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ROMAN PELOPONNESE I<br />

and the descendants of Herodes. On Herodes Atticus and tyranny in the Roman<br />

empire, for which Herodes' grandfather, Hipparchus, was already charged, as well as<br />

its connection with the letter of M. Aurelius to Athens (Oliver, Marcus Aurelius),<br />

see N.M. Kennell, "Herodes Atticus and the rhetoric of tyranny", CPh 92,1997, 346-<br />

362. He was well educated in the house of the grandfather of M. Aurelius and a<br />

famous sophist of his time, married to Regula, a member of a patrician family, and<br />

became consul Ordinarius in A.D. 143.<br />

His family's most important public work at Olympia was the so-called nymphaeum.<br />

It is strange that this impressive work is not described by Pausanias, which is<br />

interpreted by Ch. Habicht, Pausanias und seine »Beschreibung Griechenlands«<br />

(München 1985) 137-138, η. 74 (cf. AnnÉpigr 1987, 914) as an act of the peregete's<br />

lack of interest in contemporary monuments and events. K.W. Arafat, Pausanias'<br />

Greece. Ancient artists and Roman rulers (Cambridge 1996) 37-38 supposes that<br />

Pausanias omits the description of the nymphaeum not only because of his dislike of<br />

contemporary works, but also because its role had nothing to do with the character<br />

of the sanctuary of Zeus at Olympia. For observations on the architectural features<br />

of the structure see Tobin, op. cit., 314-323. On the arrangement and date of the<br />

nymphaeum see I. Avotins, "On the dating of the exedra of Herodes Atticus at<br />

Olympia", Phoenix 29, 1975, 244-249, who argues for the year A.D. 153 based on<br />

the narrative of Lucian's, De mort. Pereg. 19-21, but does not exclude the year A.D.<br />

149. Tobin, op. cit., 321 finds it probable that the work was finished by A.D. 153,<br />

which is also in agreement with the identifications of the statues suggested by Bol,<br />

Herodes- Atticus-Nymphäum, pointing out the alterations carried out later by<br />

Vibullius Hipparchus, who replaced three of the original statues of the structure.<br />

Herodes and his family are attested in several other regions of the Péloponnèse.<br />

Though his father held many offices and seems to have played an important role in<br />

the Spartan public life, Herodes is attested only in a dedication from a family statue<br />

group of his sister Claudia Tisamenis in the theater of Sparta dated after the mid. 2nd<br />

c. A.D. (Woodward 1927/8, 37 ff. no. 59 11. 4 sq. emended by Spawforth 1980, 208.<br />

211-7. pi. 23 a [SEG 11, 1950, 781; 30, 1980,407]; Ameling, Herodes Atticus II, no.<br />

68); cf. LAC 271 [1].<br />

On the basis of internal dating in the inscription IGV 1, 45, which contains a cursus<br />

honorum of Corinthas, son of Nicephorus, synephebos "Αττικού τοΰ Ήρώδου (1. 9-<br />

10), it seems unlikely that he is identified with the person discussed here, as is<br />

supported by Chrimes, Ancient Sparta, AAA no. 20; Bradford, 494 and Ameling,<br />

Herodes Atticus I, 37-38 n. 14. II no. 70. The document must be dated about the end<br />

of the 2nd c. A.D. and connected with Herodes' son Ti. Claudius Appius M. Attilius<br />

Bradua Regillus Atticus, as suggested Boeckh, CIG 1256 and accepted by Kolbe (in<br />

the comments of IG V 1, 45); Graindor, Atticus, 103 ns 5-6; Follet, Athènes, 134;<br />

Halfmann, Senatoren, no. 128 [5]; Spawforth, ABSA 75, 1980, 208-10 (cf. SEG 30,<br />

1980,406).<br />

The relationship of Herodes Atticus, as well as his father's, with Corinth is known<br />

from both literary and epigraphical sources; he is connected with several public<br />

462

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