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A grammar of the Homeric dialect - Wilbourhall.org

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389-] DIGAMMA. 361<br />

The reason may be found (as Hartel thinks*) in <strong>the</strong> nature <strong>of</strong><br />

<strong>the</strong> Vocative as an interruption <strong>of</strong> <strong>the</strong> natural flow <strong>of</strong> a sentence.<br />

It is very possible, however, that <strong>the</strong> Nominative ought to be<br />

read in <strong>the</strong>se places<br />

: see 164.<br />

The Digamma.<br />

388.] In seeking to arrive at general conclusions as to <strong>the</strong><br />

rules and structure <strong>of</strong> <strong>the</strong> <strong>Homeric</strong> hexameter, it was necessary<br />

to leave out <strong>of</strong> sight all <strong>the</strong> words whose metrical form is<br />

uncertain on account <strong>of</strong> <strong>the</strong> possible or probable loss <strong>of</strong> an<br />

initial consonant. It is time to return to this disturbing<br />

element <strong>of</strong> <strong>the</strong> enquiry.<br />

The scholars who first wrote on this subject had few materials<br />

for <strong>the</strong>ir investigations outside <strong>of</strong> <strong>the</strong> <strong>Homeric</strong> poems. To <strong>the</strong>m,<br />

<strong>the</strong>refore, <strong>the</strong> ' Digamma ' was little more than a symbol <strong>the</strong><br />

unknown cause <strong>of</strong> a series <strong>of</strong> metrical anomalies. In <strong>the</strong> present<br />

state <strong>of</strong> etymological knowledge <strong>the</strong> order <strong>of</strong> <strong>the</strong> enquiry<br />

has been to a great extent reversed. It is known in most cases<br />

which <strong>of</strong> <strong>the</strong> original sounds <strong>of</strong> <strong>the</strong> Indo-European languages<br />

have been lost in Greek, and where in each word <strong>the</strong> loss has<br />

taken place. Hence we now come to Homer with this knowledge<br />

already in our possession. Instead <strong>of</strong> asking what sounds<br />

are wanting, we have only to ask whe<strong>the</strong>r certain sounds, <strong>of</strong><br />

whose former existence we have no doubt, were still living at<br />

<strong>the</strong> time when <strong>the</strong> poems were composed, and how far <strong>the</strong>y can<br />

be traced in <strong>the</strong>ir effect on <strong>the</strong> versification.<br />

389.] Nature <strong>of</strong> <strong>the</strong> evidence from metre. The questions<br />

which are suggested by <strong>the</strong> discovery in Homer <strong>of</strong> traces <strong>of</strong> a<br />

lost ' Digamma ' cannot be answered without some reference to<br />

<strong>the</strong> very exceptional circumstances <strong>of</strong> <strong>the</strong> text.<br />

Whatever may be <strong>the</strong> date at which writing was first used<br />

in Greece for literary purposes, <strong>the</strong>re can be no doubt that <strong>the</strong><br />

<strong>Homeric</strong> poems were chiefly<br />

known for some centuries through<br />

<strong>the</strong> medium <strong>of</strong> oral recitation, and that it was not till <strong>the</strong> time<br />

<strong>of</strong> <strong>the</strong> Alexandrian <strong>grammar</strong>ians that adequate materials were<br />

brought toge<strong>the</strong>r for <strong>the</strong> study and correction <strong>of</strong> <strong>the</strong> text.<br />

Accordingly when <strong>the</strong>se scholars began to collect and compare<br />

<strong>the</strong> manuscripts <strong>of</strong> Homer, <strong>the</strong>y found <strong>the</strong>mselves engaged in a<br />

problem <strong>of</strong> great complexity. The various readings, to judge<br />

from <strong>the</strong> brief notices <strong>of</strong> <strong>the</strong>m preserved in <strong>the</strong> Sctiolia, were<br />

very numerous; and <strong>the</strong>y are <strong>of</strong>ten <strong>of</strong> a kind which must be<br />

attributed to failure <strong>of</strong> memory, or <strong>the</strong> licence <strong>of</strong> oral recita-<br />

And <strong>the</strong> amount <strong>of</strong><br />

tion, ra<strong>the</strong>r than to errors <strong>of</strong> transcription.<br />

* Homerische Studien, i. p. 64.

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