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A Text centred rhetorical analysis of Paul's Letter to Titus

A Text centred rhetorical analysis of Paul's Letter to Titus

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au<strong>to</strong>biographical” and “the items <strong>of</strong> this vice catalogue are not vices as such;<br />

they are adjectival <strong>of</strong> persons”. While there may be a modicum <strong>of</strong> truth in this<br />

comment, it downplays what the text intends <strong>to</strong> communicate about the<br />

recipients and the purpose behind the list. Bernard (1980 [1899]:177) captures<br />

the intent <strong>of</strong> this verse as indicated by his chapter heading: “No reason for<br />

pride”. Unfortunately he does not elaborate upon this in the rest <strong>of</strong> his<br />

commentary. In a single sentence, Simpson (1954:114) succinctly expresses<br />

the intention <strong>of</strong> the list, namely “<strong>to</strong> inspire disgust”. In all fairness <strong>to</strong> Quinn<br />

(1990:208) he does eventually, in his explanation for the abrupt conclusion <strong>of</strong><br />

verse 3, allude <strong>to</strong> the function <strong>of</strong> these lists as “bring[ing] the reader up short.”<br />

The “affective” function <strong>of</strong> these lists, particularly that <strong>of</strong> the vice list, is a<br />

notion that most commenta<strong>to</strong>rs seem not <strong>to</strong> appreciate fully. These lists were<br />

intended <strong>to</strong> affect the recipients. The graphic description <strong>of</strong> the vices, which<br />

fills even a modern audience with disgust, supports such an interpretation.<br />

The overarching <strong>rhe<strong>to</strong>rical</strong> objective in 3:3 is <strong>to</strong> fill the audience with disgust,<br />

<strong>to</strong> show them up. Why? The candour <strong>of</strong> the apostle is only justifiable if he is<br />

enforcing compliance <strong>to</strong> sound doctrine.<br />

Most modern commenta<strong>to</strong>rs provide more than adequate explanations for the<br />

vocabulary that comprises verse 3 and may be consulted for that purpose.<br />

This study will highlight some <strong>of</strong> the <strong>rhe<strong>to</strong>rical</strong> techniques employed that tie<br />

this section in<strong>to</strong> a coherent unit. These include alliteration and rhyme,<br />

chiasmus, inclusive language, implicit contrast, and “emphatic pairing”.<br />

Paul uses the conjunction gavr <strong>rhe<strong>to</strong>rical</strong>ly (cf. 2:11) <strong>to</strong> emphasise the<br />

relationship between the present section and the previous one. The enclitic<br />

particle potev anticipates the follow-up <strong>to</strong> this verse with its parallel particle in<br />

the next verse, namely o{te, <strong>to</strong> form what scholars identify as a transition or<br />

conversion formula (Towner, 1994:253; Johnson, 1996:245). Another<br />

<strong>rhe<strong>to</strong>rical</strong> technique occurs in the use <strong>of</strong> the verb h\men in the first person<br />

plural, with the personal pronoun, hJmei`". The purpose is clearly <strong>to</strong> emphasise<br />

inclusiveness and <strong>to</strong> facilitate identification between the apostle, <strong>Titus</strong> and the<br />

Cretan believers. Quinn (1990:201) believes this expresses a relational<br />

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