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aCademiC Catalog 2013-2014 - Lorenzo de Medici

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chapters of the Iliad and the Odyssey, stu<strong>de</strong>nts will get in<br />

contact with the aristocratic world and heroes <strong>de</strong>scribed by<br />

Homer in 8-7th century BCE, in or<strong>de</strong>r to reconstruct the society<br />

of early Greece in the Mycenaean period. The stories presented<br />

in the Iliad and Odyssey, consi<strong>de</strong>red the “Bible” of classical<br />

civilization, show how Greeks used myth to express archetypal<br />

values which became immortal for successive generations.<br />

Myths are analyzed not only as amazing stories but also as<br />

bearers of important messages about life within society, and<br />

as primary forms of communication and instruction in a nonliterate<br />

and oral society. The great influence of Greek myths on<br />

Roman legends will also be seen through the reading of some<br />

passages of the Aeneid - the national poem of Rome written<br />

by Virgil in the 1st century BCE - focusing on the link between<br />

Roman history and Greek tradition. The hero of the work,<br />

Aeneas, was the survivor of the fall of Troy and the ancestor of<br />

Rome’s lea<strong>de</strong>rs. A comparison between Aeneas’ and Odysseus’<br />

wan<strong>de</strong>rings will conclu<strong>de</strong> the course.<br />

Greek and Roman Mythology<br />

CLA 310 T<br />

Cr: 3; Contact hrs: 45<br />

The traditional stories about the Greek gods and heroes have<br />

always been a fundamental part of Western art and literature,<br />

especially since their “rediscovery” by Renaissance humanism.<br />

A selection of the great works of ancient Greek literature will<br />

present the most important stories, and will also show how the<br />

Greeks used myth to express the traditional i<strong>de</strong>als and personal<br />

reflections that captivated and shaped subsequent European<br />

culture. The pictorial narratives, so common in Greek and Roman<br />

monuments and objects, will introduce the sophisticated visual<br />

language created by the Greeks to tell such elaborate tales,<br />

the first such iconographic system and one which was to some<br />

extent “revived”, together with the gods, heroes and heroines,<br />

in Renaissance art. To know Roman mythology and un<strong>de</strong>rstand<br />

its similarities and differences with Greek mythology is to<br />

un<strong>de</strong>rstand the real essence of the i<strong>de</strong>als and aspirations of a<br />

great people that built a great empire. In particular, Virgil and<br />

Ovid, the most wi<strong>de</strong>ly known writers of Roman mythology, and<br />

also other Roman writers, will help stu<strong>de</strong>nts <strong>de</strong>velop a new<br />

interest for Roman myth, history and art.<br />

History<br />

Western Civilization<br />

HIS 130 T<br />

Cr: 3; Contact hrs: 45<br />

Survey of cultural, social and political <strong>de</strong>velopments in the<br />

western tradition between its origins in the Ancient Near East<br />

and the present. Themes inclu<strong>de</strong>: the Ju<strong>de</strong>o-Christian and Greco-<br />

Roman heritages, medieval to mo<strong>de</strong>rn Europe, nationalism,<br />

industrialization, western imperialism, totalitarianism and<br />

two World Wars, challenges of the later 20th and early 21st<br />

centuries.<br />

Medieval Civilization and Culture<br />

HIS 212 T<br />

Cr: 3; Contact hrs: 45<br />

This course explores the remarkable series of transitions<br />

that Western civilization un<strong>de</strong>rwent between the years 313<br />

and 1400 CE, dates corresponding to Emperor Constantine’s<br />

official acceptance of Christianity, and the imposition of<br />

humanistic culture. In culture, politics and society, this long<br />

period witnessed a reorientation of values and enormous<br />

shifts in the configuration of Europe. In the visual arts,<br />

efforts to interpret classical artistic language were flanked<br />

by innovative contributions from different cultures. As<br />

stu<strong>de</strong>nts study historical and literary sources, archaeology as<br />

well as architecture, sculpture and painting, they acquire a<br />

chronological map of the essential <strong>de</strong>velopments, learning to<br />

distinguish between eras, and to interrelate political, social,<br />

economic and cultural trends. Rejecting the popular notion of<br />

a “dark age” of culture in the Middle Ages, we shall emphasize<br />

the concept of historic evolution. Topics inclu<strong>de</strong>: the Late<br />

Roman Empire, the Barbarian invasions, monasticism, medieval<br />

Christianity, the Crusa<strong>de</strong>s, the rise of the Italian city-states, the<br />

Black Death, and the roots of the Renaissance; Early Christian,<br />

Carolingian, Ottonian, Byzantine, Romanesque and Gothic Art.<br />

Italian <strong>de</strong>velopments and monuments receive special attention,<br />

and site visits in Tuscania, neighboring towns (such as Viterbo,<br />

Bolsena, Orvieto), and Rome, form an essential component of<br />

the course.<br />

The Age of Geographical Discovery<br />

HIS 270 T<br />

Cr: 3; Contact hrs: 45<br />

This course explores the relationship between various<br />

perceptions of physical reality experienced as a result of<br />

geographical inquiry, from the ancient Greeks to the eighteenth<br />

century, with particular focus on the Renaissance. Using travel<br />

journals and maps, the course investigates the ways in which<br />

geographical discoveries had an impact on how the world,<br />

and man’s place within it, was perceived. It thus examines the<br />

causes and consequences of geographical discovery through<br />

the evolution of text and image, within a context of myths<br />

and legends and real accounts and experiences. Tuscania will<br />

provi<strong>de</strong> a living example of the relationship between reality and<br />

imagination, through a tour of the city where the method of<br />

observation, <strong>de</strong>scription and interpretation will be applied.<br />

Archaeology Field School: Tuscania (Italy)<br />

HIS 282-283 T; Dual listed: ANT 282-283 T / CLA 282-283 T<br />

Cr: 6; Contact hrs: 148<br />

This four-week intensive course in archaeology is held at a<br />

specific site representing a distinctive ancient Mediterranean<br />

culture. The course offers stu<strong>de</strong>nts a unique combination<br />

of supervised on-site fieldwork and specialized aca<strong>de</strong>mic<br />

instruction by archaeologists and other specialists. Participants<br />

contribute to the ongoing excavation and preservation of the<br />

site, learning essential practical archaeological techniques. The<br />

particular civilization represented by the site is analyzed in terms<br />

of its material culture, artistic production, and society (including<br />

political organization, religion, economy, and everyday life). The<br />

course inclu<strong>de</strong>s weekly visits to sites, monuments and museums<br />

of relevance. Participants work alongsi<strong>de</strong> stu<strong>de</strong>nts from the<br />

University of Florence. The course is offered in collaboration<br />

with the Center for Ancient Mediterranean and Near Eastern<br />

Studies (CAMNES). Offered at various sites, including two<br />

sponsored by the <strong>Lorenzo</strong> <strong>de</strong>’ <strong>Medici</strong> Institute. One of the<br />

richest sites for Etruscan culture, Tuscania in northern Latium<br />

is situated in the southern area of the region inhabited by this<br />

people between the 9th to the 1st centuries BCE. Many features<br />

of the site and the wi<strong>de</strong> range of artefacts discovered belong to<br />

later Etruscan culture (Hellenistic period). The course focuses<br />

on Etruscan culture in a period of cosmopolitan expansion and<br />

assimilation to Roman culture. Learning activities may inclu<strong>de</strong><br />

visits to Cerveteri, Tarquinia, and the Museo di Villa Giulia in<br />

Rome. Excavation has been overseen by the University of<br />

Florence, <strong>Lorenzo</strong> <strong>de</strong>’ <strong>Medici</strong> Institute, and CAMNES.<br />

Note: HIS 282 T / ANT 282 T / CLA 282 T is offered also as a<br />

3-Credit (two week) Field School<br />

Ancient Mediterranean Civilization<br />

HIS 294 T; Dual listed: CLA 294 T<br />

Cr: 3; Contact hrs: 45<br />

This course presents a survey of the extraordinarily rich<br />

civilizations that thrived in Italy and the Mediterranean from the<br />

8th century BCE to the 5th century CE. Stu<strong>de</strong>nts investigate<br />

the political, social, cultural and religious dimensions of the<br />

Greek, Roman and Etruscan civilizations, engaging with<br />

surviving literature, art and architecture. Themes covered<br />

may inclu<strong>de</strong>: the principal historical <strong>de</strong>velopments; political<br />

trends in the Mediterranean world; classical literature;<br />

major issues in philosophy; spirituality and cults; cultural<br />

and commercial exchange in the Mediterranean. Site visits<br />

enhance un<strong>de</strong>rstanding of the chronology and the enduring<br />

achievements of ancient Mediterranean culture.<br />

Mo<strong>de</strong>rn Italy<br />

HIS 296 T; Dual listed: POL 296 T<br />

Cr: 3; Contact hrs: 45<br />

The main goal of the course is for stu<strong>de</strong>nts to gain a general<br />

un<strong>de</strong>rstanding of the way Italian history and culture has<br />

<strong>de</strong>veloped in the last 50 years, especially in the arena of<br />

public policies and social interactions. The course will be<br />

loosely divi<strong>de</strong>d in three main segments. The first one, relying<br />

School of Arts & Sciences TUSCANIA<br />

LdM Aca<strong>de</strong>mic <strong>Catalog</strong> <strong>2013</strong>-<strong>2014</strong><br />

161

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