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aCademiC Catalog 2013-2014 - Lorenzo de Medici

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School of Arts & Sciences TUSCANIA<br />

mainly on historical data and information, aims to provi<strong>de</strong> a<br />

general background about Italian politics and culture. In the<br />

second part, we will focus on the current changes that have<br />

occurred in Italy during the past 20 years, focusing especially<br />

on the breakdown of the traditional political system and on the<br />

<strong>de</strong>creased relevance of the Church in State and public matters.<br />

Finally, we will examine how the last 10 years – during which<br />

there has been a great transformation in the way media affects<br />

the distribution and spread of information – have brought an<br />

apparent, but possibly not real, upheaval in the way politics,<br />

culture and information are received and <strong>de</strong>bated among<br />

Italians.<br />

Prerequisites: an introductory course in History or Political<br />

Science<br />

Italian Renaissance Civilization and Culture<br />

HIS 300 T<br />

Cr: 3; Contact hrs: 45<br />

This course explores the historical, literary and cultural<br />

<strong>de</strong>velopments of one of the most remarkable and vibrant<br />

periods of Italian history: the Renaissance. Stu<strong>de</strong>nts will<br />

be introduced to the main historical <strong>de</strong>velopments of the<br />

Renaissance period from the late fourteenth century to the end<br />

of the sixteenth century. The Renaissance is above all the age<br />

of the individual and the affirmation of his/her achievements,<br />

best summed up by the credo “Man – the measure of all things”.<br />

The focus of this course is therefore upon great personalities<br />

of the Italian Renaissance mainly in the fields of the visual arts,<br />

literature and philosophy, but also drawn from those of politics<br />

and civic life. These inclu<strong>de</strong> key figures of the most prominent<br />

Italian families: the <strong>Medici</strong>, the Sforza, the Della Rovere; artists<br />

and architects: Brunelleschi, Leon Battista Alberti, Leonardo<br />

da Vinci, Michelangelo; writers, poets and philosophers: Dante,<br />

Petrarca, Boccaccio, Pico <strong>de</strong>lla Mirandola, Machiavelli, as well as<br />

merchants and bankers. All these individuals left their mark in<br />

Italy between the early 1400s and the late 1500s.<br />

Prerequisites: HIS 130 Western Civilization, or equivalent<br />

Literature<br />

Survey of Western Literature<br />

LIT 150 T<br />

Cr: 3; Contact hrs: 45<br />

This course is an exploration of major texts from antiquity to<br />

the present that have shaped and expressed Western cultural<br />

traditions (all readings are in English translation). Emphasis<br />

will be placed on the nature of genre, period, and style. The<br />

course also offers the opportunity to <strong>de</strong>velop an awareness of<br />

literature and the skills required to approach and un<strong>de</strong>rstand it.<br />

Italian Theatre from Arena to Opera<br />

LIT 278 T; Dual listed: MCT 278 T<br />

Cr: 3; Contact hrs: 45<br />

This course is an introduction to the history of theatre and<br />

performing arts in Italy from antiquity to the 20th Century.<br />

Stu<strong>de</strong>nts will study Greek and Roman tragedies and comedies<br />

and the sports and the games so popular in antiquity. They<br />

will then explore the <strong>de</strong>velopment of medieval sacred<br />

representations; the Commedia <strong>de</strong>ll’Arte; the total performances<br />

of the Renaissance and Baroque periods and their ultimate<br />

culmination in Italian opera; works by Goldoni; Piran<strong>de</strong>llo and<br />

Italian Futurism. Translated texts of all authors studied will be<br />

required reading in class or as homework, and original versions<br />

of some of the above-mentioned texts will be read in class.<br />

Discussions will be based on the stu<strong>de</strong>nts’ readings.<br />

The Age of the Heroes: Iliad, Odyssey, Aeneid,<br />

and the Origins of Western Literature<br />

LIT 306 T; Dual listed: CLA 306 T<br />

Cr: 3; Contact hrs: 45<br />

The course is a general overview of ancient literature through<br />

the analysis and comparison of some of the ol<strong>de</strong>st works of<br />

Western civilization. Through a reading of the most significant<br />

chapters of the Iliad and the Odyssey, stu<strong>de</strong>nts will get in<br />

contact with the aristocratic world and heroes <strong>de</strong>scribed by<br />

Homer in 8-7th century BCE, in or<strong>de</strong>r to reconstruct the society<br />

of early Greece in the Mycenaean period. The stories presented<br />

in the Iliad and Odyssey, consi<strong>de</strong>red the “Bible” of classical<br />

civilization, show how Greeks used myth to express archetypal<br />

values which became immortal for successive generations.<br />

Myths are analyzed not only as amazing stories but also as<br />

bearers of important messages about life within society, and<br />

as primary forms of communication and instruction in a nonliterate<br />

and oral society. The great influence of Greek myths on<br />

Roman legends will also be seen through the reading of some<br />

passages of the Aeneid - the national poem of Rome written<br />

by Virgil in the 1st century BCE - focusing on the link between<br />

Roman history and Greek tradition. The hero of the work,<br />

Aeneas, was the survivor of the fall of Troy and the ancestor of<br />

Rome’s lea<strong>de</strong>rs. A comparison between Aeneas’ and Odysseus’<br />

wan<strong>de</strong>rings will conclu<strong>de</strong> the course.<br />

Masterpieces of Italian Literature<br />

LIT 307 T<br />

Cr: 3; Contact hrs: 45<br />

The focus of this course is on Italian writers and literary<br />

movements from the 13th century to the present. Its goal is<br />

to read some of Italy’s most representative literary works in<br />

translation and to examine their structure, novelty and relevance<br />

to their times, and to our own times as well. This course is<br />

<strong>de</strong>signed to bring works of Italian literature to the attention<br />

of stu<strong>de</strong>nts who may have or may not have any knowledge<br />

of Italian. Topics will be introduced, followed by readings to<br />

be commented on by the stu<strong>de</strong>nts. Each stu<strong>de</strong>nt will also be<br />

required to <strong>de</strong>velop an individually chosen project based on a<br />

complete translated work. At the end of the term, each stu<strong>de</strong>nt<br />

will be required to write a paper on a chosen text and then give<br />

a presentation in class about his/her own work.<br />

Prerequisites: LIT 150 Survey of Western Literature, or<br />

equivalent<br />

Italian Grand Tour: Italy through the Eyes of<br />

Famous Travellers<br />

LIT 350 T<br />

Cr: 3; Contact hrs: 45<br />

This course is an introduction to the literature generated by<br />

the «Grand Tour» experiences between the 18th and the 19th<br />

centuries and to its continuation and <strong>de</strong>velopment in the<br />

20th century. The main focus will be the textual analysis of<br />

the memoirs, letters and diaries written by some of the most<br />

famous artists, writers and intellectuals who resi<strong>de</strong>d and<br />

traveled in Italy. Our selection will inclu<strong>de</strong> British, German and<br />

American writers. Another important aspect of the course will<br />

be the study of the history, the works of art, the monuments<br />

and the folklore events of the main Grand Tour <strong>de</strong>stinations:<br />

Venice, Florence, Rome. Stu<strong>de</strong>nts will learn about the different<br />

experiences of famous foreign travelers in Italy through the<br />

centuries and will be able to un<strong>de</strong>rstand some stereotypes,<br />

prejudices and i<strong>de</strong>alized visions about Italy and Italians that still<br />

survive today.<br />

Music, Cinema and Theatre<br />

Studies<br />

Introduction to Acting<br />

MCT 205 T<br />

Cr: 3; Contact hrs: 60<br />

The course will center on three fundamental aspects of acting:<br />

imagination, sensuousness and physicality. In fact, the base of<br />

an actor’s initiation consists of the exploration of the world<br />

around him and the <strong>de</strong>velopment of the five senses (plus the socalled<br />

sixth sense which has more to do with our own instincts).<br />

An actor must be able to transmit emotionally what nature<br />

gives her or him. So, work in this course will focus on: a) the<br />

awareness of the body and moving with greater physical ease<br />

by the un<strong>de</strong>rstanding of how the five senses work together;<br />

b) the creation of a bridge between body and imagination; c)<br />

activating the senses through a series of games and exercises;<br />

d) script analysis in or<strong>de</strong>r to un<strong>de</strong>rstand the message or<br />

meaning and to find the super-objective of the play. Stu<strong>de</strong>nts<br />

will work on relaxation techniques, on their sensuousness and<br />

its application to their creative instinct; on their concentration<br />

162<br />

LdM Aca<strong>de</strong>mic <strong>Catalog</strong> <strong>2013</strong>-<strong>2014</strong>

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