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lor<br />
Valentines<br />
Remembrance<br />
Canclrj is especially appropriate<br />
for Valentines<br />
and everij near Revjmers'<br />
sends out thousands of<br />
such gifts.<br />
Our stores at this time<br />
are filled with attractive<br />
valentine boxes, baskets<br />
and fancu containers<br />
packed with our finest<br />
Candies, for children and<br />
for Arown-ups.<br />
239 Filth Avenue<br />
Oliver Building<br />
Jenkins Arcade<br />
Union Trust Building<br />
6018 Penn Avenue, E. L<br />
Forbes and Atwood Streets<br />
J. J. Gillespie Co.<br />
JFtne Set (galleries!<br />
Established 1832<br />
Paintings by American<br />
(and Foreign Artists<br />
Old and Modern Mezzotints<br />
Original Etchings<br />
Fac Similes in Color<br />
English Antique Furniture<br />
RESTORATION OF OLD<br />
PAINTINGS<br />
IWe shall be glad to advise with you<br />
on this important subject]<br />
Regilding in all its Branches<br />
Artistic Frame Making<br />
We Cordially Invite You<br />
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effects, especially in coats; there<br />
seems almost no limit to the detail<br />
that is being incorporated<br />
into our clothes. Yet—there<br />
continues a simplicity that is undeniable.<br />
They are experimenting with<br />
the princess silhouette. There<br />
are velvet models now in use;<br />
moire and taffeta are used for<br />
evening frocks that are based on<br />
this theme. It is not an exaggerated<br />
princess line, rather a<br />
molding of the line of the silhouette<br />
so that one is reminded<br />
of the days of the extreme princess<br />
dress and the pompadour!<br />
Mention must be made of the<br />
tunic, which is back with us<br />
again, its stay brief or lengthy<br />
as we decide. It appears in two<br />
styles—the slip-over and the<br />
model that fastens like a coat.<br />
From this brief listing of details<br />
it will be readily seen that the<br />
materials used to achieve these<br />
effects will have to include soft<br />
silks and crepes; sheer chiffons<br />
and Ge<strong>org</strong>ettes; and wools that<br />
possess the quality of workability.<br />
Cottons stress this characteristic.<br />
Fabrics are the principal medium<br />
of decoration, and this<br />
statement includes the combination<br />
of two materials; two colors<br />
; two colors and materials.<br />
Pin tucks seem to lead in the<br />
variety of ways that materials<br />
are used, and they write all sorts<br />
of stories, in characters and designs,<br />
on every possible fabric.<br />
Diagonals and horizontals;<br />
scrolls, diamonds and squares;<br />
and the sunburst motif are all<br />
retained—there is no limit to the<br />
ingenuity of the designer.<br />
Buckles and buttons and ornaments<br />
add their bit, and if there<br />
is a contrast in trimming it will<br />
usually be metal. Braids make<br />
an occasional appearance, and<br />
fringe retains a measure of<br />
popularity. Hand work, especially<br />
fagotting, is featured, and<br />
beads are still lavishly used on<br />
the formal frocks for eveningwear.<br />
The waistline is always a detail<br />
of interest, and we are wearing<br />
it, at the moment, at the top<br />
of the hips—occasionally a little<br />
lower, if the figure requires it.<br />
There are normal waistlines, but<br />
for the most part this is an unbecoming<br />
placement. Fashion<br />
loves it, but yields to necessity.<br />
There is not a doubt that if it<br />
were a generally becoming line,<br />
this normal waist, we would be<br />
wearing it now, for the trend is<br />
that way. In the matter of the<br />
neckline we may suit our preference.<br />
The V-line is favored for<br />
daytime wear but the square and<br />
the diagonal are classics, as is<br />
the round; the latter the preferred<br />
evening- line. Diagonal<br />
trimmings make the neck following<br />
that line a necessity, and it<br />
is welcome because it adds to<br />
variety without which fashion<br />
would be lost.<br />
As warm weather approaches<br />
we see occasional short-sleeved<br />
models in the shops; this is the<br />
general rule. For resort wear<br />
there are sleeveless tennis<br />
frocks, at least, that is what<br />
they are called, although we suspect<br />
that their popularity will<br />
not be confined to the active participants<br />
in this sport. The<br />
short-sleeved dress with jacket,<br />
or three-quarters length coat,<br />
has a chance in the coming<br />
mode—it is such a comfortable<br />
warm weather fashion. Long<br />
sleeves incline to ornamentation<br />
and width below the elbow, when<br />
the close-fitting sleeve is not the<br />
choice. It is interesting to note<br />
that coat sleeves, hitherto comparatively<br />
immune from elaborate<br />
decoration, are assuming importance<br />
in this respect. Which<br />
reminds us that the coat is the<br />
first garment of Spring to appear.<br />
The woman who wears her<br />
coat a second season will be a bit<br />
puzzled as to her choice, this<br />
year. Coats seem to absorb detail,<br />
and there are many individual<br />
models that show width at<br />
the hemline and wear collars<br />
that are quite unusual. Fur is<br />
used in new ways, and when the<br />
coat itself is not furred, there<br />
must be a scarf of fur to wear<br />
with it. Fox, if the figure is<br />
slender, and the smaller skins, if<br />
the figure is full. Dominating<br />
the entire mode we have the ensemble,<br />
which is now subject to<br />
seasonal changes, and quite as<br />
much a fundamental as the slim<br />
silhouette. This coming season<br />
I<br />
I<br />
i<br />
THE INDEX, Saturday, February 4, 1928 13<br />
Freedom To Act<br />
it will be made up of matching<br />
materials, and to offset any<br />
monotony, there will be frocks<br />
of printed fabric worn with a<br />
coat in plain color, the latter repeated<br />
in the pattern of the silk.<br />
There are some charming<br />
knitwear ensembles, and there<br />
are those that are made of printed<br />
materials. There are evening<br />
ensembles, too, the latter made<br />
up of a dress and a jacket that<br />
is short and has sleeves, the<br />
idea being to provide protection<br />
for cool evenings. The material<br />
of this jacket may be of the<br />
frock fabric, or it may match in<br />
color and show a fabric contrast.<br />
Again, it may differ in both color<br />
and material—a chiffon eveningfrock<br />
of a pale pink shade topped<br />
with a velvet jacket in a pastel<br />
orchid. Hats continue small,<br />
when they are not of the picture<br />
variety. Shoes and hats are both<br />
characterized by detail but it is<br />
applied with the restraint that<br />
makes for simplicity. In general<br />
these characteristics prevail<br />
—the feminine note; fine details<br />
; restrained ornamentation;<br />
and running through all, the ensemble<br />
note.<br />
Jaye Rigdon<br />
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Warehouses<br />
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I