aCademiC Catalog 2013-2014 - Lorenzo de Medici
aCademiC Catalog 2013-2014 - Lorenzo de Medici
aCademiC Catalog 2013-2014 - Lorenzo de Medici
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School of Design FLORENCE<br />
they all convey an i<strong>de</strong>a.<br />
Digital Sketchbook<br />
GRA 165 F; Dual listed: PDM 165 F<br />
Cr: 3; Contact hrs: 90<br />
In this course stu<strong>de</strong>nts combine traditional and digital media<br />
to create artworks. In drawing sessions in various locations in<br />
the historic center of Florence, stu<strong>de</strong>nts learn basic drawing<br />
concepts, followed by one-on-one instruction with the<br />
instructor to create drawings suitable for the computer lab<br />
sessions. These manual drawing sessions focus on creating<br />
three-dimensional space through the use of linear perspective<br />
and construction of complex forms using simple volumes,<br />
on the drawing of the sculpted and live human figure, and<br />
on creating balanced and interesting compositions. In the<br />
computer sessions stu<strong>de</strong>nts learn to scan selected drawings<br />
from the city drawing sessions and paint them digitally using<br />
Photoshop. Stu<strong>de</strong>nts explore painting concepts applicable<br />
to both traditional and digital painting and the most relevant<br />
and useful Photoshop functions. In the course stu<strong>de</strong>nts create<br />
multiple versions of each painting (for example, day and night<br />
versions of one scene). Projects inclu<strong>de</strong> painting a set of images<br />
using gouache, and <strong>de</strong>veloping and modifying with Photoshop<br />
one or more of their traditionally painted images. In this way<br />
stu<strong>de</strong>nts discover benefits and drawbacks of the traditional<br />
and graphic approaches.<br />
Graphic Design<br />
GRA 170 F<br />
Cr: 3; Contact hrs: 90<br />
This course gives stu<strong>de</strong>nts a theoretical and practical<br />
introduction to graphic <strong>de</strong>sign in the era of the digital<br />
communication. Stu<strong>de</strong>nts follow a program based on<br />
practical applications, realized entirely with computer graphic<br />
techniques. The constant search for the harmony of shapes,<br />
colors and words goes together with the learning of the<br />
most mo<strong>de</strong>rn digital graphic techniques. During the course<br />
bidimensional vector graphics will be used for the realization<br />
of all the assigned projects. The fundamental concepts of<br />
the manipulation of the images are also taught to complete<br />
the same projects. In consi<strong>de</strong>ration of the great importance<br />
that advertising has in this course, stu<strong>de</strong>nt projects address<br />
communication issues, exploring the principal media and<br />
investigating ways of working with different targets. Curiosity<br />
and an inclination for research are the essential characteristics<br />
of stu<strong>de</strong>nts interested in this course. Stu<strong>de</strong>nts must be familiar<br />
with the computer environment. Professional printing skills are<br />
<strong>de</strong>veloped in a commercial printing center.<br />
Note: concurrent enrollment in GRA 185 Digital Graphic<br />
Techniques Fundamentals is recommen<strong>de</strong>d.<br />
Graphic Design (Summer only)<br />
GRA 171 F<br />
Cr: 3; Contact hrs: 45<br />
This course gives stu<strong>de</strong>nts a theoretical and practical<br />
introduction to graphic <strong>de</strong>sign in the era of the digital<br />
communication. Stu<strong>de</strong>nts follow a program based on<br />
practical applications, realized entirely with computer graphic<br />
techniques. The constant search for the harmony of shapes,<br />
colors and words goes together with the learning of the<br />
most mo<strong>de</strong>rn digital graphic techniques. During the course<br />
bidimensional vector graphics will be used for the realization<br />
of all the assigned projects. The fundamental concepts of<br />
the manipulation of the images, are also taught to complete<br />
the same projects. In consi<strong>de</strong>ration of the great importance<br />
that advertising has in this course, stu<strong>de</strong>nts projects address<br />
communication issues, exploring the principal media and<br />
investigating ways of working with different targets. Curiosity<br />
and an inclination for research are the essential characteristics<br />
of stu<strong>de</strong>nts interested in this course. Stu<strong>de</strong>nt must be familiar<br />
with the computer environment. Professional printing skills are<br />
<strong>de</strong>veloped in a commercial printing center.<br />
Note: concurrent enrollment in GRA 185 Digital Graphic<br />
Techniques Fundamentals is recommen<strong>de</strong>d.<br />
Digital Graphic Techniques Fundamentals<br />
GRA 185 F<br />
Cr: 3; Contact hrs: 90<br />
This course aims to bring the stu<strong>de</strong>nts into the digital era,<br />
teaching the basics of computer graphics. Taking individual<br />
stu<strong>de</strong>nts’ needs into consi<strong>de</strong>ration, this course helps both<br />
beginners and advanced stu<strong>de</strong>nts to improve their knowledge<br />
about the most wi<strong>de</strong>spread software adopted by professionals<br />
in this field. Image optimization and manipulation, graphic<br />
illustration basics and web <strong>de</strong>sign principles are covered<br />
extensively by this course. Stu<strong>de</strong>nts will work on individual<br />
practical projects, image make-ups, graphic illustrations and<br />
web layout <strong>de</strong>sign. Professional printing skills are <strong>de</strong>veloped in<br />
a commercial printing center.<br />
Digital Graphic Techniques Fundamentals<br />
(Summer only)<br />
GRA 186 F<br />
Cr: 3; Contact hrs: 45<br />
This course aims to bring the stu<strong>de</strong>nts into the digital era,<br />
teaching the basics of computer graphics. Taking individual<br />
stu<strong>de</strong>nts’ needs into consi<strong>de</strong>ration, this course helps both<br />
beginners and advanced stu<strong>de</strong>nts to improve their knowledge<br />
about the most wi<strong>de</strong>spread software adopted by professionals<br />
in this field. Image optimization and manipulation, graphic<br />
illustration basics and web <strong>de</strong>sign principles are covered<br />
extensively by this course. Stu<strong>de</strong>nts will work on individual<br />
practical projects image make-ups, graphic illustrations and<br />
web layout <strong>de</strong>sign. Professional printing skills are <strong>de</strong>veloped in<br />
a commercial printing center.<br />
Foundations of Visual Communication<br />
GRA 190 F; Dual listed: COM 175 F<br />
Cr: 3; Contact hrs: 90<br />
This course is essential for all stu<strong>de</strong>nts that, either as beginners<br />
in graphic <strong>de</strong>sign or with previous experience in digital graphics,<br />
<strong>de</strong>sire to learn the secrets of “good <strong>de</strong>sign”. The aim of the<br />
course is to assist stu<strong>de</strong>nts in <strong>de</strong>veloping intellectual skills and<br />
familiarity with the rules which un<strong>de</strong>rpin the creation of graphic<br />
works that convey both aesthetic quality and communicative<br />
power. The course is structured into a series of projects, lectures,<br />
analyses and drawing exercises which, through the application<br />
and study of <strong>de</strong>sign theories, aim at offering stu<strong>de</strong>nts a<br />
methodology for solving graphic and visual projects. Topics<br />
inclu<strong>de</strong>: B/W techniques, layouts and grids, colours and shape<br />
balance, mirror and rotational symmetries, repetitive patterns,<br />
archetypes and primary shapes, fonts and typography, studies<br />
of visual languages and cultural backgrounds, analysis of styles<br />
and artwork, rules to <strong>de</strong>rive families of shapes and colors,<br />
formats and harmonic proportions such as the diagonal of<br />
the square, icons, logotypes and tra<strong>de</strong>marks, studies of 3D<br />
mo<strong>de</strong>ls and packaging. The course places emphasis on the<br />
learning of graphic <strong>de</strong>sign principles and concepts that are<br />
in<strong>de</strong>pen<strong>de</strong>nt from the tools used for production (digital or<br />
manual techniques). There is a focus on learning from the great<br />
tradition of Italian <strong>de</strong>sign, and the stu<strong>de</strong>nt is encouraged to<br />
make the most of the visual and cultural experience offered by<br />
the city of Florence.<br />
Foundations of Visual Communication<br />
(Summer only)<br />
GRA 191 F; Dual listed: COM 176 F<br />
Cr: 3; Contact hrs: 45<br />
This course is essential for all the stu<strong>de</strong>nts that, either as<br />
beginners in Graphic Design or with previous experience in<br />
Digital Graphics, <strong>de</strong>sire to learn the secrets of “good <strong>de</strong>sign”.<br />
The aim of the course is to assist stu<strong>de</strong>nts in <strong>de</strong>veloping<br />
intellectual skills and familiarity with the rules which un<strong>de</strong>rpin<br />
the creation of graphic works that convey both aesthetic<br />
quality and communicative power. The course is structured into<br />
a series of projects, lectures, analyses and drawing exercises<br />
which, through the application and study of <strong>de</strong>sign theories,<br />
aim at offering stu<strong>de</strong>nts a methodology for solving graphic<br />
and visual projects. Topics inclu<strong>de</strong>: B/W techniques, layouts<br />
and grids, colors and shape balance, mirror and rotational<br />
symmetries, repetitive patterns, archetypes and primary<br />
shapes, fonts and typography, studies of visual languages and<br />
cultural backgrounds, analysis of styles and artworks, rules to<br />
<strong>de</strong>rive families of shapes and colors, formats and harmonic<br />
proportions such as the diagonal of the square, icons, logotypes<br />
and tra<strong>de</strong>marks, studies of 3D mo<strong>de</strong>ls and packaging. The<br />
110<br />
LdM Aca<strong>de</strong>mic <strong>Catalog</strong> <strong>2013</strong>-<strong>2014</strong>