Revolution in the Arab World - Observation of a lost soul Blog
Revolution in the Arab World - Observation of a lost soul Blog
Revolution in the Arab World - Observation of a lost soul Blog
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foreign policy • revolution <strong>in</strong> <strong>the</strong> arab world • revolution makers<br />
smil<strong>in</strong>g and, oddly, tak<strong>in</strong>g <strong>of</strong>f <strong>the</strong>ir shoes. Their spokeswoman, a young<br />
woman <strong>in</strong> a p<strong>in</strong>k shirt who was wriggl<strong>in</strong>g with excitement, proposed a<br />
“Barefoot Campaign,” to commemorate <strong>the</strong> monks <strong>of</strong> <strong>the</strong> Saffron <strong>Revolution</strong>,<br />
who do not wear shoes. The idea was to start with 100 young people,<br />
contacted by email and social networks. They would do someth<strong>in</strong>g simple:<br />
go barefoot <strong>in</strong> public spaces. “We can start with <strong>the</strong> pagodas,” said P<strong>in</strong>k<br />
Shirt—no one wears shoes <strong>in</strong> a pagoda anyway. And people could walk<br />
through pa<strong>in</strong>t, P<strong>in</strong>k Shirt said. “We can easily measure success—if we see<br />
barefoot people and footpr<strong>in</strong>ts everywhere.”<br />
“When <strong>the</strong> authorities respond with arrests, how will you respond”<br />
Auntie asked. The group had thought through this. “For safety, people can<br />
carry a pair <strong>of</strong> broken sandals <strong>in</strong> <strong>the</strong>ir pocket to show <strong>the</strong> police,” said a cherubic-faced<br />
young man. “Or you can say, ‘I’m gett<strong>in</strong>g ready to go runn<strong>in</strong>g.’”<br />
The tall man halted <strong>the</strong>ir excitement. “If <strong>the</strong> authorities see you leav<strong>in</strong>g<br />
footpr<strong>in</strong>ts, <strong>the</strong>y will know and arrest you.”<br />
“They won’t know who it was if we do it at night,” said <strong>the</strong> Cherub. “Let’s<br />
do it!” He pumped his fist <strong>in</strong> <strong>the</strong> air. Everyone laughed.<br />
But <strong>the</strong> footpr<strong>in</strong>ts were a problem—<strong>the</strong>y could quite literally lead <strong>the</strong><br />
police to <strong>the</strong>ir prey. Then a s<strong>of</strong>t-spoken young woman <strong>in</strong> a gauze shirt spoke<br />
up. “There are lots <strong>of</strong> stray dogs and cats,” she said. “We can put a dish <strong>of</strong><br />
pa<strong>in</strong>t <strong>in</strong> front <strong>of</strong> where <strong>the</strong>y live so <strong>the</strong>y will walk through it.” Cats and dogs<br />
as <strong>the</strong> foot soldiers <strong>of</strong> democracy! They looked at each o<strong>the</strong>r, awed by <strong>the</strong>ir<br />
own brilliance, and slapped hands all around.<br />
Near <strong>the</strong> end <strong>of</strong> <strong>the</strong> week <strong>the</strong> group watched Burma VJ, a 2008 documentary<br />
by Danish director Anders Ostergaard about a group <strong>of</strong> clandest<strong>in</strong>e<br />
Burmese video journalists, whose footage, smuggled out <strong>of</strong> <strong>the</strong> country, is<br />
<strong>of</strong>ten <strong>the</strong> only way <strong>the</strong> outside world knows what is happen<strong>in</strong>g <strong>in</strong> Burma.<br />
The film takes place dur<strong>in</strong>g <strong>the</strong> Saffron <strong>Revolution</strong>; it is precious contraband<br />
<strong>in</strong> Burma, and most <strong>of</strong> <strong>the</strong> participants had seen it before. It is a document<br />
<strong>of</strong> hope and valor, a record <strong>of</strong> a few weeks many Burmese consider <strong>the</strong><br />
high po<strong>in</strong>t <strong>of</strong> <strong>the</strong>ir lives. But after a week <strong>of</strong> CANVAS tra<strong>in</strong><strong>in</strong>g, <strong>the</strong> Burmese<br />
were watch<strong>in</strong>g it with fresh eyes.<br />
When <strong>the</strong> film ended, Dj<strong>in</strong>ovic walked to <strong>the</strong> front <strong>of</strong> <strong>the</strong> room. “So what<br />
did you th<strong>in</strong>k” he said. The Cherub was wide-eyed. “This was not organized!”<br />
he said. Suddenly <strong>the</strong> Saffron <strong>Revolution</strong> looked very different. It<br />
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