omnipotent customer; analyzing perceptions, communication,<br />

and ethics to <strong>de</strong>termine how a customer can turn into a<br />

consumer. Although aimed at the fashion stu<strong>de</strong>nt this course is<br />

applicable to any sector of consumption.<br />

Visual Merchandising<br />

FAS 235 F<br />

Cr: 3; Contact hrs: 45<br />

This course explores contemporary visual merchandising<br />

strategies. It focuses primarily on un<strong>de</strong>rstanding visual<br />

merchandising techniques, concepts and processes, and<br />

recognizes how visual merchandising efforts support retailing<br />

106<br />

LdM Aca<strong>de</strong>mic <strong>Catalog</strong> <strong>2013</strong>-<strong>2014</strong>

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