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12 THE INDEX, Saturday, January 14, 1928<br />
M U S I C A N D A F T<br />
FROM February 9 to March<br />
10 is the time announced<br />
for the annual exhibition of the<br />
Associated Artists of Pittsburgh,<br />
in the galleries of Carnegie<br />
Institute. The jury chosen<br />
this year includes Hayley Lever,<br />
of New York; John Hopkins, of<br />
Columbus, and Richard Harding<br />
of Philadelphia. They will come<br />
to Pittsburgh January 28 to<br />
judge the pictures submitted by<br />
members of the Associated Artists,<br />
whose president is Christian<br />
J. Walter.<br />
Norman Frauenheim, after<br />
five years of study in Paris, has<br />
returned to his native town to<br />
open a studio at his home in<br />
NORMAN FRAUENHEIM<br />
Snapped during a holiday at Sorrento,<br />
Italy.<br />
Marlborough Street and take a<br />
place among the leading pianists<br />
of Pittsburgh. A pupil of<br />
Lazare-Levy in Paris, with intermittent<br />
coaching with Paderewski,<br />
Mr. Frauenheim, it would<br />
seem from London and Continental<br />
newspapers, made an excellent<br />
impression when ever he<br />
played abroad. After his Paris<br />
debut he was hailed by "Figaro"<br />
as a "virtuoso of surpassingbrilliance"<br />
and the "Guide de<br />
Concert" commented on his "remarkable<br />
erudition united to an<br />
impeccable taste." Following a<br />
specially requested recital, given<br />
at the palace in Madrid for the<br />
Infanta Isabella, Queen regent<br />
of Spain and aunt of King Al-<br />
phonso, the "A. B. C." of Madrid<br />
signalized h i s distinguished<br />
playing of Chopin. Mr. Frauenheim<br />
appeared several times in<br />
London, where he was heard<br />
with orchestras, playing in Wigmore<br />
and Grotian Halls. He also<br />
played in the English provinces.<br />
His first London appearance, in<br />
1925, was under the auspices of<br />
the Marchioness of Carisbrooke<br />
and the Prince of Belgium. In<br />
November of 1927 he played at a<br />
reception given in his honor by<br />
Lady Winifred Elwes and the<br />
Marchioness of Butte. Of Mr.<br />
Frauenheim the London Observer<br />
had this to say: "technique<br />
from A to Z—imagination—sensitive<br />
fingers," and the London<br />
"Times" spoke of his great technique<br />
and sense of color, also his<br />
large tone. Mr. Frauenheim is<br />
the son of Mrs. Edward J. Frauenheim.<br />
Tuesday, January 17, the<br />
Tuesday Musical Club will have<br />
its annual artist day with Gitta<br />
Gradova, pianist as the artist<br />
guest. Mme. Gradova possesses<br />
an attractive personality and<br />
has an inborn capacity to understand<br />
the composer's meaning.<br />
The program, to be given in the<br />
Upper Hall of Soldiers' Memorial<br />
GITTA GRADOVA<br />
Pianist, is to be guest artist at the annual<br />
guest day meeting of the Tuesday<br />
Musical Club in Upper Hall, Soldiers'<br />
Memorial, January I 7.<br />
at 2:30, is open to the public.<br />
The program follows:<br />
1.<br />
Chorus ol the 30th Cantata<br />
—- Bach-Saint Saens<br />
Sarabande and Gigue..Arcangelo Corelli<br />
In Thee is Joy Bach-Busoni<br />
II.<br />
Ritual File Dance Manuel De Falla<br />
Chimes of St. Patrick<br />
Emerson Whithorne<br />
Little White Donkey Jacques lbert<br />
Sonata No. 1 Alexander Scriabine<br />
III.<br />
Impromptu A flat major<br />
- Frederic Chopin<br />
Berceuse Frederic Chopin<br />
Mazurka,<br />
"Au fil<br />
Dp.<br />
de<br />
07. No.<br />
l'Eau,"<br />
1..Frederic<br />
the<br />
Chopin<br />
piano<br />
composition MephiSto Waltz with which Liszt-Busoni Helen<br />
Roessing won first prize at the<br />
Fontainebleau School of Music<br />
last Summer, has come from the<br />
press of A. Durant and Sons,<br />
Paris, adding Miss Roessing to<br />
Pittsburgh's steadily lengthening<br />
list of composers. Miss Roessing,<br />
who is <strong>org</strong>anist at Waverly<br />
Presbyterian Church, studied<br />
with Charles N. Boyd and T.<br />
Carl Whitmer before going to<br />
Fontainebleau.<br />
Symphonic Poem "Death and<br />
Transfiguration," by Strauss, is<br />
included on the program for the<br />
free <strong>org</strong>an recital to be given by<br />
Dr. Charles Heinroth tonight at<br />
8:15 o'clock in Carnegie Music<br />
Hall. This is considered the<br />
finest of Strauss' symphonic<br />
poems, marking his return to<br />
the style of Wagner and Liszt.<br />
The poem is divided into four<br />
parts. The entire program for<br />
tonight follows:<br />
(a) Overture from "Athalie"<br />
_ Mendelssohn<br />
(b) March of the Priests from<br />
"Athalie" Mendelssohn<br />
"Prize Song" from "Die Meistersing-er"<br />
_ _ Wagner<br />
Scherzino Ferrata<br />
Symphonic Poem "Death and Transfiguration"<br />
Strauas<br />
Pastorale in A Jongen<br />
Minuet in G — Beethoven<br />
Fantasie and Fugue in G Minor Bach<br />
The program for the <strong>org</strong>an recital<br />
tomorrow afternoon at 4<br />
o'clock:<br />
Concert Overture in C Major Hollins<br />
A Song of India Tiimsky-Korsakoff<br />
Ballet Music from "Faust" Gounod<br />
Two Movements from Symphony in A<br />
Major (The Italian). Mendelssohn<br />
Intermission of Five Minutes<br />
Offertoile Dr. Caspar in B Flat Koch will be heard Hall<br />
Toccata in the usual and Fugue free in <strong>org</strong>an D Minor recital Bach to<br />
Rondino Beethoven-Kreisler<br />
be given in Carnegie Music Hall,<br />
Military March, No. l Schubert<br />
North Side, at 3 o'clock tomorrow<br />
afternoon. May Johns<br />
Evans, soprano, will be the guest<br />
soloist. Mme. Evans is new to<br />
Pittsburgh, having but recently<br />
arrived from Wales, her native<br />
country. The program follows:<br />
Overture to "Zampti"<br />
(Continued on Page 15)<br />
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