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aCademiC Catalog 2013-2014 - Lorenzo de Medici

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School of Creative Arts FLORENCE<br />

Italian Food for Festivals and Festivities<br />

NUH 255 F<br />

Cr: 3; Contact hrs: 45<br />

In Italy food is a fundamental element of every festivity. In<br />

every region, all year round, each festa or sagra features<br />

<strong>de</strong>licious dishes, whether the event is held in honor of a saint,<br />

of a religious or secular festivity or in the spirit of the famous<br />

Italian joie <strong>de</strong> vivre. In this course all the main festivities will be<br />

analyzed through their history, religious or secular importance,<br />

and through the role they play in the local culture. All the various<br />

aspects of the Italian lifestyle will be introduced, together with<br />

the cuisine and the rituals associated with them: customs,<br />

celebrations, table manners, social gatherings and their<br />

evolution throughout the centuries. The aim of the course is to<br />

teach stu<strong>de</strong>nts to make traditional and ritual recipes of Italy:<br />

the selection of dishes reflects what is really popular in Italy<br />

and concentrates on the classics of Italian cuisine (fresh pasta,<br />

risotto, meat sauce etc.) that stu<strong>de</strong>nts can reproduce at home.<br />

Traditional food products will be also introduced, through class<br />

<strong>de</strong>monstrations and tasting.<br />

Jewish-Italian Cooking Traditions<br />

NUH 260 F<br />

Cr: 3; Contact hrs: 45<br />

The importance of the Jewish influence on certain elements of<br />

the Italian traditions in cooking and serving food is an often<br />

neglected chapter in the splendid history of Italian cuisine.<br />

The relationship between Jewish cooking traditions and the<br />

different regional Italian traditions is a rich case study because<br />

of the peculiar characteristics of such encounters. Whereas<br />

Arabs, Greeks and others have dominated a specific area of<br />

Italy at certain times, imposing their traditions and integrating<br />

them with local habits, the very ancient Jewish presence in Italy<br />

has touched almost all Italian regions and has left its mark in<br />

diverse ways. Very often the cuisine of the Italian Jews was the<br />

result of an adaptation of local ingredients and techniques to<br />

the religious restrictions of the community. At the same time,<br />

some characteristic elements of the home cuisine of migrating<br />

Jewish communities (for example from Spain or Germany)<br />

were carried to Italy and integrated into this complex culinary<br />

and cultural mixture. The purpose of this course is to analyze in<br />

a <strong>de</strong>tailed way the interrelations that contributed to the birth of<br />

a Jewish–Italian cuisine and its social, economic and historical<br />

implications.<br />

Sustainable Food<br />

NUH 280 F; Dual listed: ENV 280 F<br />

Cr: 3; Contact hrs: 45<br />

This course explores food and gastronomy in the light of<br />

environmental preservation, sustainable agricultural practices,<br />

the conservation of biological and culinary diversity and<br />

global justice. Drawing on a multi-disciplinary perspective<br />

which brings together aca<strong>de</strong>mic research and the traditional<br />

knowledge of farmers and producers, stu<strong>de</strong>nts will explore the<br />

complexity of food and food systems through an analysis of<br />

their nutritional, social, and environmental aspects. They will<br />

be encouraged to reflect on the sustainable food movement in<br />

a holistic manner, and to question the roles of individuals and<br />

consumers in today’s global food system.<br />

Dance, Music and Theatre<br />

Performance<br />

Introduction to Mo<strong>de</strong>rn Dance<br />

PER 142 F<br />

Cr: 3; Contact hrs: 45<br />

In this introductory course stu<strong>de</strong>nts study elementary mo<strong>de</strong>rn<br />

dance techniques. Emphasis is on alignment, movement<br />

through space, and the use of body weight, while a range of<br />

movement qualities are <strong>de</strong>veloped.<br />

Introduction to Ballet<br />

PER 143 F<br />

Cr: 3; Contact hrs: 45<br />

A basic course that introduces stu<strong>de</strong>nts to the study of ballet’s<br />

main concepts: correct body placement, basic positions of<br />

feet and arms, and preparation with both floor exercises and<br />

the barre. All exercises aim to shape the body into a beautiful<br />

and graceful form in or<strong>de</strong>r to enhance the stu<strong>de</strong>nt’s expressive<br />

capacity. In addition to practical classes, stu<strong>de</strong>nts will learn the<br />

history of ballet and its evolution up to the present day.<br />

Expanding Creativity<br />

PER 150 F; Dual listed: PDM 150 F / PHO 150 F / SCU 150 F<br />

Cr: 3; Contact hrs: 45<br />

Problem solving in the field of fine arts is coupling inspiration<br />

with practical solutions. Viewing the situation with an artistic<br />

eye, whether it be in drawing, painting, sculpture, graphic<br />

<strong>de</strong>sign, music or writing, the creator of the work must discover<br />

how to “put the line where he/she wants it to go”, using his/<br />

her talents to realize in a tangible form what he/she envisions<br />

in his/her imagination. The primary goal of this class will be for<br />

stu<strong>de</strong>nts to learn to express their true selves while transforming<br />

media in an artistic and mindful way. Stu<strong>de</strong>nts will learn to<br />

expand their thinking into areas of art other than their present<br />

chosen media. Since the class is ma<strong>de</strong> up of stu<strong>de</strong>nts from<br />

various artistic experiences, there is a wi<strong>de</strong> variety of outlooks<br />

to broa<strong>de</strong>n perspectives.<br />

Flamenco<br />

PER 200 F<br />

Cr: 3; Contact hrs: 45<br />

The course will cover two aspects. 1) Practical lessons on basic<br />

techniques, body posture, vueltas (turns), and zapateado<br />

(stamping of feet) plus coordination of arms and feet. Stu<strong>de</strong>nts<br />

will study the precise structure of the different rhythms, starting<br />

with Tango, the easiest Flamenco rhythms, moving on to more<br />

irregular rhythms, like slow soleares, medium alegria and the<br />

fast bulerias. The basic choreographic concepts given by the<br />

instructor will allow stu<strong>de</strong>nts to improvise and create their own<br />

choreography. 2) Historical evolution of Flamenco, from its<br />

origins up to the present day.<br />

Body Language and Communication<br />

Techniques<br />

PER 212 F; Dual listed: COM 212 F<br />

Cr: 3; Contact hrs: 45<br />

This course teaches stu<strong>de</strong>nts to use the body to achieve greater<br />

professional and social success by increasing the relational and<br />

communication capacities of every stu<strong>de</strong>nt, preparing them<br />

to enter the working world. The training is aimed at acquiring<br />

transversal expertise linked to communication, verbal and non<br />

verbal, working in groups, motivation, and body language<br />

control. The “learning by doing” methodology is very practical<br />

and involves the stu<strong>de</strong>nt in a pro-active way, through exercises<br />

and improvisation, testing individual attitu<strong>de</strong>s and personal<br />

capacities. Neutral mask and participative and creative<br />

techniques will be employed, from a theatrical approach to non<br />

verbal communication, team building, self-presentation, body<br />

language exercises, movement, and motivation, guiding each<br />

stu<strong>de</strong>nt to discover his or her strengths, and to better i<strong>de</strong>ntify<br />

the working path coherent with individual expectations and<br />

capacities.<br />

Intermediate Mo<strong>de</strong>rn Dance<br />

PER 242 F<br />

Cr: 3; Contact hrs: 45<br />

This course focuses on building stu<strong>de</strong>nts’ musicality and<br />

performance skills by exploring mo<strong>de</strong>rn dance as an art form<br />

and as a means of expression. With respect to the introductory<br />

level, techniques are reinforced and expan<strong>de</strong>d. The course<br />

reflects on the historical <strong>de</strong>velopment of mo<strong>de</strong>rn dance and<br />

mo<strong>de</strong>rn music and it emphasizes a broa<strong>de</strong>r dance vocabulary<br />

as well as more complex dance combinations. Attention is<br />

also given to analysis of a range of different mo<strong>de</strong>rn and<br />

contemporary styles (Graham, Cunningham, Horton) through<br />

vi<strong>de</strong>o projections and viewing of live performances by<br />

professional dancers, and the execution by stu<strong>de</strong>nts of more<br />

elaborate choreographies.<br />

Prerequisites: PER 142 F Introduction to Mo<strong>de</strong>rn Dance<br />

88<br />

LdM Aca<strong>de</strong>mic <strong>Catalog</strong> <strong>2013</strong>-<strong>2014</strong>

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