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aCademiC Catalog 2013-2014 - Lorenzo de Medici

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School of Creative Arts FLORENCE<br />

investigated and analyzed as an integral part of the course. The<br />

aim of the course is for stu<strong>de</strong>nts to learn the basic knowledge<br />

of oil painting techniques as well as to discover their personal<br />

brush stroke, favorite colors, and the ability to personalize one’s<br />

composition.<br />

Foundation Oil Painting (Summer only)<br />

PDM 141 F<br />

Cr: 3; Contact hrs: 60<br />

This course is an introduction to the traditional techniques<br />

of oil painting for beginning stu<strong>de</strong>nts or stu<strong>de</strong>nts with no<br />

previous training in Fine Arts. The course <strong>de</strong>als with the most<br />

fundamental principles and elements of still-life painting, with<br />

an emphasis on the perception and build up of form, tone, and<br />

color on a two-dimensional surface. Exercises are introduced<br />

to stu<strong>de</strong>nts in highly structured lessons, including the theory<br />

of color, supplemented by practical <strong>de</strong>monstrations. Reference<br />

to the exceptional works of art in the city of Florence will be<br />

investigated and analyzed as an integral part of the course. The<br />

aim of the course is for stu<strong>de</strong>nts to learn the basic knowledge<br />

of oil painting techniques as well as to discover their personal<br />

brush stroke, favorite colors, and the ability to personalize one’s<br />

composition.<br />

Expanding Creativity<br />

PDM 150 F; Dual listed: PER 150 F / PHO 150 F / SCU 150 F<br />

Cr: 3; Contact hrs: 45<br />

Problem solving in the field of fine arts is coupling inspiration<br />

with practical solutions. Viewing the situation with an artistic<br />

eye, whether it be in drawing, painting, sculpture, graphic<br />

<strong>de</strong>sign, music or writing, the creator of the work must discover<br />

how to “put the line where he/she wants it to go”, using his/<br />

her talents to realize in a tangible form what he/she envisions<br />

in his/her imagination. The primary goal of this class will be for<br />

stu<strong>de</strong>nts to learn to express their true selves while transforming<br />

media in an artistic and mindful way. Stu<strong>de</strong>nts will learn to<br />

expand their thinking into areas of art other than their present<br />

chosen media. Since the class is ma<strong>de</strong> up of stu<strong>de</strong>nts from<br />

various artistic experiences, there is a wi<strong>de</strong> variety of outlooks<br />

to broa<strong>de</strong>n perspectives.<br />

Digital Sketchbook<br />

PDM 165 F; Dual listed: GRA 165 F<br />

Cr: 3; Contact hrs: 90<br />

In this course stu<strong>de</strong>nts combine traditional and digital media<br />

to create artworks. In drawing sessions in various locations in<br />

the historic center of Florence, stu<strong>de</strong>nts learn basic drawing<br />

concepts, followed by one-on-one instruction with the<br />

instructor to create drawings suitable for the computer lab<br />

sessions. These manual drawing sessions focus on creating<br />

three-dimensional space through the use of linear perspective<br />

and construction of complex forms using simple volumes,<br />

on the drawing of the sculpted and live human figure, and<br />

on creating balanced and interesting compositions. In the<br />

computer sessions stu<strong>de</strong>nts learn to scan selected drawings<br />

from the city drawing sessions and paint them digitally using<br />

Photoshop. Stu<strong>de</strong>nts explore painting concepts applicable<br />

to both traditional and digital painting and the most relevant<br />

and useful Photoshop functions. In the course stu<strong>de</strong>nts create<br />

multiple versions of each painting (for example, day and night<br />

versions of one scene). Projects inclu<strong>de</strong> painting a set of images<br />

using gouache, and <strong>de</strong>veloping and modifying with Photoshop<br />

one or more of their traditionally painted images. In this way<br />

stu<strong>de</strong>nts discover benefits and drawbacks of the traditional<br />

and graphic approaches.<br />

Introduction to Pastel Techniques<br />

PDM 170 F<br />

Cr: 3; Contact hrs: 60<br />

This course introduces stu<strong>de</strong>nts to the various pastel<br />

techniques: such as chalk, wax, watercolor, stabilo soft and<br />

stabilo tone. Various color theory exercises will be investigated.<br />

Stu<strong>de</strong>nts are also introduced to the various artists who have<br />

used pastel techniques as their chosen medium. Also, reference<br />

to the exceptional works of art in the city of Florence will be<br />

analyzed as an integral part of the course. The course inclu<strong>de</strong>s<br />

subjects from still-life to mo<strong>de</strong>ls.<br />

Prerequisites: PDM 130 Principles of Drawing and Composition,<br />

or equivalent<br />

Fine Art Mosaics<br />

PDM 180 F<br />

Cr: 3; Contact hrs: 90<br />

This course covers the various techniques of stone and glass<br />

mosaics (for example Pompeian, Venetian and contemporary).<br />

The stu<strong>de</strong>nts will create projects and <strong>de</strong>coration of architectural<br />

illusion, panels, and scenographic <strong>de</strong>sign. Stu<strong>de</strong>nts will become<br />

proficient in the various stages of building up traditional<br />

mosaics. Reference to the exceptional Italian mosaic works of<br />

art will be investigated and analyzed as an integral part of the<br />

course.<br />

Fine Art Mosaics (Summer only)<br />

PDM 181 F<br />

Cr: 3; Contact hrs: 60<br />

This course covers the various techniques of stone and glass<br />

mosaics (for example Pompeian, Venetian and contemporary).<br />

The stu<strong>de</strong>nts will create projects and <strong>de</strong>coration of architectural<br />

illusion, panels, and scenographic <strong>de</strong>sign. Stu<strong>de</strong>nts will become<br />

proficient in the various stages of building up traditional<br />

mosaics. Reference to the exceptional Italian mosaic works of<br />

art will be investigated and analyzed as an integral part of the<br />

course.<br />

Florence Sketchbook - Beginning<br />

PDM 183 F<br />

Cr: 3; Contact hrs: 60<br />

In this course stu<strong>de</strong>nts <strong>de</strong>velop basic observation, drawing and<br />

watercolor skills in a refreshing way. Stu<strong>de</strong>nts keep a series of<br />

sketchbooks and <strong>de</strong>velop finished drawing projects from them.<br />

After initial training in fundamental drawing techniques for<br />

pencil, pen and other media, the course is <strong>de</strong>dicated principally<br />

to sketching outdoors in the city and environs. Stu<strong>de</strong>nts <strong>de</strong>velop<br />

ability in representing a variety of subjects, including the human<br />

form, architecture, and landscape. Exploiting the advantages of<br />

the site, stu<strong>de</strong>nts explore such themes as historical monuments,<br />

street life, and formal gar<strong>de</strong>ns. They encounter art of the past,<br />

including efforts to sketch the same or similar topics. The<br />

course equips stu<strong>de</strong>nts to efficiently capture impressions by<br />

drawing in various media at various rates and scales, keeping<br />

annotations, i<strong>de</strong>as, sketches, and analyses of artwork in a<br />

journal, and <strong>de</strong>veloping personal interests. Stu<strong>de</strong>nts explore<br />

the monuments and vibrant street life of Florence, and observe<br />

numerous buildings, outdoor sculptures and squares that form<br />

part of the outstanding and entrancing artistic heritage of<br />

medieval and Renaissance Florence.<br />

Fundamentals of Art and Design: Color<br />

Theory<br />

PDM 190 F<br />

Cr: 3; Contact hrs: 60<br />

This course concerns the analysis and theory of colors. Stu<strong>de</strong>nts<br />

will study harmony and contrast of colors: pure colors, light and<br />

dark colors (chiaroscuro), hot and cold colors, complementary<br />

colors, simultaneous contrast, quality contrast and quantity<br />

contrast. The course will study the relationship between form<br />

and color, and how colors relate to space and composition, as<br />

well as the perception and chromatic balance: the illusion of<br />

color. It will also analyze the expressive force of colors as an<br />

essential element in the creative process. Learning to <strong>de</strong>velop<br />

an eye for color through experience and trial and error; seeing<br />

the action of a color and feeling the relationships between<br />

colors will be achieved through practical exercises based on<br />

various color theory criteria. Investigation of nature, master<br />

artists’ works, city life and architecture, and works of master<br />

artists will help to discover how colored light and shadow<br />

are perceived through the relationship between the “eye,”<br />

“experience” and “color theory.”<br />

Florence and Chianti Watercolor Workshop:<br />

Painting un<strong>de</strong>r the Tuscan Sun (Summer only)<br />

PDM 206 F<br />

Cr: 6; Contact hrs: 90<br />

This special summer course takes place both in Florence and<br />

90<br />

LdM Aca<strong>de</strong>mic <strong>Catalog</strong> <strong>2013</strong>-<strong>2014</strong>

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