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aCademiC Catalog 2013-2014 - Lorenzo de Medici

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century. The course presents the key figures and movements<br />

of Mo<strong>de</strong>rnism and the un<strong>de</strong>rlying philosophical and critical<br />

discourses. The profoundly international character of mo<strong>de</strong>rn<br />

art, reflected in the art market and gallery scene, linking<br />

France, Germany, Italy, Russia, and an increasingly prominent<br />

America, is explored. Artists studied inclu<strong>de</strong> Picasso, Matisse,<br />

Duchamp, Kandinsky, Dalì, Klee, and Pollock. Attention is also<br />

given to Italian movements and artists, such as De Chirico,<br />

Savinio, Fontana, and Burri. The first part of the course moves<br />

from Post-Impressionism and related movements (such as<br />

Divisionismo and Verismo in Italy) to the avant-gar<strong>de</strong>s up<br />

to World War II: Cubism, Rationalism, Constructivism, New<br />

Objectivity, Dada, Pittura Metafisica, Surrealism, and Futurism<br />

(containing elements of other movements). The second part<br />

of the course looks at postwar phenomena including Abstract<br />

Expressionism, Neo-Dada, and assemblage.<br />

Prerequisites: ART 186 Art History II, or equivalent<br />

Communications<br />

Introduction to Communication<br />

COM 130 R<br />

Cr: 3; Contact hrs: 45<br />

This course surveys the theories of communication relevant<br />

to all contexts (including interpersonal, group, organizational,<br />

mediated, and cultural) and the ways in which contexts affect<br />

the form of communication. The course introduces stu<strong>de</strong>nts to<br />

essential concepts and fundamental theories that <strong>de</strong>scribe the<br />

processes, functions, natures, and effects of communication.<br />

General goals of the course are to familiarize stu<strong>de</strong>nts with<br />

the basic concepts of communication and to help them<br />

un<strong>de</strong>rstand and improve basic skills in relation to interpersonal<br />

communication. Stu<strong>de</strong>nts <strong>de</strong>al with ethical issues and global<br />

opportunities and challenges offered by communication, and<br />

they have an opportunity to <strong>de</strong>velop their critical thinking and<br />

writing, as well as group work and presentation skills.<br />

Mass Communication<br />

COM 180 R<br />

Cr: 3; Contact hrs: 45<br />

This is an introductory course to mass communication, focusing<br />

on a wi<strong>de</strong> range of old and new media. Thus, the major themes<br />

will be two: “traditional” media (newspapers, magazines, radio,<br />

telephone, Motion Pictures, TV) and “digital” media (personal<br />

computers, Internet, digital TV). Through a “social history” of<br />

the <strong>de</strong>velopment of mass communication, much attention will<br />

be paid to the “convergence” of old and new, as well as the most<br />

relevant marketing topics (product marketing, advertising). The<br />

course will show how technological changes have influenced<br />

mass media in mo<strong>de</strong>rn times by increasing their variety and<br />

power. Secondly, it will examine how these changes brought<br />

about new communication possibilities, either as completely<br />

new concepts or in conjunction with existing media. Finally,<br />

the main cultural changes resulting from this evolution will<br />

be analyzed and discussed with regards to individual and<br />

social changes, and political and economic impact and the<br />

role of information in our society. Semiotics is fundamental to<br />

approaching mass communication as a wi<strong>de</strong>-scale linguistic<br />

phenomenon in which transmitters, receivers and messages<br />

can be i<strong>de</strong>ntified, analyzed and critically interpreted at any<br />

possible level.<br />

New Media: Communication in the Digital Age<br />

COM 182 R<br />

Cr: 3; Contact hrs: 45<br />

What do we really mean when we use the term “mass media”<br />

today? Is it really the same thing we could have meant twenty<br />

years ago, when television was still the main tool for mass<br />

information? The digital age has introduced new communication<br />

<strong>de</strong>vices (laptops, digital cameras, smart phones, iPods, iPads)<br />

and new virtual places (blogs, chat rooms, social networks,<br />

online shops, peer-to-peer platforms), shaped around our<br />

wants, though often perceived/imposed as “needs.” Following<br />

a two-step program, the stu<strong>de</strong>nt will learn about causes and<br />

effects of the digital revolution: first analyzing features and<br />

functions of all main digital communication <strong>de</strong>vices (and<br />

places), then discussing their influence on us as citizens, artists,<br />

professionals, individuals.<br />

Introduction to Journalism<br />

COM 185 R; Dual listed: WRI 185 R<br />

Cr: 3; Contact hrs: 45<br />

Journalism covers a huge range of output across all media<br />

and is an influential form of communication in almost every<br />

country of the world. Journalism involves the sifting and<br />

editing of information and events; it is about putting i<strong>de</strong>as and<br />

controversies into context, and it is about the assessment of the<br />

validity and truthfulness of actions or comments. This course<br />

will offer an introduction to the history and practical skills of<br />

print and broadcast journalism. Stu<strong>de</strong>nts will be gui<strong>de</strong>d in<br />

researching and interviewing techniques and in writing news<br />

articles, reviews and features for a variety of media. They will<br />

also have hands-on experience in preparing, recording and<br />

editing a radio program or webcast.<br />

Italy on the Radio<br />

COM 230 R; Dual listed: FVM 230 R<br />

Cr: 3; Contact hrs: 45<br />

This course on radio journalism in Italian context is divi<strong>de</strong>d into<br />

two parts. In the first part stu<strong>de</strong>nts learn about contemporary<br />

Italy from a variety of relevant perspectives, in or<strong>de</strong>r to help<br />

them un<strong>de</strong>rstand current issues in Italy, some of which will<br />

feature in the radio work to be un<strong>de</strong>rtaken during the second<br />

part of the course. Excerpts from newspapers, magazines<br />

and other media will be analyzed in class, in or<strong>de</strong>r to provi<strong>de</strong><br />

stu<strong>de</strong>nts with the necessary tools to <strong>de</strong>velop stories and reports<br />

by themselves on any contemporary subject. In the second<br />

part of the course stu<strong>de</strong>nts will attend hands-on classes in the<br />

Eco Radio studios, held by professional radio journalists and<br />

producers. Stu<strong>de</strong>nts will be introduced to the world of radio<br />

communications, its history and functioning, the different jobs,<br />

techniques and technologies used, and will create and record a<br />

radio program to be broadcast weekly on Eco Radio.<br />

Media Ethics<br />

COM 245 R<br />

Cr: 3; Contact hrs: 45<br />

Today’s communications are so complex and the problems<br />

they encounter happen so sud<strong>de</strong>nly that we may not have time<br />

to consi<strong>de</strong>r all of the ethical implications. Journalists, editors,<br />

professionals in advertising and public relations are called upon<br />

to weigh up potential benefits and harm by their actions in<br />

covering stories, in revealing facts that might otherwise be kept<br />

private, and in respecting conflicting loyalties. They also find<br />

themselves confronted by situations in which they must choose<br />

between actions that seem equally right, or equally wrong.<br />

Wartime and peacetime propaganda, the Western world’s<br />

information system, the PR industry, digital convergence and<br />

new frontiers for mass communication: everyone encounters<br />

ethical dilemmas. The goal of this course is to train you to face<br />

what you will inevitably face in your professional careers and in<br />

your private lives.<br />

Integrated Marketing Communication<br />

COM 262 R; Dual listed: BUS 262 R<br />

Cr: 3; Contact hrs: 45<br />

Marketing communication is one of the most exciting and<br />

stimulating areas in mo<strong>de</strong>rn marketing. Its importance has<br />

grown dramatically in the recent <strong>de</strong>ca<strong>de</strong>s. The means through<br />

which we communicate all around the world have been<br />

affected by the new technological advances. These advances,<br />

such as the Internet, have enabled and eased interaction on a<br />

global scale. Therefore, marketers are looking for new means of<br />

communication that can better gain the attention of customers.<br />

This course will examine the theory and techniques applicable<br />

today to all the major marketing communication functions: ads,<br />

direct marketing, sales promotion, public relations, personal<br />

selling and the Internet. It will allow stu<strong>de</strong>nts to research and<br />

evaluate a company’s marketing and promotional situation and<br />

use this information in <strong>de</strong>veloping effective communication<br />

strategies and programs.<br />

Prerequisites: BUS 150 Introduction to Marketing, or equivalent.<br />

Recommen<strong>de</strong>d: COM 180 Mass Communication, or equivalent<br />

School of Arts & Sciences ROME<br />

LdM Aca<strong>de</strong>mic <strong>Catalog</strong> <strong>2013</strong>-<strong>2014</strong><br />

135

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