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aCademiC Catalog 2013-2014 - Lorenzo de Medici

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School of Design FLORENCE<br />

they all convey an i<strong>de</strong>a.<br />

Digital Sketchbook<br />

GRA 165 F; Dual listed: PDM 165 F<br />

Cr: 3; Contact hrs: 90<br />

In this course stu<strong>de</strong>nts combine traditional and digital media<br />

to create artworks. In drawing sessions in various locations in<br />

the historic center of Florence, stu<strong>de</strong>nts learn basic drawing<br />

concepts, followed by one-on-one instruction with the<br />

instructor to create drawings suitable for the computer lab<br />

sessions. These manual drawing sessions focus on creating<br />

three-dimensional space through the use of linear perspective<br />

and construction of complex forms using simple volumes,<br />

on the drawing of the sculpted and live human figure, and<br />

on creating balanced and interesting compositions. In the<br />

computer sessions stu<strong>de</strong>nts learn to scan selected drawings<br />

from the city drawing sessions and paint them digitally using<br />

Photoshop. Stu<strong>de</strong>nts explore painting concepts applicable<br />

to both traditional and digital painting and the most relevant<br />

and useful Photoshop functions. In the course stu<strong>de</strong>nts create<br />

multiple versions of each painting (for example, day and night<br />

versions of one scene). Projects inclu<strong>de</strong> painting a set of images<br />

using gouache, and <strong>de</strong>veloping and modifying with Photoshop<br />

one or more of their traditionally painted images. In this way<br />

stu<strong>de</strong>nts discover benefits and drawbacks of the traditional<br />

and graphic approaches.<br />

Graphic Design<br />

GRA 170 F<br />

Cr: 3; Contact hrs: 90<br />

This course gives stu<strong>de</strong>nts a theoretical and practical<br />

introduction to graphic <strong>de</strong>sign in the era of the digital<br />

communication. Stu<strong>de</strong>nts follow a program based on<br />

practical applications, realized entirely with computer graphic<br />

techniques. The constant search for the harmony of shapes,<br />

colors and words goes together with the learning of the<br />

most mo<strong>de</strong>rn digital graphic techniques. During the course<br />

bidimensional vector graphics will be used for the realization<br />

of all the assigned projects. The fundamental concepts of<br />

the manipulation of the images are also taught to complete<br />

the same projects. In consi<strong>de</strong>ration of the great importance<br />

that advertising has in this course, stu<strong>de</strong>nt projects address<br />

communication issues, exploring the principal media and<br />

investigating ways of working with different targets. Curiosity<br />

and an inclination for research are the essential characteristics<br />

of stu<strong>de</strong>nts interested in this course. Stu<strong>de</strong>nts must be familiar<br />

with the computer environment. Professional printing skills are<br />

<strong>de</strong>veloped in a commercial printing center.<br />

Note: concurrent enrollment in GRA 185 Digital Graphic<br />

Techniques Fundamentals is recommen<strong>de</strong>d.<br />

Graphic Design (Summer only)<br />

GRA 171 F<br />

Cr: 3; Contact hrs: 45<br />

This course gives stu<strong>de</strong>nts a theoretical and practical<br />

introduction to graphic <strong>de</strong>sign in the era of the digital<br />

communication. Stu<strong>de</strong>nts follow a program based on<br />

practical applications, realized entirely with computer graphic<br />

techniques. The constant search for the harmony of shapes,<br />

colors and words goes together with the learning of the<br />

most mo<strong>de</strong>rn digital graphic techniques. During the course<br />

bidimensional vector graphics will be used for the realization<br />

of all the assigned projects. The fundamental concepts of<br />

the manipulation of the images, are also taught to complete<br />

the same projects. In consi<strong>de</strong>ration of the great importance<br />

that advertising has in this course, stu<strong>de</strong>nts projects address<br />

communication issues, exploring the principal media and<br />

investigating ways of working with different targets. Curiosity<br />

and an inclination for research are the essential characteristics<br />

of stu<strong>de</strong>nts interested in this course. Stu<strong>de</strong>nt must be familiar<br />

with the computer environment. Professional printing skills are<br />

<strong>de</strong>veloped in a commercial printing center.<br />

Note: concurrent enrollment in GRA 185 Digital Graphic<br />

Techniques Fundamentals is recommen<strong>de</strong>d.<br />

Digital Graphic Techniques Fundamentals<br />

GRA 185 F<br />

Cr: 3; Contact hrs: 90<br />

This course aims to bring the stu<strong>de</strong>nts into the digital era,<br />

teaching the basics of computer graphics. Taking individual<br />

stu<strong>de</strong>nts’ needs into consi<strong>de</strong>ration, this course helps both<br />

beginners and advanced stu<strong>de</strong>nts to improve their knowledge<br />

about the most wi<strong>de</strong>spread software adopted by professionals<br />

in this field. Image optimization and manipulation, graphic<br />

illustration basics and web <strong>de</strong>sign principles are covered<br />

extensively by this course. Stu<strong>de</strong>nts will work on individual<br />

practical projects, image make-ups, graphic illustrations and<br />

web layout <strong>de</strong>sign. Professional printing skills are <strong>de</strong>veloped in<br />

a commercial printing center.<br />

Digital Graphic Techniques Fundamentals<br />

(Summer only)<br />

GRA 186 F<br />

Cr: 3; Contact hrs: 45<br />

This course aims to bring the stu<strong>de</strong>nts into the digital era,<br />

teaching the basics of computer graphics. Taking individual<br />

stu<strong>de</strong>nts’ needs into consi<strong>de</strong>ration, this course helps both<br />

beginners and advanced stu<strong>de</strong>nts to improve their knowledge<br />

about the most wi<strong>de</strong>spread software adopted by professionals<br />

in this field. Image optimization and manipulation, graphic<br />

illustration basics and web <strong>de</strong>sign principles are covered<br />

extensively by this course. Stu<strong>de</strong>nts will work on individual<br />

practical projects image make-ups, graphic illustrations and<br />

web layout <strong>de</strong>sign. Professional printing skills are <strong>de</strong>veloped in<br />

a commercial printing center.<br />

Foundations of Visual Communication<br />

GRA 190 F; Dual listed: COM 175 F<br />

Cr: 3; Contact hrs: 90<br />

This course is essential for all stu<strong>de</strong>nts that, either as beginners<br />

in graphic <strong>de</strong>sign or with previous experience in digital graphics,<br />

<strong>de</strong>sire to learn the secrets of “good <strong>de</strong>sign”. The aim of the<br />

course is to assist stu<strong>de</strong>nts in <strong>de</strong>veloping intellectual skills and<br />

familiarity with the rules which un<strong>de</strong>rpin the creation of graphic<br />

works that convey both aesthetic quality and communicative<br />

power. The course is structured into a series of projects, lectures,<br />

analyses and drawing exercises which, through the application<br />

and study of <strong>de</strong>sign theories, aim at offering stu<strong>de</strong>nts a<br />

methodology for solving graphic and visual projects. Topics<br />

inclu<strong>de</strong>: B/W techniques, layouts and grids, colours and shape<br />

balance, mirror and rotational symmetries, repetitive patterns,<br />

archetypes and primary shapes, fonts and typography, studies<br />

of visual languages and cultural backgrounds, analysis of styles<br />

and artwork, rules to <strong>de</strong>rive families of shapes and colors,<br />

formats and harmonic proportions such as the diagonal of<br />

the square, icons, logotypes and tra<strong>de</strong>marks, studies of 3D<br />

mo<strong>de</strong>ls and packaging. The course places emphasis on the<br />

learning of graphic <strong>de</strong>sign principles and concepts that are<br />

in<strong>de</strong>pen<strong>de</strong>nt from the tools used for production (digital or<br />

manual techniques). There is a focus on learning from the great<br />

tradition of Italian <strong>de</strong>sign, and the stu<strong>de</strong>nt is encouraged to<br />

make the most of the visual and cultural experience offered by<br />

the city of Florence.<br />

Foundations of Visual Communication<br />

(Summer only)<br />

GRA 191 F; Dual listed: COM 176 F<br />

Cr: 3; Contact hrs: 45<br />

This course is essential for all the stu<strong>de</strong>nts that, either as<br />

beginners in Graphic Design or with previous experience in<br />

Digital Graphics, <strong>de</strong>sire to learn the secrets of “good <strong>de</strong>sign”.<br />

The aim of the course is to assist stu<strong>de</strong>nts in <strong>de</strong>veloping<br />

intellectual skills and familiarity with the rules which un<strong>de</strong>rpin<br />

the creation of graphic works that convey both aesthetic<br />

quality and communicative power. The course is structured into<br />

a series of projects, lectures, analyses and drawing exercises<br />

which, through the application and study of <strong>de</strong>sign theories,<br />

aim at offering stu<strong>de</strong>nts a methodology for solving graphic<br />

and visual projects. Topics inclu<strong>de</strong>: B/W techniques, layouts<br />

and grids, colors and shape balance, mirror and rotational<br />

symmetries, repetitive patterns, archetypes and primary<br />

shapes, fonts and typography, studies of visual languages and<br />

cultural backgrounds, analysis of styles and artworks, rules to<br />

<strong>de</strong>rive families of shapes and colors, formats and harmonic<br />

proportions such as the diagonal of the square, icons, logotypes<br />

and tra<strong>de</strong>marks, studies of 3D mo<strong>de</strong>ls and packaging. The<br />

110<br />

LdM Aca<strong>de</strong>mic <strong>Catalog</strong> <strong>2013</strong>-<strong>2014</strong>

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