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aCademiC Catalog 2013-2014 - Lorenzo de Medici

aCademiC Catalog 2013-2014 - Lorenzo de Medici

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Museums, Galleries and the History of<br />

Collecting<br />

ART 502 F<br />

Cr: 3; Contact hrs: 37,5<br />

This course provi<strong>de</strong>s the stu<strong>de</strong>nt with a thorough background<br />

in the history of collections, collecting, and private and<br />

public display of objects from a European perspective, with<br />

some comparison to non-Western habits of collecting. Issues<br />

addressed inclu<strong>de</strong> the concept of collecting and systems of<br />

classifying in Europe and America; the relationship between<br />

collecting, classifying and the birth of museums; the role of<br />

travel in the formation of collections; and the shaping of taste<br />

and religious, cultural, political and financial impacts on the<br />

display of collections in museum contexts. Visits to historical<br />

collections form an integral part of the course.<br />

Museum Development, Management and<br />

Lea<strong>de</strong>rship<br />

ART 503 F<br />

Cr: 3; Contact hrs: 37,5<br />

This course provi<strong>de</strong>s a basic un<strong>de</strong>rstanding of how mo<strong>de</strong>rn<br />

museums are structured, administered and financed in various<br />

parts of the world while offering lea<strong>de</strong>rship and management<br />

skills at various levels of the museum hierarchy. Some issues to<br />

be addressed inclu<strong>de</strong> what makes an effective non-profit lea<strong>de</strong>r<br />

and manager, potential controversies and legal problems that<br />

can arise in museums and <strong>de</strong>veloping strategies for <strong>de</strong>aling<br />

with them, operational issues, growth potential, and strategic<br />

planning and capital expense budgeting in a museum context.<br />

Art and Objects in Museums and in Context<br />

ART 504 F<br />

Cr: 3; Contact hrs: 37,5<br />

This course addresses address the problems of the meaning,<br />

context, and display of art and objects through three case<br />

studies, each covered by a different instructor for one third of<br />

the semester. Case studies will be in 1) Florentine Renaissance<br />

art objects in context and in museum settings in Florence,<br />

2) contemporary art and the special problems it poses to<br />

museums and 3) non-art museums (such as history or history<br />

of science museums) and the objects they house. Stu<strong>de</strong>nts will<br />

assess the effectiveness and sustainability of museum displays<br />

according to various parameters including viewer expectations,<br />

cultural biases and the fostering of aesthetic systems, religious<br />

and conservation issues.<br />

Research Methods I: Methodologies and<br />

Resources<br />

ART 507 F<br />

Cr: 1; Contact hrs: 17,5<br />

Stu<strong>de</strong>nts will <strong>de</strong>velop and hone critical analytical skills by<br />

critiquing published papers in a variety of museum studies<br />

fields and being introduced to a variety of methodologies. In<br />

the process they will be introduced to mo<strong>de</strong>s and places of<br />

research in Florence.<br />

Museums and the Public II: Objects and<br />

Audience<br />

ART 601 F<br />

Cr: 3; Contact hrs: 37,5<br />

Designed to follow “Museums and the Public I: People and<br />

I<strong>de</strong>as”, this course offers the stu<strong>de</strong>nt a gui<strong>de</strong>d, hands-on<br />

experience in the creation, planning, researching, financing,<br />

structuring, installation, and marketing of a focus show for the<br />

general public at a Florentine institution, such as the Fondazione<br />

Palazzo Strozzi. It involves 15 taught hours and roughly 200<br />

hours of gui<strong>de</strong>d stu<strong>de</strong>nt work on the various aspects of the<br />

exhibition outlined above.<br />

<strong>de</strong>licate role of museums in fostering aesthetic systems. The<br />

differences between art museums, archaeology museums and<br />

ethnography museums will be reviewed as will <strong>de</strong>finitions of<br />

art and artifact. The role of photography and other didactic<br />

measures will be evaluated historically and conceptually. Most<br />

of this analysis will take place though case studies.<br />

Museum Spaces and Technologies<br />

ART 603 F<br />

Cr: 3; Contact hrs: 37,5<br />

New and especially computer technologies are in the process of<br />

changing the way museums relate to their publics. This course<br />

surveys the uses and future possibilities of digital technologies<br />

in the preservation, management, research, installation and<br />

mediation of museum collections. Skills introduced will<br />

inclu<strong>de</strong> creating databases, working with computer programs<br />

and programmers, digital imaging and image enhancement,<br />

creating virtual spaces, producing hypertexts and museum<br />

websites.<br />

Museum Education<br />

ART 604 F<br />

Cr: 3; Contact hrs: 37,5<br />

Using case studies and theoretical analyses, this course<br />

explores how museums reach out to their communities,<br />

including the staging of events for public outreach, teaching<br />

from objects and teaching others (gui<strong>de</strong>s, volunteers, interns)<br />

to teach from objects, and the educational use of technologies.<br />

It will also examine the role of the museum educator and his or<br />

her engagement with the phenomena of formal, informal, and<br />

lifelong learning. Stu<strong>de</strong>nts interested in pursuing a career as a<br />

museum educator are strongly encouraged to enroll.<br />

Note: cross-listed for un<strong>de</strong>rgraduates as ART 450 (see which<br />

for requirements)<br />

Conservation and Historic Preservation<br />

ART 605 F<br />

Cr: 3; Contact hrs: 37,5<br />

This course investigates the ethical, historical and cultural issues<br />

in the conservation and preservation of museum objects using<br />

selected case studies. Topics inclu<strong>de</strong> the assessment of the<br />

historical significance of objects, risk management approaches<br />

to the management of cultural property, and issues relating<br />

to the care, handling, and storage of art objects and museum<br />

buildings.<br />

Museums: Ethics and the Law<br />

ART 606 F<br />

Cr: 3; Contact hrs: 37,5<br />

This course introduces the stu<strong>de</strong>nt to the legal and ethical<br />

issues faced by museums as repositories of cultural property<br />

across the world. Issues explored on a comparative international<br />

basis inclu<strong>de</strong> copyright, censorship, public interest, appropriate<br />

conservation, theft, dubious provenance, and repatriation of art<br />

and artifacts.<br />

Note: cross-listed for un<strong>de</strong>rgraduates as ART 460 (see which<br />

for requirements)<br />

Research Methods II: The Thesis Proposal<br />

ART 607 F<br />

Cr: 1; Contact hrs: 17,5<br />

Completed in the early months of the Spring term, this course<br />

follows “Research Methods I: Methodologies and Resources”<br />

and essentially serves a forum in which the stu<strong>de</strong>nts choose<br />

their area of concentration and <strong>de</strong>velop the prospectus for<br />

the Master’s thesis. In the class sessions, stu<strong>de</strong>nts will propose<br />

thesis topics, present draft thesis proposals, critique each<br />

other’s proposals, and revise proposals. Concurrently, stu<strong>de</strong>nts<br />

are expected to meet with prospective faculty advisors.<br />

School of Arts & Sciences FLORENCE<br />

Transcultural Aesthetics, Ethnography and<br />

Cultural Bias<br />

ART 602 F<br />

Cr: 3; Contact hrs: 37,5<br />

This course seeks address the relationships between aesthetics,<br />

religion and the socioc-cultural function of objects and the<br />

Museum Studies Internship<br />

ART 620 F<br />

Cr: 4; Contact hrs: 200<br />

Upon the successful completion of “Research Methods II: The<br />

Thesis Proposal” in which the stu<strong>de</strong>nt’s thesis prospectus is<br />

approved (usually in April) and the faculty advisor chosen, he<br />

LdM Aca<strong>de</strong>mic <strong>Catalog</strong> <strong>2013</strong>-<strong>2014</strong><br />

57

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